Join us for an enlightening conversation with the extraordinary Adriano Goldman, Director of Photography for Andor and The Crown. Adriano's distinctive insights illuminate the intricate details of digital IMAX capture, the profound depth of field in the format, and the singular challenge he faced while filming a commercial in the exotic Maldives Islands. We share an honest exchange on the unnerving uncertainties sparked by the sudden halt in production due to strikes, the necessity of investing in constructive downtime, and the undisclosed aspects of these strikes. In this lively discussion, we address the complicated realities and widespread misconceptions of the film industry. Adriano and I take a deep dive into the trials of articulating the crucial yet misunderstood role of cinematographers to those unfamiliar with the industry, the deceptive glamorization of film work, and the deep-seated respect earned by cinematographers despite such misconceptions. We also explore the blurred lines between production design and cinematography, and the cinematic influence of the 'Bourne Trilogy' on public perception. For all Star Wars aficionados out there, our conversation leads us to a meticulous examination of the subtle differences between shooting for Andor and The Crown. Adriano offers an insider's glimpse of the commendable effort to maintain the authenticity of the Star Wars universe and realities of the various eras depicted in The Crown, the collaborative dynamic between the cinematographer and production designer, and the painstaking endeavours to realistically portray the sets. Our chat covers a lot more ground, exploring the contrasting color palettes of the two series, and the strategies employed to create relatable sets. Tune in to our engaging banter as we cast light on the gritty reality and the artistic nuances of cinematography. ⁠⁠⁠⁠⁠⁠Follow F&R on all your favorite social platforms!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ You can directly support Frame & Reference by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Buying Me a Coffee⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Frame & Reference is supported by Filmtools and ProVideo Coalition. Filmtools is the West Coast's leading supplier of film equipment. From cameras and lights to grip and expendables, Filmtools has you covered for all your film gear needs. Check out ⁠⁠Filmtools.com⁠⁠ for more. ProVideo Coalition is a top news and reviews site focusing on all things production and post. Check out ⁠⁠ProVideoCoalition.com⁠⁠ for the latest news coming out of the industry.

Get ready for an entertaining discussion as we embark on a roller coaster ride through the cinematic universe with Cinematographer Brandon Cox. Listen in as we kick off our chat with our personal experiences of recent movie viewings including Indiana Jones, John Wick 4, and Asteroid City, discussing how we should take film critics with a pinch of salt and enjoy movies for what they are. We also dissect the different rating systems of Rotten Tomatoes, IMDB, and Letterboxd, and their influence on viewer perception. We then transition into a debate on the shift from film to digital production and its implications on the visual aesthetics of cinema. Discover our thoughts on working with low-budget video equipment, the unique characteristics of Canon 5D versus reversal film, and the influence of CGI on the modern look of films. We also discuss our experiences with different cameras and software, citing examples from movies like Chris Nolan's Batman and Gareth Edwards' latest project. In the latter part of our discussion, we shed light on the importance of understanding and mastering lighting techniques in filmmaking. Hear about Brandon's journey from shooting music videos to high-budget films, his experiences on set with stars like Robert De Niro and Dave Bautista, and his love for action movies. We also touch upon the evolution of lighting technology, the benefits of modern LED panels, and how the use of different tools and techniques have transformed over the years. Don't miss out on our take on film restoration and preservation, the importance of archiving movies, and how streaming services have altered the movie release landscape. So, sit back, relax, and join us on this cinematic journey. (0:00:15) - Film Reviews and Recent Viewings (0:07:01) - Film vs Digital (0:15:32) - Discussion on Film Look and Cameras (0:25:12) - Success in Film School and Cinematography (0:31:41) - Lighting Techniques in Action Filmmaking (0:38:06) - Techniques for Fast and Efficient Lighting (0:44:59) - Evolution of Lighting Technology (0:55:50) - Kino Flo and Astera Tubes (1:07:46) - Experimentation and Learning in Filmmaking (1:15:19) - Discussion on Film Restoration and Technology (1:23:44) - Discussion on Preserving and Restoring Films ⁠⁠⁠⁠⁠⁠Follow F&R on all your favorite social platforms!⁠⁠⁠⁠⁠⁠⁠⁠⁠ You can directly support Frame & Reference by ⁠⁠⁠⁠⁠⁠⁠⁠⁠Buying Me a Coffee⁠⁠⁠⁠⁠⁠⁠⁠⁠ Frame & Reference is supported by Filmtools and ProVideo Coalition. Filmtools is the West Coast's leading supplier of film equipment. From cameras and lights to grip and expendables, Filmtools has you covered for all your film gear needs. Check out ⁠⁠Filmtools.com⁠⁠ for more. ProVideo Coalition is a top news and reviews site focusing on all things production and post. Check out ⁠⁠ProVideoCoalition.com⁠⁠ for the latest news coming out of the industry.

