New Books in Early Modern History

After mounting London’s outdoor pulpit known as St. Paul’s Cross on
8th December, 1588, Anthony Tyrrell found himself perched before a
skeptical audience. He stood in the shadow of St. Paul’s Cathedral to
declare his recantation of Catholicism and return to England’s official
Protestant Church. The trouble was he had been there before – in January
of the same year, in fact – to do the same thing. On that occasion,
however, he had shocked on-lookers by delivering an anti-Protestant
tirade instead of his promised recantation. How could Tyrrell, a serial
convert, who eventually changed church affiliation as many as ten times,
overcome the doubts of his suspicious audience? Tyrrell and similar
converts who made multiple conversions understandably aroused suspicions
of hypocrisy that made the performative character of public recantation
troublingly evident. Yet as Holly Pickett argues in The Drama of Serial Conversion in Early Modern England (University of Pennsylvania Press, 2024), these performative elements are actually indispensable to any conversion, whether an individual’s first or fifteenth.

Serial
converts served as uncomfortable reminders to their contemporaries that
religious identity is always unverifiable. The first study to explore
serial conversion as a discrete phenomenon in this era, The Drama of Serial Conversion in Early Modern England challenges
confessional divisions within much early modern historiography by
analyzing the surprising convergence of Protestant and Catholic in the
figure of the serial convert. It also reveals a neglected strain of
religious discourse in early modern England that valued mutability and
flexibility even in the midst of hardening and increasingly narrow
understandings of conversion.

Michael Shaw is a PhD student in Historical Theology at Union
College, Belfast, and a Visiting Tutor at the Irish Baptist College. His
research focuses on the thought of the Independent Puritan theologian
Jeremiah Burroughs (1599–1646). His primary research interests lie in
historical theology, particularly early modern Baptist and
Congregationalist theology and ecclesiology. He also serves as the
Associate Pastor at Strandtown Baptist Church, Belfast.
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Mexico City was America's largest city in the seventeenth century – a genuine metropolis. In American Metropolis: The Making of Mexico City (Cambridge University Press, 2026), Dr. Tatiana Seijas reveals a rich tapestry of stories about essential workers who remade and transformed the city during this period. Her narrative style carries readers to a unique place and time with residents from around the world who sold food, facilitated transportation, provided care, and valued the city's silver. Free and enslaved people from Africa and Asia, immigrants, and Native Americans pursued opportunities in a wealthy, yet deeply unequal environment, where working people claimed parts of the city for themselves. They carved out spaces to create new businesses and protect their livelihoods, altering the cityscape itself in the process. American Metropolis brings Mexico City to life from the perspective of the working people who transformed this early modern metropolis.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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Drawing from local archives alongside national and international records, War and Governance in Scotland, 1543-1559: Destruction, Reconstruction and Reform (Edinburgh UP, 2026) by Dr. Amy Blakeway argues that warfare was the defining feature of government and politics in Scotland for the two decades following the death of James V. It demonstrates that beyond the direct effects of invasion, the need to raise unprecedented taxation, as well as warfare’s secondary consequences, such as plague and price inflation, disrupted communities throughout Scotland, engendering enhanced social control. These effects endured for many years after the peace of 1550: new laws were passed to manage those who had collaborated with the invaders and taxation remained high.The post-war decade was one of reconstruction, and it was this which drove religious reformation in 1559-60. The book shows that appreciating the scale of the crown’s ambition places the Scottish state’s development closer to that of its European counterparts.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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Today’s guest, Caro Pirri, is the author of Colonial Failure and Theatrical Form in Early Modern England: Stages of Unsettlement (Oxford University Press, 2025). This book explores how early modern colonial travel writing informed the London theater’s spatial and placemaking conventions. It suggests that what the stage found most compelling about narratives of colonial settlement was their failure to claim interpretive control over unfamiliar places and people. The book goes on to link colonial misreadings of places and people to theatrical strategies for staging disorientation, which Pirri characterizes as a condition of “unsettlement.”

Each chapter focuses on a specific formal device that emerged from colonial misreadings: “uncommonplacing” in Richard Hakluyt’s travel compendium; metonymic possession in Christopher Marlowe’s Tamburlaine; “seasoning” in Ben Jonson’s city comedies; “stagewreck” in Shakespeare’s The Tempest; and “stagework” in the Lord Mayor’s Shows.

By approaching form as an interpretive process that is always engaged in the act of making and being made, Colonial Failure and Theatrical Form offers a model for reading past the seeming impasses of colonial narratives. It shows how narratives of failed settlement served as a productive resources for the formal worldmaking conventions of early modern theater.

Jane Hwang Degenhardt is Professor English at the University of Massachusetts Amherst. She is the author of Globalizing Fortune on the Early Modern Stage (Oxford UP, 2022) and Islamic Conversion and Christian Resistance on the Early Modern Stage (Edinburgh UP, 2012). She is also a co-editor of the academic journal English Literary Renaissance.
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Henry VIII is England’s most famous king. He is simultaneously the virtuous Renaissance prince gone wrong, the psychopathic, paranoid tyrant, the religious disruptor and the much-married glutton.

Overlord: The Life and Reign of Henry VIII (Birlinn, 2026) is a groundbreaking study of Henry’s life examines and destroys many of the long-repeated myths about this complex monarch: he was not particularly gluttonous, not particularly prudish, and not particularly messy in his religious changes. Nor did he see himself as simply King of England. Drawing on archival sources from across the British Isles, Dr. Steven Veerapen reveals how Henry fashioned an image of himself as a law-abiding and benevolent emperor who dreamed of uniting England, Scotland, Ireland, Wales and swathes of France under Tudor rule.

Yet the image was false and the dream a nightmare for his queens, his ministers and many of his subjects. This new portrait shows Henry for what he really was: a self-aggrandising actor who, by fair means and foul – murder plots, marriage negotiations and military ventures – did all he could to realise his imperial fantasy.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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