Love Music More (with Scoobert Doobert)

"They don't!" Just kidding. In this pod, I talk through the different ways to approach writing guitar parts and how the guitar can be an influential instrument for any sort of part writing, from the technical side (what pickup or effect do I choose) to the touch side (do I play with a pick) and so much more!
For 30% off your first year of DistroKid to share your music with the world click ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DistroKid.com/vip/lovemusicmore⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 🌎
Watch guest episodes on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 📺
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Tune into my music and surf the different-yet-connected platforms at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ScoobertDoobert.pizza⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠🍕⁠
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A word salad poem cut from episode excerpts by the podcast producer 🫛
Different kinds of sounds. Channel in. The expectation. On almost any instrument. Something funny. Reinforce each other. In a different way. Thinking through. All of these things. Understanding those things. Have a happy mistake. Add some spice and flavor. Hear the shift. Notes are ringing out. Color notes. Totally different. Constant. A lot of notes. In a situation. Other instruments. Even in a pop mix. A great amount of separation. Different shapes. Add dramatic tension. Just natural. Emulate the ways. Continuing the energy. All of this palette. Illustrate a lot of different musical concepts. Handling the input. Drip in and out of. Noodles. Interesting notes. Tends to repeat. Cultural memory. In a way that sings. Of thinking in shapes. The number of notes. Add this rising motion. Certain flavors of scales. In a tone or sound. An expected set of notes in an unexpected way. What the microphone is hearing. Frequency spectrum. The tuning kind of jumps. Dissonant kind of things. Through different instruments. Super into it. The dyads. Break expectations or lean into expectations. The placement. Carrying the note on. 🧳
Edited by Rebecca Sansom
Set Design by Max Horwich
Podcast Produced by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Beformer⁠⁠⁠⁠⁠⁠⁠⁠⁠

Giosuè Greco’s work includes Dìdi, Welcome to Wrexham, and A24's Death of a Unicorn. But how did he get here?
From apartment dinners to stadium drum lines, Giosuè’s art and career span the biggest and smallest of sounds and spaces and communities. I think that’s the secret to why his work can feel so modern yet so classic. Our conversation made it clear how important growing with your people, your community, really is.
And we talked a lot about his collection of fun musical instruments. You never know what might bring the next leg of inspiration!
For 30% off your first year of DistroKid to share your music with the world click ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DistroKid.com/vip/lovemusicmore⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 🌎
Watch guest episodes on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 📺
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Tune into my music and surf the different-yet-connected platforms at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ScoobertDoobert.pizza⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠🍕⁠
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A word salad poem cut from episode excerpts by the podcast producer 🫛
Shuffling those notes. Play to the instrument’s strength. An easier access point. An immediate reward. Depends what space. The audience perceives that. A different person every day. Variations on that song. Room to improve. An interesting thing. Being proficient. On a technical level. In a timeline. Happy.  To create. Actually awesome. Closer to opportunities. For several reasons. Sound pretty good. Jazz curious. Articulation. It can sound like a lot of things. Even better. Excited. Putting all the pieces together. An alternate perspective. Eternal. In that space at that time. A sonic identity. Arrangement. Goes really deep. Let the idea. Infinite. Never been this accessible. Weird noises. A very authentic artist. Creates its own momentum. Making decisions. Expansive. Fascinating. Incredible story. It’s amazing. A pretty obvious thing. Get ready. The way the camera works inside the glass. Whole tone stuff. Very important. Amazing. Traction. Weird intervals. Always a light in the dark. It’s this element that its keeping time. The harmony can play in. Magical. This all kind of melts together. So interesting. An invisible sidechain. A harmony note that gives hope. Emotion translation. Interpersonal. A bold idea. Confidence. Chords equal emotion. It’ll be great. A way to find joy. A whole thing that never ends. Been refreshing. Deeper.  Reveal itself. It’s fun. Constraining space. Such wins. Create something that’s cooler. The difference between big and small. Ring so differently. To the point. Into the session. Unconventional instrumentation and finding inspiration in unique and varied ways. Open. Fundamentally. Type of situation. Kind of like everything goes. It almost feels like an alternate universe. How to arrange. Psychologically.  Simultaneously otherworldly and deeply human. Good at that. Astral project. 🔭
Edited by Rebecca Sansom
Set Design by Max Horwich
Podcast Produced by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Beformer⁠⁠⁠⁠⁠⁠⁠⁠⁠