Join us as we explore the world of lighting and camera technology in film production with our special guest, David Lanzenberg, the Director of Photography for the show Wednesday. We discuss the pros and cons of different lighting equipment, including the unique light used for moonlight scenes in Wednesday and fixtures like the FII.LEX Phylex light and delve into the film versus digital debate, examining the commitment of emerging filmmakers to only shoot on film. Further in our conversation, we navigate the complexities of working with IMAX cameras and the different aspect ratios they offer. We also discuss the controversial RED Dragon sensor and its distinctive look. The discussion takes a practical turn as we discuss shooting handheld scenes and the intricacies of matching different cameras in post-production. Finally, we switch gears and examine the differences between shooting beauty commercials and narrative work, touching on the use of layers and multiple lighting sources. We also delve into an engaging comparison between films like Oppenheimer and Barbie, discussing how each film impacts the viewer's perception. So tune in as we unravel the behind-the-scenes technicalities of filmmaking and learn how David Lanzenberg applies these techniques in his work. (0:00:15) - Discussion on Lighting Equipment and Innovations (0:15:18) - Film and New Camera Technology (0:21:43) - Discussion on Shooting Film vs. Digital (0:31:33) - IMAX Cameras (0:38:16) - Shooting LF and Matching Cameras (0:43:45) - Lighting Techniques and Equipment in Filmmaking (0:55:44) - Contrasting Commercials With Television (1:08:15) - Discussion About Films, Lenses, and Oppenheimer (1:12:35) - Movies and Oppenheimer's Impact on Cinema (1:18:32) - Working Efficiently ⁠⁠⁠⁠⁠⁠Follow F&R on all your favorite social platforms!⁠⁠⁠⁠⁠⁠⁠⁠ You can directly support Frame & Reference by ⁠⁠⁠⁠⁠⁠⁠⁠Buying Me a Coffee⁠⁠⁠⁠⁠⁠⁠⁠ Frame & Reference is supported by Filmtools and ProVideo Coalition. Filmtools is the West Coast's leading supplier of film equipment. From cameras and lights to grip and expendables, Filmtools has you covered for all your film gear needs. Check out ⁠⁠Filmtools.com⁠⁠ for more. ProVideo Coalition is a top news and reviews site focusing on all things production and post. Check out ⁠⁠ProVideoCoalition.com⁠⁠ for the latest news coming out of the industry.

Join us for an engaging chat with Tito Ferradans, creator of Anamorphic on a Budget, as we journey through his experience in filmmaking, from researching lenses and adapters to understanding the cinematic language. Tito shares the behind-the-scenes of his process, the struggles and successes he faced, and how his work evolved from a YouTube channel to a popular resource for aspiring filmmakers. We also touch on Tito's transition from computer science to film, a unique experience with Panavision, and his take on anamorphic lens development. In this episode, we reflect on the importance of film history in education and discuss the value of hands-on experience in film school. We delve into our personal experiences of giving bad advice, including Tito's recommendation to glue the inside of a lens with super glue and my suggestion to put a beach worth of sand inside a lens. Listen in as we explore how learning through trial and error played a crucial role in our understanding of the cinematic language. Tito also opens up about the challenges and opportunities he faced while collaborating with sponsors and growing his YouTube channel. We chat about his process of creating short films to test lenses, and the creative approaches he took to filming. Wrapping up the episode, we take a critical look at Netflix's meta trend, discuss our favorite sci-fi shows, and reminisce about our own college filmmaking experiences. (0:00:15) - Anamorphic Lenses and Sci-Fi Shows (0:14:32) - Anamorphic Filmmaking and Research Journey (0:19:44) - Discussion on Anamorphic Lens Development (0:32:31) - Exploring Panavision and Anamorphic Lenses (0:38:54) - YouTube Channels and Filmmaking Exploration (0:50:08) - YouTube Channel Growth and Filmmaking Exploration (0:59:54) - Collaborating and Growing on YouTube (1:13:39) - Film History's Importance in Education (1:17:46) - Action Films to Film School Transition ⁠⁠⁠⁠⁠Follow F&R on all your favorite social platforms!⁠⁠⁠⁠⁠⁠⁠ You can directly support Frame & Reference by ⁠⁠⁠⁠⁠⁠⁠Buying Me a Coffee⁠⁠⁠⁠⁠⁠⁠ Frame & Reference is supported by Filmtools and ProVideo Coalition. Filmtools is the West Coast's leading supplier of film equipment. From cameras and lights to grip and expendables, Filmtools has you covered for all your film gear needs. Check out ⁠⁠Filmtools.com⁠⁠ for more. ProVideo Coalition is a top news and reviews site focusing on all things production and post. Check out ⁠⁠ProVideoCoalition.com⁠⁠ for the latest news coming out of the industry.

Christian Sebaldt, ASC has shot shows like CSI, CSI: Vegas, Lucifer, Pacific Blue, Greys Anatomy, films like Resident Evil: Apocalypse, On a Wing and a Prayer, and Feardotcom, and is currently in pre-production on Final Destination 6. Enjoy! ⁠⁠⁠⁠Follow F&R on all your favorite social platforms!⁠⁠⁠⁠⁠⁠ You can directly support Frame & Reference by ⁠⁠⁠⁠⁠⁠Buying Me a Coffee⁠⁠⁠⁠⁠⁠ Frame & Reference is supported by Filmtools and ProVideo Coalition. Filmtools is the West Coast's leading supplier of film equipment. From cameras and lights to grip and expendables, Filmtools has you covered for all your film gear needs. Check out ⁠⁠Filmtools.com⁠⁠ for more. ProVideo Coalition is a top news and reviews site focusing on all things production and post. Check out ⁠⁠ProVideoCoalition.com⁠⁠ for the latest news coming out of the industry.