Ghouls Next Door

Zoë Kravitz’s directorial debut, Blink Twice, cautions us against the horrors of forgiving, forgetting, and relinquishing control. A tale told before its time, watching it merely two years after its release, the film feels disturbingly prescient in a post Epstein Files ‘release’ world.

Obsession is an insidiously terrifying new horror film that follows Bear after he makes an ill-advised, harmful, and desperate wish for his crush, Nikki, to love him more than anything else in the world.
Obsession is timely and unsettlingly so, confronting current-day horrors around the male loneliness epidemic and the ways young men are weaponizing their existence against women.

The Menu is a brilliant, vicious critique of celebrity chef culture. The dark comedy film confronts the absurdity around elite fine dining experiences that have taken the “love out of eating.”

Opus, the debut film of director and former music journalist, Mark Anthony Green intends to critique cultural criticism, celebrity obsession, and the hierarchy of fame.  There’s a level of anticipation with Green at the helm, an expectation of truths revealed, insider knowledge shared and no-holds-barred. However, while the film is pretty to look at and has some of the most insane moments of body gore I’ve seen in some time it leaves a lot to be desired.

They Will Kill You is a punchy, gory, and brilliant mess. It was delightfully unexpected, and while at times it certainly feels like “John Wick but with a Badass Black Woman,” that’s not a negative! It is a relentless assault of silly world-building and over-the-top body gore.