New Books in Film

Settler Attachments and Asian Diasporic Film (University of Minnesota Press, 2025) is an interdisciplinary examination of the stubborn attachment of Asian diasporas to settler-colonial ideals and of the decolonial possibilities Asian diasporic films imagine. Author Beenash Jafri uniquely addresses the complexities of Asian–Indigenous relationality through film and visual media, urging film scholars to approach their subjects with an eye to the entanglements of race, diaspora, and Indigeneity. Beenash Jafri is an associate professor of Gender, Sexuality and Women’s Studies at UC Davis. Her work engages longstanding debates on relationality and coalition across feminist and queer, Indigenous and critical ethnic studies. She is the co-editor of Cultural Studies in the Interregnum (Temple University Press, 2025), and of Amerasia's forthcoming special issue on Asian Settler Colonial Critique. Her writing has been published in academic venues such as GLQ: A Journal of Lesbian and Gay Studies, Feminist Studies, Settler Colonial Studies, American Indian Culture and Research Journal, Cultural Studies-Critical Methodologies, and Lateral: Journal of the Cultural Studies Association; and in public venues such as Reappropriate, Public Books, ASAP/J, Truthout, and Briarpatch Magazine. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Many Disney films adapt works from the Victorian period, which is often called the Golden Age of children’s literature. Animating the Victorians: Disney’s Literary History (University Press of Mississippi, 2025) explores Disney’s adaptations of Victorian texts like Alice in Wonderland, Oliver Twist, Treasure Island, Peter Pan, and the tales of Hans Christian Andersen. Author Patrick C. Fleming traces those adaptations from initial concept to theatrical release and beyond to the sequels, consumer products, and theme park attractions that make up a Disney franchise. During the production process, which often extended over decades, Disney’s writers engaged not just with the texts themselves but with the contexts in which they were written, their authors’ biographies, and intervening adaptations. To reveal that process, Fleming draws on preproduction reports, press releases, and unfinished drafts, including materials in the Walt Disney Company Archives, some of which have not yet been discussed in print. But the relationship between Disney and the Victorians goes beyond adaptations. Walt Disney himself had a similar career to the Victorian author-entrepreneur Charles Dickens. Linking the Disney Princess franchise to Victorian ideologies shows how gender and sexuality are constantly being renegotiated. Disney’s animated musicals, theme parks, copyright practices, and even marketing campaigns depend on cultural assumptions, legal frameworks, and media technologies that emerged in nineteenth-century England. Moreover, Disney’s adaptations influence modern students and scholars of the Victorian period. By applying scholarship in Victorian studies to a global company, Fleming shows how institutions mediate our understanding of the past and demonstrates the continued relevance of literary studies in a corporate media age. An audiobook will be available in January 2026. Patrick C. Fleming is a scholar of Victorian studies and children's literature. Peter C. Kunze is an assistant professor of communication at Tulane University. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

“Yes, the newspapers were right: snow was general all over Ireland.”  That line from James Joyce’s story is heard at the end of John Huston’s 1987 adaptation, a true family affair in which his son, Tony, wrote the screenplay and his daughter, Anjelica, played a major role.  Like Huston’s first film, The Maltese Falcon (1941), The Dead is a perfect adaptation that complements the source material and enriches our understanding of it.    “The Dead” is the final story in Dubliners, James Joyce’s 1914 collection, available here.  Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on Letterboxd and email us any time at [email protected] with requests and recommendations. Check out Dan Moran’s substack, Pages and Frames, where he writes about books and movies, as well as his many film-related author interviews on The New Books Network. Read Mike Takla’s substack, The Grumbler’s Almanac, for commentary on offbeat topics of the day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In Appropriated Tales: Race and the Disney Fairy-Tale Mode (Wayne State UP, 2025), scholar Michelle Anya Anjirbag examines Disney's method of fairy-tale storytelling to determine how the corporation has shaped public understanding of what fairy tales are and who belongs within them. Covering a span of years "from mermaid to mermaid"—from the 1989 animated The Little Mermaid to the 2023 live-action remake starring Halle Bailey—she deconstructs and interrogates Disney's corporate commodification of multiculturalism and diversity, centering its impact on misrepresented people and cultures over the stated intentions of the producers. Further, Anjirbag demonstrates that Disney shapes childhood experiences and imagination in a way that strategically promotes American cultural imperialism. Through close film analysis, applied critical theory, and social analysis of the Disney corporation, Anjirbag unearths a new framework for studies of Disney fairy tales and how they shape popular culture. For a limited time, Wayne State University Press is offering a discount when customers use the code RHOLIDAY. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Tinsel and Rust: How Hollywood Manufactured the Rust Belt (Oxford UP, 2025) tells the story of Hollywood's role in the shaping of the Rust Belt in the United States. During the 1970s and 1980s, filmic representations of shuttered auto plants, furloughed millworkers, and decaying downtowns in the industrial heartland contributed to pervasive narratives of American malaise and decline--informing the wider cultural view of these cities and their people. Author Michael D. Dwyer (Arcadia University) untangles the complicated relationship between Hollywood and the Rust Belt, exploring how the sociocultural image of the region has become a tool to tell stories about America's mythic past, degraded present, and potential futures.Dwyer offers a reading in twofold: through the conventional lens of film and cultural studies, and through an interdisciplinary lens that pulls in elements of cultural geography and urban studies to understand the ways in which Americans learned to interpret the cities and towns of the industrial Midwest. Each chapter spotlights a different Rust Belt city--Johnstown, Chicago, Cleveland, Pittsburgh, and Detroit--and considers how films and filmmaking processes helped shape audiences' cultural understanding of those cities. Over the course of the book, Dwyer also examines several films which offer notable representations of the Rust Belt, including Slap Shot, The Blues Brothers, Major League, The Perks of Being a Wallflower, and It Follows. Finally, the volume highlights how in more recent years, cities like Pittsburgh, Detroit, and Cleveland have all attempted to remake their public image and revitalize their economies through film and media production. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film