Cinemapodgrapher

• Adolescence with DP Matt Lewis and Camera Operator Lee Brown

  Netflix hit series Adolescence has taken the world by storm — a gripping 4-part mini series exploring parenting, misogyny, and bullying — each episode shot in one continuous take. This week on the podcast, we chat with Director of Photography Matt Lewis and Camera Operator Lee Brown, the duo behind the lens of this viral sensation. They break down exactly how they pulled off the oners- from the technical challenges to the physical intensity of each episode. We dive into Matt’s history with the One Take technique, why he chose the Ronin 4D for this project, and how Lee got the job as his camera operator. We also deep dive into the details of pre-production, planning, and the intense choreography behind every episode. Join us for one of our most in-depth episodes ever — clocking in at 2.5 hours — as we go behind the scenes  for the global phenomenon that is Adolescence. This epiosde is proudly sponsored by Red. Hosted by Lucas Tomoana SOC, Edited by Raphael Segal, Produced by Deb Bauer

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• September 5 with Markus Förderer ASC BVK

  Markus Förderer ASC BVK takes us behind the scenes of September 5, an independent feature where he crafted an authentic 1970s broadcast aesthetic while pushing the boundaries of digital cinematography. He shares how he transformed the RED V-Raptor to look like film, lit the set for 360-degree shooting, and operated in a raw, documentary style without rehearsals. Markus also discusses the challenges of building a set that felt true to the era, working with vintage-inspired lighting, and his unconventional decision to pull apart and detune his own zoom lenses to create a messier, more organic look. Along the way, he reflects on his journey to Los Angeles and how his early work, including his debut feature Hell with director Tim Fehlbaum, shaped his approach to cinematography. Markus credits his early experimentation with photography as a child for helping him develop an instinct to break the rules and embrace unconventional techniques. This mindset has played a key role in his distinctive style, allowing him to challenge norms and create visually striking work. He also shares his passion for sharing knowledge through his website, Cineflares, which he founded to help fellow filmmakers explore the creative possibilities of lighting and cinematography. From embracing imperfections to rethinking the way digital cameras capture texture and movement, Markus offers a fascinating look at the creative choices that define his work. This episode is proudly sponsored by Red.

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• Sean Flannery: Mastering Live Broadcast – Oscars, Grammys, Super Bowl Halftime Shows, Steadicam & Trinity

  Sean Flannery has operated on some of the biggest live broadcasts in the world—Oscars, Grammys, Super Bowl Halftime Shows, you name it. In this episode, we sit down with Sean to unpack what it takes to operate under intense pressure while millions watch live. We dive deep into the technical side of Steadicam and Trinity, break down what it was like bringing the Kenergy with Ryan Gosling at the Oscars, and get an insider’s look at filming some of the most iconic Super Bowl Halftime Shows—including performances by Rihanna and Kendrick Lamar. If you’re into camera operating, live event production, or just love behind-the-scenes stories from the industry’s biggest gigs, this one’s for you.

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• Matt Poynter ACO, SOC Assoc BSC: Becoming President of the ACO, the Importance of Assisting, A vs. B Cam, Building Relationships, Crane Work & Steadicam.

  In this episode, we sit down with Matt Poynter ACO, SOC Assoc, BSC to talk about his journey from a young assistant to becoming the President of the ACO (Association of Camera Operators). Matt shares insights into the ACO’s role in the industry, as well as his own career path—moving to London, starting out in a rental house, and the pivotal moment when he met cinematographer Sean Bobbitt BSC. We also dive into his experience assisting on documentaries and drama, his step up to A-camera operator in Malaysia, and the nuances of A vs. B camera operating. Matt breaks down how to work effectively with directors and DPs to shape coverage, the importance of building a strong relationship with your dolly grip, and operating tools like cranes and Steadicam. Finally, we discuss one of the most critical skills for any camera operator—staying calm under pressure. Whether you’re an aspiring operator or a seasoned pro, this episode is packed with valuable insights from one of the industry’s best.

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• Beast Games with Series DP Jason Elliott

  What does it take to be the series DP for Beast Games, the most ambitious reality  series ever, helmed by none other than MrBeast? In this episode, we sit down with cinematographer Jason Elliott to break down the high-stakes spectacle—shattering camera world records, orchestrating shots with 1,000 contestants and a massive crew, and bringing extravagant sets to life. Jason shares how he landed a role at Beast Headquarters, managing over 100 camera crew and an astonishing 1,000+ cameras while shooting inside a $15 million Beast City. Want an exclusive look at the future of large-scale digital filmmaking? Hit play!  

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