Ankler Agenda

So after months of big talk about only settling for structural remedies, i.e., selling off assets, what did California Attorney General Rob Bonta and the 11 other state AGs suing Paramount Skydance wind up getting? Less than you think. Elaine Low, Sean McNulty and Lesley Goldberg break down the settlement terms — loopholes, fine print and all — and what they mean for the future of Hollywood, including looming mass layoffs, the fate of three TV studios and why the promise of 30 films a year may not be what it seems. Then: Can a Paramount+–HBO Max superstreamer finally give Netflix a real rival?
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A dire warning from Anthropic and OpenAI that increasingly autonomous AI agents could launch cyberattacks – or worse – has an especially chilling implication for Hollywood, where studios and streamers are rapidly weaving AI into their businesses. "Imagine a world in which there are thousands of Sony hacks happening in real time," Reel AI columnist Erik Barmack tells Elaine Low and Sean McNulty. "You could take down the entire industry. Confidentiality, protections, the secure release of IP – all of those things could be harmed."

And while the guilds fight generative AI and Hollywood hashes out rules for how the technology can be used, Erik says the industry may be focused on the wrong threat: "What happens when recursive learning gets better and better, and these agents go off and do thinking on their own?"

Plus: There may finally be momentum behind a federal film and TV tax incentive. Rep. Laura Friedman tells Elaine that lawmakers from both parties are working with Hollywood's guilds and Jon Voight – Donald Trump's special Hollywood ambassador, whom she describes as a key bridge to the president. Friedman says she hopes the proposal can move by year-end – and describes the unusual bipartisan effort as giving lawmakers "an extra sort of joy" in working together: "We're still one country."

00:00 Intro

00:24 Welcome To Ankler Agenda

01:35 Paramount Vs. State AG Showdown

03:00 Did Bari Weiss Sink 60 Minutes?

04:46 Ai Leaders Sound The Alarm

05:53 The 1,200 Agent 'Collective'

08:21 Hollywood's Big AI Bet

09:41 Bots That Lie And Hack

10:49 The Next Sony Hack, Times 1,000

12:59 Will A Slow Down Actually Happen?

13:41 Guilds Fighting The Last Battle

15:20 Studios Vs. Big Tech Power

17:44 Bring Back The Landline

18:40 Next: Rep. Laura Friedman

19:01 Hollywood's Economic Freefall

20:40 143,000 Jobs On The Line

21:51 From Film Producer To Congress

24:38 Inside The Bill And The Timeline

26:30 Jon Voight's Role As Trump's Bridge

29:05 Bipartisanship In A Polarized Era

31:05 Selling It To Non-Hollywood States

32:28 California's $750 Million Fight

34:30 The Goal: Every Soundstage Full

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Inside President Macron’s summit, where Ted Sarandos, Dana Walden and Hollywood power players attended — very quietly

French President Emmanuel Macron summoned some of the biggest names in global entertainment to the south of France this week to talk about nothing less than the future of cinema — and Hollywood came. Netflix’s Ted Sarandos, Disney’s Dana Walden, NBCUniversal’s Donna Langley and other industry heavyweights attended the first-ever Lumière Summit, co-hosted by South Korean President Lee Jae Myung, as filmmakers, executives and government leaders grappled with AI, the attention economy and the threats facing traditional entertainment.

“He did something that I think people who work in the entertainment industry in the U.S. have been really hungry to see happen,” says Ankler EIC Janice Min, who stops by the pod after attending the summit at the invitation of the French government. “Somebody in charge saying things about an industry that’s struggling.”

But if France was eager to lead the conversation, Hollywood’s own leaders were considerably more cautious. Sarandos and Walden were seen but not heard, while Sony’s Tom Rothman and a very pointed George Clooney were among the few major American figures willing to speak freely. “No one’s saying Trump, but it’s kind of about Trump,” Janice says of the geopolitical undercurrent running through the gathering. “It was great that Hollywood showed up — and it was revealing that a lot of them didn’t feel like they could take the stage.”

Plus: Thanks to Widow’s Bay, Apple TV leads the pack ahead of the primetime Emmy telecast, and Natalie Jarvey crowns a winner in the Ankler Agenda summer box office draft.
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It wasn’t long ago when studios took the biggest jewels of their fall slates — the Gravitys and Jokers and First Mans — to the Venice Film Festival to kick off awards season and put A-list talent on a gondola. But this year, not so much: The Venice lineup is light on flashy studio premieres — don’t look for Tom Cruise and Digger or Timothée Chalamet and Dune: Part Three or Jeremy Strong and The Social Reckoning — and heavy on indie and international titles. Elaine Low and Sean McNulty talk to Ankler awards editor and Prestige Junkie host Katey Rich about how the studio calculus on festival season has shifted — and how best picture winner One Battle After Another was a canary in the coal mine for this year’s underwhelming slate.

Then: Katey sticks around to talk with Elaine and Natalie Jarvey about the top Emmy storylines — including the Television Academy’s controversial decision to boot major categories from the primetime show (sorry, David Harbour and Dakota Fanning) and why, with the final season of Hacks and prohibitive drama frontrunner The Pitt leading the way, this could be the last stand for HBO Max before the merger.

Also: Elaine and Sean on Donald Trump‘s sudden renewed enthusiasm to bring production back to Hollywood and why there’s actual bipartisan support for federal film and TV tax incentives. Make Hollywood great again?
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Hollywood’s newest talent war isn’t over movie stars. For years, YouTube was treated as a “farm league,” in Ted Sarandos‘ words — a place where talent dreamt of graduating to Hollywood. Now smaller player Netflix is raiding the world’s biggest streamer, scooping up creators, podcasters and personalities who built their audiences on YouTube. And YouTube has had enough. Natalie Jarvey shares her scoop on the millions that Neal Mohan‘s tech giant is throwing down to keep its creators exclusive — and names who’s been offered the cash — in an escalation one dealmaker says reveals that YouTube is “scared shitless.” Natalie joins Elaine Low and Sean McNulty to unpack her fresh reporting on the new creator bidding wars — and debate the bigger question: Which company is actually playing defense?
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