The CREEP-O-RAMA Podcast

Our crime fighting trio voluntarily hurls themselves into Joel Schumacher's radioactive fever dream this week by revisiting Batman Forever (1995) and Batman & Robin (1997), where every streetlight is apparently a blacklight, every criminal belongs to a themed fashion gang, and Val Kilmer is unanimously crowned the hottest Batman to ever brood beneath a cowl. Sorry, George.
The gang breaks down why Kilmer somehow nails both Bruce Wayne and Batman, why Clooney spends most of Batman & Robin sounding like he's reading cue cards held hostage just off camera, and why Arnold Schwarzenegger's Mr. Freeze deserves either an Oscar or a lifetime ban from speaking in public. Somewhere between ice pun #47 and ice pun #72, the conversation evolves into the realization that Batman could have ended the movie 15 different times if he'd simply thrown literally anything at Mr. Freeze instead of politely waiting for him to finish his stand-up routine.
Of course, no Schumacher discussion would be completewithout celebrating Jim Carrey's beautifully deranged Riddler, Tommy Lee Jones' aggressively theatrical Two-Face, Gotham's inexplicably fabulous glow-stick street gangs, and the discovery that every supervillain in the city must share the same criminal seamstress. Seriously... who keeps making these immaculatecustom henchman uniforms? Is there a union? Is there a rewards program? Does Riddler get 15% off after ordering matching jackets? We demand answers.
Along the way, we ask Gotham’s most important questions:
Why is Riddler Island covered in giant glowing questionmarks if nobody is supposed to know where the Riddler lives?
Why does every gang member look like they just got kicked out of a goth laser tag tournament?
And perhaps the greatest mystery in comic book history... who approved all those bat nipples?
Come for the Batman discussions, stay for the cinematic nonsense that somehow just keeps getting better.
CREEP-O-RAMA is: 
Store: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CREEP-O-RAMA⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠
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Josh: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@joshblevesque⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠
Artwork: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@bargainbinblasphemy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠
Theme: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@imfigure⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠
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This week, the CREEP-O-RAMA crew dives face-first into Tim Burton's Batman (1989) and Batman Returns (1992), and what begins as a thoughtful retrospective immediately crashes through the roof of Wayne Manor like the Batwing after somebody gave Bruce four Red Bulls and a head injury.
We celebrate Michael Keaton's legendary Batman, Jack Nicholson's gloriously deranged Joker, Danny DeVito's sewer-goblin Penguin, and Michelle Pfeiffer's absolutely untouchable Catwoman while asking the questions Warner Bros. cowards were too afraid to answer: 
Who was strapping military-grade rocket launchers onto penguins? Alfred?
Did Gotham's OSHA office simply burst into flames before construction began?
Why is there an abandoned Arctic theme park hidden beneathGotham City, and why did literally nobody notice it?
Why does Batman own enough surveillance equipment to make the NSA blush but still can't turn his own neck?
Why is every vat of acid sitting completely uncovered like it's complimentary office coffee?  
We spiral into increasingly unhinged theories about Catwomanactually being a zombie resurrected by emotionally supportive alley cats, Bruce Wayne secretly importing six cases of champagne from Japan just because he's rich enough to be legally confusing, and Batman patiently sitting alone in thedark for hours waiting for Commissioner Gordon to finally flip on the Bat-Signal like a Labrador waiting for someone to throw the tennis ball.  
Along the way we compare Burton's gothic masterpiece tolater takes from Christopher Nolan and Matt Reeves, argue over Joker's ever-changing origin story, defend the comic-book insanity of Burton's universe, declare that the rocket-pack penguins somehow feature better underwater cinematography than Jaws 3-D (1983), and accidentally spend an alarming amount of time debating Batman's nipples, rubber cowl strength modifiers, VHS surveillance technology, and whether Gotham's building inspectors were simply paid in riddles.
Look. It’s Batman, We’re GOING to passionately overanalyzetwo of our favorite films until the conversation evolves into Alfred operating a black-market military contractor ring out of Wayne Manor. It’s inevitable.
CREEP-O-RAMA is: 
Store: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CREEP-O-RAMA⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠
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Josh: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@joshblevesque⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠
Artwork: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@bargainbinblasphemy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠
Theme: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@imfigure⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠
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This week, the CREEP-O-RAMA guys grabs their bats, laces uptheir roller skates (for tactical reasons), and dives headfirst into two beloved cult classics: The Warriors (1979), directed by Walter Hill, and SLC Punk! (1998), directed by James Merendino. One movie asks, "Can you dig it?" The other asks, "Can you emotionally recover from Matthew Lillard?"  
We start with why The Warriors remains one of the coolest looking films ever made that convinced an entire generation that New York City was populated by approximately 50,000 themed street gangs whose monthly clothing budget rivaled the GDP of a small nation.  
At some point, we sidebar the praise and focus on theimportant questions, like who approved the gang uniforms How does Roller Skate Guy explain his career choices to his parents? Did Cyrus really think 2,000 gang members standing three football fields away could hear his motivational TED Talk with zero microphone? We can dig it, Cyrus, we just can’t hearyou.  
We also derail into increasingly deranged conspiracy theories, concluding that The Warriors, The Crow, and John Carpenter's The Thing all share the same cinematic universe because honestly... prove they don't. Fox survives getting hit by the train, relocates to Antarctica, gets assimilated by an alien organism, Brandon Lee comes back from the dead thanks to a bird, and somehow this makes more sense than a gang whose entire combat strategy revolves around synchronized roller skating. Cinema has peaked.
Then we crash headfirst into SLC Punk!, where Josh experiences the cult classic for the first time and discovers that Matthew Lillard apparently wakes up every morning and chooses violence against your emotions. One minute we’re laughing at Jason Segel being the most punk character of all, and the next we’re staring into the existential void confronting life and death over blasting The Misfits. Ugh. Posers.
But since attention spans are fictional, by the end of the episode we also touch on Blockbuster nostalgia, Ecco the Dolphin being psychological warfare disguised as a children’s game, Earthworm Jim, Wave Race & Mario Kart 64, Pilotwings, and the trauma of waiting three whole months to rent a video game only to discover it sucked.
Those were the days.
CREEP-O-RAMA is: 
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Josh: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@joshblevesque⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠
Artwork: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@bargainbinblasphemy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠
Theme: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@imfigure⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠
Audio: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@stranjlove

