Composers Datebook

Synopsis

On today’s date in 1992, during the bloody civil wars that shattered the former Yugoslavia, a hand grenade was thrown into the midst of a bread line in Sarajevo. Twenty-two people died. To most around the world, it appeared to be just one more senseless act of violence amidst the thousands of such acts took place in that unhappy part of the world.

One Sarajevo resident thought otherwise. At 4 p.m. every day after the incident, despite the danger, Vedran Smailovic, a cellist with the Sarajevo Opera, went to the site of the bombing in full evening dress and played his cello in memory of the dead. A New York Times reporter wrote of the cellist’s moving act of courage and faith in art and humanity — and the world took notice.

English-born composer David Wilde read about the cellist while riding a train in Germany. “As I sat in the train, deeply moved, I listened; and somewhere deep within me a cello began to play a circular melody like a lament without end,” he later recalled. That theme developed into The Cellist of Sarajevo, a piece dedicated to Vedran Smailovic, and which cellist Yo-Yo Ma was soon performing around the world.

Music Played in Today's Program

David Wilde (1935-2025): The Cellist of Sarajevo; Yo Yo Ma, cello; Sony 64114

Synopsis

For many years now MidAmerica Productions has been organizing concerts in New York City and enlisting choral ensembles from the U.S. and abroad to come to the Big Apple to perform at prestigious Manhattan venues.

On today’s date in 1990, choirs from Arkansas, Connecticut, Minnesota and Texas were on stage at Carnegie Hall for the world premiere of John Rutter’s Magnificat, specially commissioned by MidAmerica, and with the British composer himself on hand to conduct.

“The chorus numbered over 200 voices, every one of them happy and excited at the prospect of joining forces in the magnificent setting of Carnegie Hall … [so] I wanted to write something joyous because that would reflect the mood of the performers … the Magnifcat is known as the Canticle of the Blessed Virgin, and it is mainly in the sunny southern countries — Spain, Mexico, Puerto Rico — that Mary is most celebrated … this led me to conceive the music as a bright, Latin-flavored fiesta,” he recalled.

Despite composing and conducting religious music, Rutter confessed during a 2003 interview that he was not particularly religious — just a composer deeply moved and inspired by the spirituality of sacred verses and prayers.

Music Played in Today's Program

John Rutter (b. 1945): Magnificat; Elizabeth Cragg, soprano; Choirs of St. Albans Cathedral; Ensemble DeChorum; Andrew Lucas, conductor; Naxos 8.572653

Synopsis

This lush, late-Romantic score, composed in 1904, had to wait until 1962 for its premiere performance, when, on today’s date that year, the Philadelphia Orchestra led by Eugene Ormandy performed it in Seattle during an international festival devoted to its composer, Anton Webern.

For most music lovers, the Austrian composer is a shadowy, vaguely mysterious figure. If they know anything at all about him, it is that he was a pupil of Arnold Schoenberg, that he wrote a small body of short, condensed atonal scores, and that in 1945 he was shot by accident by an American soldier in the tense days following the end of World War II.

The early orchestral score that received its belated premiere on today’s date in 1962, In the Summer Wind, was completed when Webern was just 19. It’s very much in the style of Richard Strauss, Gustav Mahler and early Schoenberg.

To earn a living, Webern worked as a conductor of everything from Viennese operettas to worker’s choral unions. His conducting career came to a halt when the Nazis annexed Austria in 1938, and until his untimely death in 1945, Webern lived by doing routine work for a Viennese music publisher.

Music Played in Today's Program

Anton von Webern (1883-1945): Im Sommerwind; Cleveland Orchestra; Christoph von Dohnanyi, conductor; London 436 240

Synopsis

On today’s date in 1803, violinist George Polgreen Bridgetower, 33, and pianist and composer Ludwig van Beethoven, 32, gave the first performance in Vienna of a new sonata for violin and piano, a chamber work now regarded as one of Beethoven’s greatest.

At the first rehearsal, Bridgetower had to read from Beethoven’s manuscript score — no easy task considering Beethoven’s poor penmanship — and at one point felt compelled to improvise a passage, which so enchanted Beethoven that he added Bridgetower’s improvisation to his score. In fact, the two young men became fast friends, and were inseparable for a time.

Bridgetower was an English violin virtuoso born in Poland of a European mother and an African father. His Viennese friendship with Beethoven came to a sudden end, he later claimed, when the two men became interested in the same young lady.

And so, even though it should be known as the Bridgetower Sonata, when this music was published as Beethoven’s Op. 47, Beethoven dedicated the music to another contemporary virtuoso, a French violinist named Kreutzer, who apparently never performed it. Despite that fact, to this day, the work is known as Beethoven’s Kreutzer Sonata.

Music Played in Today's Program

Ludwig van Beethoven (1770-1827): Violin Sonata No. 9 (Kreutzer); Pamela Frank, violin; Claude Frank, piano; MusicMasters 67087

Synopsis

Some famous composers were notorious perfectionists — and then there was Johannes Brahms, the perfectionist of perfectionists. He spent 14 years tinkering with the score of his Symphony No. 1, remember.

He once claimed he had written and discarded twenty string quartets before publishing his first two in the year 1873. To say Brahms was his own severest critic would be putting it mildly, but there was one other person whose opinion he valued above all others, and that was Clara Schumann, one of the finest pianists of her day, the widow of his mentor Robert Schumann, and a fine composer in her own right.

So it comes as no surprise that Brahms’ String Quartet No. 3, the Quartet in B-flat Major, published as his Opus 67, was first performed as a kind of “test run” at the Berlin home of Clara Schumann on today’s date in the year 1876. The performers were the famous Joachim Quartet, led by violinist Joseph Joachim, a long-time friend of Brahms.

Unlike his preceding quartets, both austere and introspective works, this one was light-hearted and cheerful — “a useless trifle,” as he put it, adding it was just his way to “avoid facing the serious countenance of a symphony.”

Music Played in Today's Program

Johannes Brahms (1833-1897): String Quartet No. 3