Bec and Gurdip this week are setting themselves up for some fiery listener emails with their hottest takes yet as they pose the question: what are the biggest Elvis hits that they feel have become overrated?! (Or maybe just overexposed?) For Song of the Week, it's an Elvis movie double feature as Gurdip sets his course and picks "Go East, Young Man" from 1965's "Harum Scarum" while Bec decides to head out to the World's Fair and selects the cutesy "How Would You Like to Be?" Also discussed are last-minute teases by Baz Luhrmann that dropped just ahead of EPiC's Toronto premiere , including a new mash-up! This episode was recorded before the Toronto premiere and reviews began to release - check back for our reactions to all the excitement soon!
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1:28:17
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1:28:17
TCBCast 374: Final Thoughts on "The Colonel & The King" (Feat. John Michael Heath)
John Heath joins Justin as they get any final thoughts we've had off their chests after having sat with Peter Guralnick's "The Colonel & The King" a bit longer, watching other fans' reactions start to stream in over the last month or so. Consider this a follow-up to both the TCBCast and EAP Society reviews, as well as John's excellent Atomic Wax breakdown (if you hadn't seen it - here's the link: https://www.youtube.com/watch?v=jdxN0xeTT1o) The guys also take a look at a number of things Peter has stated in public interviews surrounding the book's release and whether they stack up with what he writes in the book or go further. For Song of the Week, John's got HIS mojo working as he walks us through the deep Memphis lore around "Got My Mojo Working" - the 1970 warm-up jam on an old blues number (perhaps most famously known from Muddy Waters but previously done by Ann Cole) which Elvis turned into a medley with Priscilla Bowman & Jay McShann's R&B hit "Hands Off." Elvis's version surfaced with added overdubs on the Love Letters from Elvis album in '71 and the unedited version on "From Elvis in Nashville" remains a rocking treat. Justin's Song of the Week is the underrated "Anyone (Could Fall in Love With You), written for inclusion in "Kissin' Cousins" but removed from the production - yet still left on the soundtrack album. However, its songwriters' most famous non-Elvis hit from the 1940s - which Elvis almost certainly knew - might inadvertently give us a small insight into Elvis's gentle, one might say even "Spot-y," vocal approach. If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. If you'd like to support us another way, please drop a positive review on your favorite podcast platform!
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2:31:05
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2:31:05
TCBCast 373: Outtakes That EVERY Elvis Fan Should Hear!
Justin and Bec have compiled their lists of a half-dozen essential alternate studio takes apiece that every Elvis Presley fan, from total newbies to lifelong fans should hear! For Song of the Week, Bec decides to spotlight Elvis's melancholy 1973 cover of Danny O'Keefe's folk-country hit song "Good Time Charlie's Got The Blues" - but in the hosts' pre-show off-air chat, the duo realized that the song had a lot of overlap with the world of outlaw country, given that the bluesy "Charlie" would go on to be covered by the likes of Waylon Jennings, Willie Nelson and others. So Justin takes the opportunity to learn Bec some of the history of the burgeoning "outlaw" scene in Nashville in the early 1970s that led to Jennings' iconic "Honky Tonk Heroes" album, largely comprised of material by songwriter Billy Joe Shaver, including "You Asked Me To," which Elvis also recorded in late 1973. If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. If you'd like to support us another way, please drop a positive review on your favorite podcast platform!
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2:33:33
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2:33:33
TCBCast 372: Ranking Elvis's Live Albums
In this extra beefy episode, Ryan and Justin get together to discuss and rank Elvis's major live albums, from 1969's "In Person" to the posthumous "Elvis in Concert" For Song of the Week, Justin explores the history and original Mexican song "La Golondrina," behind "She Wears My Ring," which Elvis recorded in 1973 and released on 1974's "Good Times" album. Ryan then goes for the biggest SotW he's ever tackled on the show, looking into the iconic "You've Lost That Lovin' Feeling," including Elvis's concert performances across the 1970s, and the story of the original by The Righteous Brothers. If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy. If you'd like to support us another way, please drop a positive review on your favorite podcast platform! Timestamps: (Just in case - this one's pretty big!) Intro & News: 0:00 Main Topic: 9:10 She Wears My Ring: 1:21:35 You've Lost That Lovin' Feeling: 1:49:10
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2:32:25
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2:32:25
TCBCast 371: Sunset Boulevard, The End of the "Rockist" Box Sets Era & A Bit More Colonel
After spending a little time mulling over the post-release feelings surrounding "The Colonel & The King," Justin and Bec give their thoughts on the newest Elvis box set from Sony Legacy, Sunset Boulevard, which encompasses recordings and rehearsals done between 1970-1975 at RCA's Studio C in Hollywood. The duo reflect on the the successes and shortcomings of this era of box sets that seems to be drawing to a close. From Elvis in Nashville, Back in Nashville, Memphis and Sunset Boulevard mark a period where producer Ernst Jorgensen and mixer Matt Ross-Spang have seemingly reinterpreted Elvis's multi-track studio work in the 1970s through a more "rockist" lens; that is to say, one that promotes and emphasizes the perceived authenticity or purity of raw material recorded in-studio by Elvis and a core rhythm band without additional backing vocalists, strings and horns. Despite great, modern-sounding re-mixes, these box sets have also marred by inconsistent mix decisions that contradict the claims that you're only hearing what Elvis heard in the studio - selectively leaving some overdubs, removing contributions from musicians that were physically in the studio with Elvis, and much more. It's a thought-provoking discussion about what the goals were, what value these sets have added, and whether they have helped us understand Elvis's creative process any better. For Song of the Week, Bec picks a childhood favorite, the sweet ballad "A Boy Like Me, A Girl Like You" from the Girls! Girls! Girls! soundtrack. Then, Justin uses "Good, Bad But Beautiful," an instrumental intended for Elvis to finish, to explore the fascinating circumstances of sessions, publishing, and release schedules that led to its recording at Stax in July of 1973... and Elvis's rejection of the Clive Westlake-penned song (later done by Shirley Bassey) at a late September 1973 session at his Palm Springs home, less than three weeks after having attempted to fire his manager. This is one you won't want to skip... because there's a special Elvis Week surprise in this Song of the Week segment, courtesy of our good friends Jamie and John over at the EAP Society.
Over TCBCast: An Unofficial Elvis Presley Fan Podcast
"Elvis is history," Carl Perkins once said, "and anytime anyone or anything becomes history, whether it be Pearl Harbor or Elvis, it will never go away. The world will never tire of his songs."
TCBCast is an unofficial fan podcast featuring co-hosts Gurdip Ladhar and Justin Gausman, along with regular guest co-hosts Ryan Droste and Bec Wyles, plus an array of Elvis fans and experts setting out to better understand that history, and those songs. Tackling topics from throughout Elvis's lifetime and beyond, TCBCast seeks to offer thoughtful, intelligent, heartfelt and honest discourse on Presley's career, his influences, the people who made his work possible, and the cultural phenomenon surrounding his iconography.
TCBCast is not associated with or endorsed by Graceland, Elvis Presley Enterprises, Authentic Brands Group or Sony.
Luister naar TCBCast: An Unofficial Elvis Presley Fan Podcast, Joris Voorn presents: Spectrum Radio en vele andere podcasts van over de hele wereld met de radio.net-app
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