Love Music More (with Scoobert Doobert)

Last episode, we talked about babies. Now let's point the science at monkeys. Do monkeys have rhythm? And, are they good coworkers?
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A word salad poem cut from episode excerpts by the podcast producer 🫛
Organizing the pattern. Bold entrances. About the rhesus macaw. Pretty cool. The sound of prosody. Swum in the fishbowl. The palette to influence emotion. A deep brain development phase. The interesting finding. Essentially anticipating the next step of music. A big moment. Soaked in the culture. Something being pleasant. A fundamental auditory thing going on. The ordered sound that becomes music. Some amount of rhythm. Very different ears. Predisposition for music. Expectations built. The timbral things, the texture things. Neural sensitivity. At least the ability. Signs of organization. Speech rhythms. Tension and release. Because it’s pleasant. Different rhythmic patterns. In terms of musical expectation. Something to dance to. Showed timing. Fun to at least think about. Vocabulary. About rhythm. Factory default setting. Downbeats. Building a statistical representation of sound. Speech continues. Crack the door in an interesting direction. To unexpected timing and unexpected pitch. Greater brain activity. Everything recurring including the heartbeat. Assess that. Ordered frequencies over time. The bone flutes. 🪈
Sources:
Rajendran et al. (2025), “Monkeys have rhythm.”
PubMed, Monkeys have rhythm
Bianco et al. (2024), “Neural encoding of musical expectations in a non-human primate.”
PubMed, Neural encoding of musical expectations in a non-human primate
Izumi (2000), “Japanese monkeys perceive sensory consonance of chords.”
PubMed, Japanese monkeys perceive sensory consonance of chords
Koda et al. (2013), Campbell’s monkeys and consonance preference.
PubMed, Campbell's monkeys do not prefer consonant over dissonant sounds
Podcast Produced by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Beformer⁠⁠

A new study this year studied babies aged 0-2 days. Can they predict music even at that age? And what does that mean about music itself?
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A word salad poem cut from episode excerpts by the podcast producer 🫛
Vague blobs. In terms of language. Out of the scale. Acoustic variables. An intent, a discernible thing. Can keep going further. Things like that. Improvise along. React to surprise. One of the coolest art forms ever. A waterfall or something like that. Estimations. Musical context. Little unexpected. Monophonic. In an expected way. Building blocks or abstraction. Hear these differences. Some science behind it. The combination over time. The structured sense of musical vocabulary. That cultural expectation. Use the musical context. A universal language for humanity. A universal language for humanity. Things like that. To do a music study. Communicate in some ways. Formed expectations about musical rhythm and melody. Consonance. These other things. The act of living inside of music. Just scrambled. In real time. Play in rhythm. In the same sense. Stronger neural responses. The art form of sound and expectation. Since day zero. 🐣
Podcast Produced by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Beformer⁠⁠

Do "good" chords exist? What about "bad" chords? If they did, how we would we know? In this pod, I consider the case of the Tsimane’, an Indigenous people living in the Bolivian Amazon, who have a surprising lesson to teach Western music.
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A word salad poem cut from episode excerpts by the podcast producer 🫛⁠⁠⁠
A different conceptualization. The psychological response to music. Something to it. It can expand. A new sort of temperament. Brought headphones. The difference in the sound. A cultural relative isolation kind of exercise. Different levels. Not necessarily just a time capsule. Songs that carry stories. For musical effect, for a purposeful thing. At the fishbowl. Can be useful. A growing preference. Different types of sounds. Part of thing cool thing. Distinct tones. Awesome. All at the exact same time. Pretty and alluring. The clean idea. Makes a note or a chord interesting. Give an ensemble the ability to pick. Changing and adapting. Can be really cool. That surprising result. Can learn stuff. Incredible variation. A bunch of ratios. A mirror perhaps. In tune. Perfectly imbalanced. Edge cases. Cultural lens. The music of the spheres. What it is to make music. It just is. Being open to that. Pleasant. A remarkably different psychoacoustical response. The fancy music theory word. The context. A push and pull. Reachable via canoe. 🛶
Podcast Produced by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Beformer⁠⁠

Groove is one of the most elusive parts of music, but it defines genre and often success. Why does some music feel good? Why do some bassists and drummers "lock"? And why is it so much harder than just clicking "quantize" on the computer?
I think the secret to music's next phase is in the phase shift. AI isn't going anywhere, so we need to add more humanity to the human music. It's a weird future, but I believe in the funk.
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A word salad poem cut from episode excerpts by the podcast producer 🫛⁠
Pulls it all together. This combination. Shuffle and reengage. Intuitive ability. Contributes to groove. Cluster chords. That happens often. To navigate. The coolest moments in a song. Frame of reference. Moves in this way. A predictive set. In and out. Of feel, of timing. To participate. That relational setup. Virtuosic. All connected. Tip that wave. The phase relationship. Dance between. By a foil nature. Creates an energy. That coastal breeze. Give and take. Behind the beat. Sounds kind of beautiful. Around the strings. What the word. Their temporal location. A better conversation. Alternates between. That perceptual center. Intuitively feel. Layer in. Key learning. About perception. It can work. Art and science. Relational. An interesting reminder. There’s the onset, there’s the moment. All of a sudden. In the flow of things. The weird things. A reasonable response. Their best. A version. Feels better. To the given instrument. The mechanics of a pick. Not just timing. To that predictive capability and the conversational capability. On the record. Variation. Creating a groove together. Any of the things. All it is. What actually is going on. A respectful manner. Little things. The transient quality. A bowed string. Crazy thing. Part of the groove. Pretty cool. Energy required. Combined. Make the groove. The kind of thing. Layering on. Note is played. Room to do this. Playing together. Make music. A team sport. That push pull. Footwork. That gap. That idea. Need to interplay. Sense of being. Faster than reaction time. Ebbing and flowing. A game. Harmonic series. The impression of energy. Align them. That perceptual version. Think about it. Listen to each other. Trust your ears. Like a basketball team. 🏀
Sources mentioned in this episode:
⁠Large & Jones on Dynamic Attending Theory⁠
⁠Danielsen et al. on perceptual centers and perceived timing
Podcast Produced by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Beformer⁠⁠

What makes a chord cool? How do we go beyond the 12 notes and into frequencies? And how do we avoid all that nasty music theory getting in the way of our artistic selves?
Well, I brought my mini-piano to explore just that. Let's dive in.
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A word salad poem cut from episode excerpts by the podcast producer 🫛
A proper adventure. Subvert expectation. Stumble on something amazing. Taken as a collection. The harmonic series. That energy. A certain sense. A funny thing. Tonal stuff. All of those things. Slightly offset. Essential character. Configuration. Being perceived. Discern all of the notes. Hence the power chord thing. A hypnotic effect. Same basic example. Harmonic energy. All sorts of stuff. Create frequencies. The tension and release of a piece going. Different ears. Acceptable. Spectrometer. Frame of focus. Genre choices. The gradient between. Room to play. Wobbles. Approach the notes. Dyads. To discern. As frequencies. That rub. Following the intuition. Create situations. Able to. The choice of instrument. Start plucking around. Thinking about. Legible. Key relationships. The inverse of that. Square those circles. Real magic. Loop back around. Move up a little bit. Fulfilling intuition. Well and good. Or deciding the opposite. A pedal tone. Those little moments. In the discrete. Putting that. Complexity out of simplicity. Some of the notes static. Intuition drawing the lines. To music itself. How that chord propagates throughout the entire sonic spectrum. Knobs for the sake of emotion. 🎛️
Podcast Produced by ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Beformer⁠⁠