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Celebrating Cinema

Podcast Celebrating Cinema
LAB111
A podcast for the love of cinema! For more info check out our website: https://celebratingcinema.com. As always, we want to hear from you so please get in t...

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  • Why Hollywood Loves a Comeback
    In a moment when Hollywood is once again embracing the comeback—think Demi Moore’s return in The Substance or Pamela Anderson’s reinvention in The Last Showgirl—we turn our attention to the art of the revival. In this episode, hosts Laura Gommans and Tom Ooms explore the enduring appeal of the Hollywood comeback: why the industry—and its audiences—love to see actors return, transformed and triumphant. From John Travolta’s genre-defining resurgence in Pulp Fiction to Michelle Yeoh’s historic Oscar win at 60, they trace the arcs of reinvention, resilience, and rediscovery. And of course, no conversation on comebacks would be complete without Nicolas Cage—the actor in a perpetual state of renaissance.Book tickets to CC Film Club: Everything Everywhere All At OnceListen back to our episode on Nicolas CageRead Salima Hayek's Op-Ed
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  • The Most Controversial Filmmaker in Dutch History w/ Luuk Bouwman
    Dutch Nazi propagandist Jan Teunissen was once one of the most powerful—and now largely forgotten—figures in Dutch cinema. Rising to prominence during World War II, he seized the opportunity to shape ideology through film, aligning himself with the Nazi regime to fulfil his artistic ambitions. In De Propagandist (2025), director Luuk Bouwman unearths Teunissen’s unsettling legacy, tracing his trajectory from outcast filmmaker to the chief propagandist of the NSB and Nederlands SS. In conversation with host Kiriko Mechanicus, Bouwman examines cinema’s complicity in propaganda, the moral compromises Teunissen made in pursuit of his craft, and how the language of wartime propaganda lives on in modern advertising.Get tickets to our CC Film Club: Everything, Everywhere All At Once @ LAB111
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  • Why Short Films Matter w/ Go Short Film Festival
    In collaboration with Go Short, the Netherlands’ premier short film festival (April 1–6 in Nijmegen), we explore the power of short-form cinema. Host Hugo Emmerzael sits down with artistic director Mathieu Jansen to explore why short films aren’t just stepping stones but playgrounds for experimentation, bold storytelling, and pushing cinematic boundaries. From urgent reflections on war and occupation to the festival’s first-ever dive into video games, this year’s lineup is breaking new ground and audiences should take note.Want to be there? We’re giving away two day passes! Email us at [email protected] with your favourite short film, and you might just find yourself at Go Short.Get tickets for Go Short Film Festival (1-6th April)
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  • Is The Room The Best Worst Movie Ever Made?
    Hailed as the Citizen Kane of bad movies, The Room (Tommy Wiseau, 2003) has transcended its origins as an enigmatic vanity project to become a bona fide cult phenomenon. But how did it achieve such status, and what, beneath its layers of unintentional surrealism, is it really about? Hosts Laura Gommans and Tom Ooms unravel the film’s bizarre legacy, offering an essential guide to its chaotic production, the rituals of its legendary interactive screenings, and its place in the pantheon of so-bad-it’s-good cinema.Get tickets to The Room @ LAB111Get tickets to CC Film Club: Old Boy @ LAB111Get tickets to Straight to Video @ LAB111Get tickets to Go Short Film Festival
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  • Bong Joon-ho's Bloody Brilliance and the Rise of Korean Cinema
    When Parasite won Best Picture, it put Korean cinema in the global spotlight, but it was the result of decades of bold filmmaking. With Mickey 17 now out, it’s the perfect time to dive into the bloody brilliance of the Korean New Wave. Hosts Laura Gommans and Kiriko Mechanicus explore Korea’s obsession with vengeance, shaped by its turbulent history and uncensored filmmaking. They also examine why Bong Joon-ho’s Hollywood work feels so different from his Korean films.Korean cinema captures vengeance like no other, blending brutal violence with raw emotion. While Bong mixes social critique with suspense, Park Chan-wook’s Oldboy and The Handmaiden embrace operatic violence and eroticism. Join us as we dissect the thrills and bloodstained poetry of the Korean New Wave.Book tickets to Mickey 17 @ LAB111Book tickets to Parasite @ LAB111Book tickets to CC Film Club: Old Boy @ LAB111Listen to Do Two Robert Pattinsons Make Mickey 17 Twice the Fun?
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A podcast for the love of cinema! For more info check out our website: https://celebratingcinema.com. As always, we want to hear from you so please get in touch at [email protected]
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