What Bugonia Gets Wrong About Conspiracy Theorists + Kelly Reichardt On The Mastermind
Yorgos Lanthimos’s Bugonia follows two conspiracy-obsessed men who kidnap a powerful CEO, convinced she’s an alien bent on destroying Earth. Emma Stone and Jesse Plemons shine, but while host Laura Gommans revels in their performances, Elliot Bloom questions whether Lanthimos’s satire lands in the world we live in today.Plus, Kelly Reichardt joins Hugo Emmerzael to discuss The Mastermind — a stripped-down art heist film set in 1970s suburban America — and her collaboration with Josh O’Connor.Get tickets to Bugonia @ LAB111
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Mark Cousins On Tilda Swinton And His Story Of A Life In Film
In collaboration with Eye Filmmuseum’s exhibition Ongoing, celebrating the singular career of Tilda Swinton, Hugo Emmerzael sits down with filmmaker, writer, and lifelong cinephile Mark Cousins — Swinton’s longtime collaborator and one of cinema’s great chroniclers. Best known for The Story of Film and Women Make Film, which he created alongside Swinton, Cousins reflects on his wild years as a critic interviewing Hollywood legends in their homes, his boundless curiosity for the moving image, and how film endures as a universal language.Get tickets to Caravaggio @ LAB111
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Why Luca Guadagnino Is The Master Of Desire
Few filmmakers explore desire with as much curiosity and elegance as Luca Guadagnino. His cinema doesn’t just show yearning, it makes us feel it. With After the Hunt now in cinemas, Laura Gommans and Tom Ooms trace how the great films of desire have shaped Guadagnino’s work, from the charged glances to the slow unraveling of restraint. But while Laura revels in the sensuality of his worlds, Tom questions the pretension that can often surround them, avoiding conflict. Together, they ask why cinema remains so obsessed with the ache of wanting, and where exactly the lines of attraction are drawn — both on screen and in ourselves.Get tickets to After The Hunt @ LAB111
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How Rietland Put Dutch Cinema Back on the Map w/ Director Sven Bresser
Sven Bresser’s debut feature Rietland marks a striking moment for Dutch cinema — the first film in nearly 30 years to be selected for Cannes. This eerie, quietly devastating story follows a reed cutter whose discovery of a murdered girl’s body sets off an introspective search for truth, asking where violence really comes from — the world outside or something buried within. Set against the haunting stillness of the Dutch countryside, the film transforms landscape into witness.Speaking with producer Elliot Bloom, Bresser reflects on why he wanted to tell a story rooted in the land he grew up in, how local truths can hold universal weight, and why casting non-actors brought an essential honesty to the film. Together, they explore what makes Rietland resonate so deeply — both at home and far beyond The Netherlands.Get tickets to Rietland @ LAB111Get tickets to CC Film Club: Challengers @ LAB111
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Eddington, Rietland and Tilly Norwood
A lot can change in a week at the movies. One Battle After Another—the film we crowned as the year’s best—has stumbled at the box office, but does that tell the full story? Meanwhile, Dutch cinema is making international headlines, though for all the wrong reasons: AI actors. Alongside all this, new films demand our attention: Ari Aster returns with Eddington, a chaotic, unhinged attempt to wrestle with the Covid era, and Sven Bresser’s Rietland might just put The Netherlands back on the cinematic map. Hosts Laura Gommans and Elliot Bloom have plenty to unpack.Get tickets to CC Film Club: Challengers @ LAB111Get tickets to Eddington @ LAB111Get tickets to Rietland @ LAB111Get tickets to Yi Yi @ LAB111Get tickets to One Battle After Another @ LAB111
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