New Books in Early Modern History

In the thirteenth-century Mediterranean, commerce transformed as merchants shifted from Roman to Indo-Arabic numerals—an alternative that better facilitated complex calculations. It has long been known that this transition stemmed from Europe’s increasing exchanges with India, Persia, and the Arabic world. Yet much remains to be understood about how Indo-Arabic numerals—and the practical arithmetic they enabled—actually spread across Europe. As Dr. Raffaele Danna shows in The Craft of Indo-Arabic Numerals: How Practical Arithmetic Shaped Commerce and Mathematics in Western Europe, 1200–1600 (Harvard University Press, 2026), it was hundreds of ordinary merchants, schoolmasters, and artisans who nurtured these changes, thereby driving key advances in both commerce and mathematics.

Drawing on an original catalog of more than 1,200 practical arithmetic manuals, Dr. Danna charts the incremental spread of the new figures with unprecedented precision. While Italian merchants were the early adopters, it took nearly three centuries for Indo-Arabic numerals to become established in northern Europe. As Dr. Danna shows, adoption did not follow the routes of maritime trade. Rather, Indo-Arabic numerals moved gradually across the continent through inland networks of practitioners. Everywhere they went, the ten figures enhanced commercial practices and facilitated the emergence of a coherent language of mathematical craft. The growing social circulation of this knowledge, in turn, had a lasting impact on the economic trajectory of Western Europe. By the late sixteenth century, even academics were absorbing lessons from the vernacular tradition—a development that led to the first major breakthroughs in European mathematical theory since antiquity.

Combining economic history with the social history of mathematics, The Craft of Indo-Arabic Numerals illuminates the integral role of practical arithmetic in both intellectual and commercial transformations across Western Europe.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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The Lithic Imagination from More to Milton (Oxford University Press, 2024) by Dr. Tiffany Jo Werth explores how stones, rocks, and the broader mineral realm play a vital role in early modern England's religious and cultural systems, a role that, in turn, informs the period's poetic and visual imagination. The scale of the human lifespan and the gyre-like turns of England's long Reformation provide a conceptual framework for the various stony textual and visual archives this book studies. The texts and images participate in specifically English histories (literary, artistic, political, religious) although Continental influences are frequently in dialogue. The religious orbit encompasses the Christian rivalry with Jewish culture, touches on Christianity's tension with Islam, but most intently centers on the antagonism between Catholic and variants of Protestant and Reformed belief.The volume features canonical writers such as Shakespeare, Spenser, Donne, Wroth, Herbert, Milton and Pulter, but puts them in company with lesser-known religious polemicists, alchemists, anatomists, painters, mothers and stonemasons. Accordingly, the multimedia archive includes drama, lyric and prose as well as biblical illustrations, tapestries, church furniture, paintings, anatomical drawings and statues. The lithic too is capaciously construed as a continuum of rocky as well as mineral forms ranging from bodily encrustations like the kidney and bezoar stone, to salt, iron, limestone, marble, flint and silicon. The assemblage of materials bears witness to aspirational imperial fantasies and looming colonial conquests; it engages in both syncretism and supersession; upholds and subverts gender hierarchies; limns the race-making category of hue with desire; and supports, and sometimes thwarts, elitist ideologies of an elect, chosen people. All come together via the storied pathways of stone as densely material and as a foundation for the abstract imaginary along the scala naturae. Across the lithic-human fold, stone promises, fascinates, betrays. As alpha and omega, stone can herald salvation or it can threaten with damnation.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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John Gerard’s natural history of plants, The Herball (1597), is considered a failure in the history of science. Despite this reputation, it has endured as an aesthetic resource. Its illustrations were used as needlework patterns, and strewn across its pages are extracts of classical poetry, including Ovid’s Metamorphoses, that delight and instruct. It is little wonder that early modern poets, like Shakespeare and Milton, gathered inspiration from this storehouse of plants.

In Marvellous Vegetables in the English Renaissance, Vin Nardizzi offers a reparative reading of Gerard’s “failed” text, particularly its chapters on leeks, laurels, tulips, and potatoes. Through a series of experiments in speculative natural history, which require an analysis of both word and image, Nardizzi distills The Herball’s logic and poetics, its distinctions and infelicities, and demonstrates the entanglements of humans and plants at the core of Shakespeare’s plays. Exploring these “cross-kingdom” encounters, Nardizzi contributes to the burgeoning field of queer ecologies by treating plant natural history as a serious intellectual resource for writing a counter-history of embodiment at the turn of the seventeenth century. All we need do, Nardizzi proposes, is smell the flowers.
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The story behind the mythical figure of "the Wandering Jew" is one of the most fascinating tales in European history. In I, Wandering Jew, National Jewish Book Award-winning historian Yair Mintzker traces the tale back to its source, follows its many metamorphoses through five centuries, and relates it to the fraught present moment.

According to a mysterious pamphlet published in 1602, the Wandering Jew was a real person, named Ahasversus, who was cursed by Jesus to eternal wandering after refusing to help him as he was led to his crucifixion. For more than four hundred years, many otherwise reliable witnesses have claimed to have seen the Wandering Jew. Moving in reverse chronological order, I, Wandering Jew explores crucial episodes in the story of this figure. We meet an unforgettable, Wandering Jew-like character who appeared out of nowhere in Israel in the 1950s; a nineteenth-century novelist who was the first Jew to favorably describe the Wandering Jew; an eighteenth-century German scholar who saw the Wandering Jew emerging from a devastating fire; and the man who likely inspired the 1602 pamphlet.

A work of history that reads like a detective story, I, Wandering Jew is also part memoir. As Mintzker discovers affinities between his own story and that of the Wandering Jew, the surprising history of an old antisemitic trope and its meanings becomes a profound meditation on home and exile, Judaism and Christianity, poetry and truth, the deep past and the present.

Yair Mintzker is professor of European history at Princeton University, where he also serves as the faculty head of Yeh College. Mintzker’s work explores the Sattelzeit, the time period in German history roughly between 1750 and 1850, with books dedicated to urban history, law, intellectual history, Jewish history, and literature. A future project involves military history as well.

Born and raised in Jerusalem, Mintzker received his M.A. in history from Tel-Aviv University (2003) and his Ph.D. from Stanford (2009). His latest book combines historical research and memoir in retelling the legend of Ahasver, the Wandering Jew. Its title is I, Wandering Jew: A Five-Century History of Our Modern Condition (Princeton UP, 2026).
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Many people think they know what fairies are, what a fairy looks like, and how a fairy is expected to behave. Dr. Francis Young's Fairies: A History (Polity, 2026) demonstrates that the truth about belief in fairies is far stranger than clichéd images of tiny figures with wings and wands.Before the rise of the 'small winged fairy' in the nineteenth century, the category of fairies included a vast range of supernatural human-like creatures, from the elves of Scandinavia and the aos sí of Ireland to the vilas of the Balkans and the fadas of Iberia. Dr. Young traces the ancient origins of belief in such creatures and how it adapted to the rise of Christianity and then flourished in medieval Europe, before being transformed – but not destroyed – by the upheavals of the Reformation, the Enlightenment, and even European colonial expansion, which made fairies a global phenomenon. He concludes this uniquely wide-ranging history by reflecting on the surprising ways in which fairy belief endures in our apparently disenchanted contemporary world.No one who reads this brilliant tour through the enchanted pathways of fairyland will ever look at the winged creatures of contemporary popular culture – or the woods at the bottom of their garden – in the same way again.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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