Growing Up in a Revolution: The Power of Persepolis
In this edition of Review Roundup, host Laura Gommans is joined by Elliot Bloom to dive into the re-release of Persepolis, Marjane Satrapi’s searing, stylish memoir of growing up in Iran through revolution, repression, and rebellion—newly restored by Odyssey Classics. They also take on Steven Soderbergh’s Black Bag, a spy thriller that trades action for dry wit and quiet unease . And with Showgirls back in sparkling form for its 30th anniversary, they ask: was Elizabeth Berkley in on the joke all along?Get tickets to Persepolis @ LAB111Get tickets to Showgirls @ LAB111
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28:09
How Do You Film the Atomic Bomb?
Alain Resnais’s Hiroshima Mon Amour (1959) returns to cinemas—a quiet revolution in filmmaking that blends love, loss, and the long shadow of human destruction. In this episode, hosts Kiriko Mechanicus and Elliot Bloom unpack why this haunting classic still matters today. Why did Resnais turn to fiction after his devastating Holocaust documentary Night and Fog? And what does the film reveal about how we confront images of destruction—past and present?Get tickets to Hiroshima Mon Amour @ LAB111
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31:24
Is Alex Garland's Warfare an Anti-War Movie?
Did audiences jump the gun on Alex Garland’s Warfare? Before it's release, the brutally realist portrait of America’s war in Iraq was deemed just another army recruitment movie, but Hugo Emmerzael and Laura Gommans definitely don't see it that way. Also: Gia Coppola’s The Last Showgirl gives Pamela Anderson a tender, neon-lit comeback, but did it warrant the awards hype it got? Plus, an interview with Carmen Chaplin on 'Chaplin: Spirit of the Tramp', her reframing of Charlie Chaplin’s legacy through his Roma heritage—an overdue look at the outsider beneath the bowler hat.Listen to Why Hollywood Loves a ComebackGet tickets to CC Film Club: Everything Everywhere All At Once @ LAB111Get tickets to Warfare @ LAB111Get tickets to Chaplin: Spirit of The Tramp @ LAB111
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50:25
Why Hollywood Loves a Comeback
In a moment when Hollywood is once again embracing the comeback—think Demi Moore’s return in The Substance or Pamela Anderson’s reinvention in The Last Showgirl—we turn our attention to the art of the revival. In this episode, hosts Laura Gommans and Tom Ooms explore the enduring appeal of the Hollywood comeback: why the industry—and its audiences—love to see actors return, transformed and triumphant. From John Travolta’s genre-defining resurgence in Pulp Fiction to Michelle Yeoh’s historic Oscar win at 60, they trace the arcs of reinvention, resilience, and rediscovery. And of course, no conversation on comebacks would be complete without Nicolas Cage—the actor in a perpetual state of renaissance.Book tickets to CC Film Club: Everything Everywhere All At OnceListen back to our episode on Nicolas CageRead Salima Hayek's Op-Ed
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The Most Controversial Filmmaker in Dutch History w/ Luuk Bouwman
Dutch Nazi propagandist Jan Teunissen was once one of the most powerful—and now largely forgotten—figures in Dutch cinema. Rising to prominence during World War II, he seized the opportunity to shape ideology through film, aligning himself with the Nazi regime to fulfil his artistic ambitions. In De Propagandist (2025), director Luuk Bouwman unearths Teunissen’s unsettling legacy, tracing his trajectory from outcast filmmaker to the chief propagandist of the NSB and Nederlands SS. In conversation with host Kiriko Mechanicus, Bouwman examines cinema’s complicity in propaganda, the moral compromises Teunissen made in pursuit of his craft, and how the language of wartime propaganda lives on in modern advertising.Get tickets to our CC Film Club: Everything, Everywhere All At Once @ LAB111
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