I don’t like it when people say “music is math.” I think it’s better to say recording is math.
And if you want to get great at recording (or just understand it!), I think there’s a bit of (fun) homework to do.
In this pod, I cover what happens when we record a signal, play a synthesizer, add reverb, and do fun things like convolution and Fourier transforms. Don’t worry, there won’t be any formulas or tests.
For 30% off your first year of DistroKid to share your music with the world click ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DistroKid.com/vip/lovemusicmore⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 🌎
Watch guest episodes on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 📺
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Tune into my music and surf the different-yet-connected platforms at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ScoobertDoobert.pizza⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠🍕⁠
Score pod ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 🥥
A word salad poem cut from episode excerpts by the podcast producer 🫛
Infinite space in between every step. In the time domain. Through some distortion. An impulse response. Apply those deltas. A series of delays or whatever. Schematics. All sorts of things. Amplitude stuff going on. All kind of tools in the toolkit. Faster and faster and faster. Get that all the time. The time domain. Ability to interact or evaluate or even build. Nonlinear voltages. Something happens. Continuous waves. Figuring out the math. Same basic idea. A spectrograph. Timbral structures. Every frequency is happening on a timeline. As a reverb chamber. Everything adds up. All decisions. Different combinations. Every choice. Affecting the waveform. A bunch of different types of ears. Incredible ways. Frequencies, time and amplitude. The echoes. Have harmonics. All sorts of cool stuff. The difference component parts become one new part. To hear it forever and ever and ever. Different notes that can emerge. Essential audio, the qualities. The platonic ideal. Lay audio. The wave shape. Through a bunch of different techniques. Audio signal. To these tools. Rolling waves. 🐚
Edited by Rebecca Sansom
Set Design by Max Horwich
Podcast Produced by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Beformer⁠⁠⁠⁠⁠⁠⁠⁠⁠

Logan is one of my favorite musicians period. We dove into his aquatic world of MIDI saxophones, bass technique, and reasons why he plays and loves music.From stage diving in the U.K. to performing on Jimmy Fallon, Logan jumps from funk to jazz as fast as he bounces between intensely serious and absurdly funny.I hope you enjoy this half as much as I did!
For 30% off your first year of DistroKid to share your music with the world click ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DistroKid.com/vip/lovemusicmore⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 🌎
Watch guest episodes on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 📺
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Tune into my music and surf the different-yet-connected platforms at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ScoobertDoobert.pizza⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠🍕⁠
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Connect with Logan on:
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✏️ Dolphin Hyperspace
✏️ ⁠Outside World
A word salad poem cut from episode excerpts by the podcast producer 🫛
Different flavors. So inspiring. The aesthetic and music combine. The particular effect. Readjusting of things. As relaxed as possible. That level of articulation. A similar feeling. The intensity of that instrument. A love letter to the saxophone. Such a fun experiment. That ethos. About redundancy. A fourth wall breaking experience. The visual component. Amazon ideas. Ergonomic. Serious fun. Identity around must. Sound naturally that way. That duality. About playback. Whatever feels fun. Go for. Consistent. The anchor. To every note. Fun whimsical, also beautiful. That first moment. Into the fold. Incredibly unique. A really cool experience. To be able to share that. About harmony. The harmonic series. Grateful for that. Quite a bit. Like a puzzle. There’s a very rare situation. Accept opportunities. The notes. A very important part. Unique vision. The total duality. Form and coalesce. A sign of respect. That’s cool. Architecting a chord. Those shared experiences. Always vibe-based. Layering the bricks. Spaced out. The pace. Amazing. To be inspired. Frenetic. Temporal. Curious to try it. Different things. Different versions of that. A great mind meld experience. All the time. Distinctive. Just for fun. Dive into that brain. The combination. A little bit cheeky. Extending sections. So whimsical. All that on the rails. 🚟
Edited by Rebecca Sansom
Set Design by Max Horwich
Podcast Produced by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Beformer⁠⁠⁠⁠⁠⁠⁠⁠⁠

In this finale to the mini-science series, let's talk humpback whales and Snowball the dancing Cockatoo. How do birds handle tempo changes? And can whales remember their songs or are they just improvising?
For 30% off your first year of DistroKid to share your music with the world click ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠DistroKid.com/vip/lovemusicmore⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 🌎
Watch guest episodes on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠YouTube⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 📺
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Tune into my music and surf the different-yet-connected platforms at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ScoobertDoobert.pizza⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠🍕⁠
Score pod ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠merch⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ 🥥
A word salad poem cut from episode excerpts by the podcast producer 🫛
Discovery process. Singing along. Actually dancing. Across a broader thing. Statistically coherent chunks. Seems at first glance. What actually is out there. Something beyond rhythmic grouping or sensitivity. To be able to do this. The other study. Creating a relationship. Went even further. To a subjective beat. To be able to rip it up on the dance floor. Pattern matching. One more mammal. Timing prediction. Obsessed about. Dog tapping their foot. Distinguish regular from irregular sequences. The relationship between pitches. A fun thought experiment. Temporal. For words. The song itself is the relationship. Substantial tempo changes. Danced to music. Microphone tapping. Truly a universal language. A great song is a great song. Rhythmic organization. Signs point to maybe. Replicating. 🐳
Edited by Rebecca Sansom
Set Design by Max Horwich
Podcast Produced by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Beformer⁠⁠⁠⁠⁠⁠⁠⁠⁠