What started off as us revisiting the Blade Trilogy derailed spectacularly somewhere between admiring Wesley Snipes roundhouse-kicking vampires into dust and asking how Jessica Biel's UV flashlight-bow-weapon-lightsaber-thing, that’s half as hot as the surface of the sun, apparently, wouldn’t just accidently delete Ohio.
Welcome to the CREEP-O-RAMA Podcast, everyone. You know how this goes by now.
First, we sink our fangs into Blade (1998) directed by Stephen Norrington, Blade II (2002) directed by Guillermo del Toro, and the fever dream known as Blade: Trinity (2004) directed by David S. Goyer, celebrating everything from the legendary blood rave opening and Stephen Dorff's gloriously arrogant Deacon Frost to Kris Kristofferson proving that every vampire hunter should legally be required to look like they smell faintly of whiskey and shotgun shells.
Then Guillermo del Toro strolls into Blade II like a goth wizard who wandered into the wrong franchise and accidentally made one of the coolest vampire movies ever. We get stoked over the jaw-splitting Reaper creature effects, Ron Perlman insulting everyone within breathing distance, Norman Reedus somehow playing Daryl Dixon years before Daryl Dixon existed, and UdoKier reminding everyone that he's physically incapable of giving less than 138% in any movie.
And then... Blade: Trinity happens and oh boy…
We unpack the great Post-It Notes War of 2004 between David Goyer and Wesley Snipes, Ryan Reynolds stress-testing every joke he would later recycle in Deadpool, Triple H refusing to leave the movie, and Dominic Purcell's Dracula, who somehow radiates the energy of a guy waiting for his protein shake at Planet Fitness instead of the ancient Prince of Darkness.
Things continue to deteriorate as we raise questions Hollywood cowards refuse to answer: Who tattoos Blade? Is Whistler secretly moonlighting as the world’s grumpiest tattoo artist? How do tattoos stay on someone with regenerative vampire healing? Was the entire screenplay reverse-engineered around “Heat-Seeking Dennis”? Why is “Heat-Seeking Dennis” an actual credited character in this franchise?  
Come for the vampire carnage and blood rave.
Stay for unnecessary science lesson on the temperature of the Sun.
We’re basically an educational podcast now. Kinda.
CREEP-O-RAMA is: 
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YouTube: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@creep-o-rama⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠
Josh: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@joshblevesque⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠
Artwork: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@bargainbinblasphemy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠
Theme: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@imfigure⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠
Audio: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@stranjlove

This week on the CREEP-O-RAMA Podcast, we sit down with actor, writer, and filmmaker, Keith Jardine for what was supposed to be an interview about horror movies.
That plan survives for approximately four minutes.
The episode quickly mutates into five movie nerds enthusiastically ricocheting between movies, filmmaking, practical effects, festival stories, acting, independent horror, and enough movie recommendations to ruin your Letterboxd watchlist.
The conversation kicks off with Keith's feature length directorial debut, Kill Me Again, diving deep into the film's brutal performances, the collaborative spirit behind independent filmmaking, and what it takes to create horror that actually sticks with an audience instead of disappearing into the streaming void five minutes after the credits roll. Keith shares behind-the-scenes stories from the production, talks about building his character from the ground up, and offers a refreshingly honest look at the creative chaos that comes with making independent filmmaking.
Then someone says Over Your Dead Body, and whatever fragile structure this podcast had immediately catches fire.
The crew celebrates Keith's wild performance, gleefully dissects one of the most gloriously over-the-top head explosions in recent horror memory, and spends an alarming amount of time proving that horror fans can, in fact, have a twenty-minute conversation about practical gore with the enthusiasm of NASA engineers discussing the moon landing.
Normal people discuss the weather.
Horror fans discuss skull integrity.
Before long we're bouncing between Obsession, Backrooms, Faces of Death, Natural Born Killers, The Mummy, Evil Dead Burn, and enough hidden gems to make your streaming queue file a restraining order.
At one point, we're no longer recording a podcast.
We're just five weirdos standing in a digital video store yelling,
"WAIT... HAVE YOU SEEN THIS ONE?!" for what feels like several consecutive business days.
Make sure to catch Kill Me Again, streaming on Tubi, Prime, and Starz, and Over Your Dead Body available to rent digitally now.
CREEP-O-RAMA is: 
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