New Books in Early Modern History

Romanticism made Scotland famous. It critically shaped the course of
Scottish culture, while impacting on cultures elsewhere and inaugurating
the country’s still-flourishing
and lucrative tourist industry. This book is about Edinburgh’s most
emblematic architecture over the long 19th century: the castellated and
stone built
cityscape of national revivalist architecture. It reveals why Scotland
had by the 1820s become one of Europe’s great centres of Romanticism,
due both to the majestic Highlands, and to Edinburgh itself as city of
Romanticism. Additionally, Edinburgh developed as the main centre and
hub for travellers drawn to Romantic Scotland through the work of James
‘Ossian’ Macpherson and Sir Walter Scott: visitors including Schinkel,
Mozart, Verne, Turner, Haydn, amongst innumerable others.

Edinburgh: City of Romanticism
(Lund Humphries, 2026) by Dr. Aonghus MacKechnie also provides a
long-overdue counterbalance to the contrastingly much-examined and
much-published topic of Enlightenment Edinburgh, showing how this and
Romantic Edinburgh have comfortably co-existed. It examines how
Edinburgh’s Romanticism was similarly driven by intellectuals, amongst
whom were Enlightenment figures and artistically talented individuals,
and it discusses the legacy of those who contributed to the Romantic
cityscape of today; an architecture that provides much of the character
of the UNESCO-designated World Heritage Site and of the city that
countless tourists come daily to see.

This interview was conducted by Dr. Miranda Melcher whose book
focuses on post-conflict military integration, understanding treaty
negotiation and implementation in civil war contexts, with qualitative
analysis of the Angolan and Mozambican civil wars. You can find
Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. 
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After mounting London’s outdoor pulpit known as St. Paul’s Cross on
8th December, 1588, Anthony Tyrrell found himself perched before a
skeptical audience. He stood in the shadow of St. Paul’s Cathedral to
declare his recantation of Catholicism and return to England’s official
Protestant Church. The trouble was he had been there before – in January
of the same year, in fact – to do the same thing. On that occasion,
however, he had shocked on-lookers by delivering an anti-Protestant
tirade instead of his promised recantation. How could Tyrrell, a serial
convert, who eventually changed church affiliation as many as ten times,
overcome the doubts of his suspicious audience? Tyrrell and similar
converts who made multiple conversions understandably aroused suspicions
of hypocrisy that made the performative character of public recantation
troublingly evident. Yet as Holly Pickett argues in The Drama of Serial Conversion in Early Modern England (University of Pennsylvania Press, 2024), these performative elements are actually indispensable to any conversion, whether an individual’s first or fifteenth.

Serial
converts served as uncomfortable reminders to their contemporaries that
religious identity is always unverifiable. The first study to explore
serial conversion as a discrete phenomenon in this era, The Drama of Serial Conversion in Early Modern England challenges
confessional divisions within much early modern historiography by
analyzing the surprising convergence of Protestant and Catholic in the
figure of the serial convert. It also reveals a neglected strain of
religious discourse in early modern England that valued mutability and
flexibility even in the midst of hardening and increasingly narrow
understandings of conversion.

Michael Shaw is a PhD student in Historical Theology at Union
College, Belfast, and a Visiting Tutor at the Irish Baptist College. His
research focuses on the thought of the Independent Puritan theologian
Jeremiah Burroughs (1599–1646). His primary research interests lie in
historical theology, particularly early modern Baptist and
Congregationalist theology and ecclesiology. He also serves as the
Associate Pastor at Strandtown Baptist Church, Belfast.
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Mexico City was America's largest city in the seventeenth century – a genuine metropolis. In American Metropolis: The Making of Mexico City (Cambridge University Press, 2026), Dr. Tatiana Seijas reveals a rich tapestry of stories about essential workers who remade and transformed the city during this period. Her narrative style carries readers to a unique place and time with residents from around the world who sold food, facilitated transportation, provided care, and valued the city's silver. Free and enslaved people from Africa and Asia, immigrants, and Native Americans pursued opportunities in a wealthy, yet deeply unequal environment, where working people claimed parts of the city for themselves. They carved out spaces to create new businesses and protect their livelihoods, altering the cityscape itself in the process. American Metropolis brings Mexico City to life from the perspective of the working people who transformed this early modern metropolis.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices

Drawing from local archives alongside national and international records, War and Governance in Scotland, 1543-1559: Destruction, Reconstruction and Reform (Edinburgh UP, 2026) by Dr. Amy Blakeway argues that warfare was the defining feature of government and politics in Scotland for the two decades following the death of James V. It demonstrates that beyond the direct effects of invasion, the need to raise unprecedented taxation, as well as warfare’s secondary consequences, such as plague and price inflation, disrupted communities throughout Scotland, engendering enhanced social control. These effects endured for many years after the peace of 1550: new laws were passed to manage those who had collaborated with the invaders and taxation remained high.The post-war decade was one of reconstruction, and it was this which drove religious reformation in 1559-60. The book shows that appreciating the scale of the crown’s ambition places the Scottish state’s development closer to that of its European counterparts.

This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
Learn more about your ad choices. Visit megaphone.fm/adchoices

Today’s guest, Caro Pirri, is the author of Colonial Failure and Theatrical Form in Early Modern England: Stages of Unsettlement (Oxford University Press, 2025). This book explores how early modern colonial travel writing informed the London theater’s spatial and placemaking conventions. It suggests that what the stage found most compelling about narratives of colonial settlement was their failure to claim interpretive control over unfamiliar places and people. The book goes on to link colonial misreadings of places and people to theatrical strategies for staging disorientation, which Pirri characterizes as a condition of “unsettlement.”

Each chapter focuses on a specific formal device that emerged from colonial misreadings: “uncommonplacing” in Richard Hakluyt’s travel compendium; metonymic possession in Christopher Marlowe’s Tamburlaine; “seasoning” in Ben Jonson’s city comedies; “stagewreck” in Shakespeare’s The Tempest; and “stagework” in the Lord Mayor’s Shows.

By approaching form as an interpretive process that is always engaged in the act of making and being made, Colonial Failure and Theatrical Form offers a model for reading past the seeming impasses of colonial narratives. It shows how narratives of failed settlement served as a productive resources for the formal worldmaking conventions of early modern theater.

Jane Hwang Degenhardt is Professor English at the University of Massachusetts Amherst. She is the author of Globalizing Fortune on the Early Modern Stage (Oxford UP, 2022) and Islamic Conversion and Christian Resistance on the Early Modern Stage (Edinburgh UP, 2012). She is also a co-editor of the academic journal English Literary Renaissance.
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