The Bulwark Goes to Hollywood

I’m joined by Paul Fischer on this week’s episode to discuss his new book, The Last Kings of Hollywood: Coppola, Lucas, Spielberg—and the Battle for the Soul of American Cinema. It’s a fascinating look at a pivotal moment in film history, when the breakdown of the studio system gave rise to the auteurist 1970s, the first half of which was dominated by Francis Ford Coppola, only to cede the landscape to the blockbuster entertainments that George Lucas and Steven Spielberg mastered in the back half of the decade and beyond.

This week, I’m joined by Andrew Jarecki and Charlotte Kaufman to discuss their Oscar-nominated documentary, The Alabama Solution. Currently streaming on HBO, their documentary combines interviews, investigative journalism, and footage from within the prisons themselves obtained via contraband cellphones to reveal the horrible and dangerous living conditions of those serving time in the Alabama correctional system. It’s a documentary primed to shock the conscience, and I hope everyone out there watches it. 
You can also go to the documentary’s website, TheAlabamaSolution.com, to learn more about the deaths inside Alabama’s prisons. And if you think this is an important film and an important issue, please share it with a friend.

Remember that weird moment in the 2024 campaign cycle where Donald Trump started referring to how much he loved and identified with “the late, great Hannibal Lecter”? That was odd, right? I discussed that and more with Brian Raftery, whose new book Hannibal Lecter: A Life is both the perfect Valentine’s Day gift for the love consuming your heart and a fascinating portrait of a bizarre creation from a reclusive writer. Indeed, the most interesting part of the book is the early deep dive into the life and writing of Thomas Harris, who has given just a handful of interviews over his nearly 50-year career.

I’m very pleased to be joined this week by Matthew Robinson, who is the screenwriter of the new film, Good Luck, Have Fun, Don’t Die. It is the rarest of things: a mid-budget, high-concept, sci-fi action-comedy. Starring Sam Rockwell as a time-traveler from a ruined future (or possibly just a bum with a fake bomb strapped to his chest), Robinson and director Gore Verbinski (The Ring, Pirates of the Caribbean) have crafted a piercingly satirical take on our obsession with screens, our inability to deal with the tragedy of modern living, and the creeping fire that all-powerful AI will wind up killing half of us and enslaving the rest. 
It’s opening wide on February 13, and I really hope you check it out. I may write a hair more about it in my newsletter though I probably won’t review it properly as I try not to review movies made by people I’ve interviewed so as to avoid the appearance of a conflict of interest. (Ethics, baby!) That said, I strongly recommend going to see it in a movie theater if for no other reason then to demonstrate that there is an audience for original films with a clear point of view and something to say about our world and our moment.

On this week’s episode, I’m very pleased to be joined by Ric Roman Waugh, the director of the new film Shelter, starring Jason Statham. We talked a lot about making that movie and how he best utilized Statham’s skills as opposed to Dwayne Johnson’s in the movie Snitch or Gerard Butler’s in the Greenland films, Kandahar, and Angel Has Fallen. Shelter, which is in theaters now, is a little more meditative than some of Statham’s recent work, though no less effective for it. We discussed why Statham was attracted to the part and how his fatherhood helped inform his role as the protector of an orphaned young girl.
Then we discussed making the transition from stuntman to director: Waugh worked with Tony Scott on a number of pictures, and had some interesting insights into the methods of the great action director. And I’d be lying if I said I didn’t have to practically restrain myself from just doing 30 minutes on Waugh’s Shot Caller, a gritty prison drama.oo