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Bruce Isaacs, "The Art of Pure Cinema: Hitchcock and His Imitators" (Oxford UP, 2020)
The Art of Pure Cinema: Hitchcock and His Imitators (Oxford University Press) is the first book-length study to examine the historical foundations and stylistic mechanics of pure cinema. Author Bruce Isaacs, Associate Professor of Film Studies and Director of the Film Studies Program at the University of Sydney, explores the potential of a philosophical and artistic approach most explicitly demonstrated by Hitchcock in his later films, beginning with Hitchcock's contact with the European avant-garde film movement in the mid-1920s. Tracing the evolution of a philosophy of pure cinema across Hitchcock's most experimental works - Rear Window, Vertigo, North by Northwest, Psycho, The Birds, Marnie, and Frenzy - Isaacs rereads these works in a new and vital context. In addition to this historical account, the book presents the first examination of pure cinema as an integrated stylistics of mise en scène, montage, and sound design. The films of so-called Hitchcockian imitators like Mario Bava, Dario Argento, and Brian De Palma are also examined in light of a provocative claim: that the art of pure cinema is only fully realized after Hitchcock. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
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1:12:41
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1:12:41
Moonstruck
Our episode on Moonstruck (1987) was almost never made: as with Manchester By the Sea, Dan harbored an irrational suspicion against it–but when he finally saw it, he sought forgiveness for the errors of his ways. That’s an appropriate theme to consider in light of a film saturated with Italian Catholicism that explores themes of sin and redemption, but with a light touch and in a celebratory mode. It’s a terrific film that couldn’t be made today; listen to the show to learn why. Ira Wells’s Norman Jewison: A Director’s Life is the 2021 biography of the director who worked with almost every A-list star but who also had to often battle the studios to pursue his projects. Incredible bumper music by John Deley. Please subscribe to the show and consider leaving us a rating or review. You can find over three hundred episodes wherever you get your podcasts. Follow the show on X and on Letterboxd–and email us any time at [email protected] with requests and recommendations. Also check out Dan Moran’s substack, Pages and Frames, where he writes about books and movies, as well as the many film-related interviews on The New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
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27:59
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27:59
Richard Scheib, "A Viewing Guide to the Pandemic: Depictions of Plague and Pandemic on Film and TV" (Headpress, 2025)
Richard Scheib's A Viewing Guide to the Pandemic (Headpress, 2025) is a film book like no other. It opens with the author's first-hand account of the Covid-19 pandemic and life in lockdown. His sense of dread, and anxiety about his state of health, were experiences shared with millions of others across the world. For author Richard Scheib, already committed to writing a book about plagues and pandemics in popular culture, Covid-19 felt like a perverse twist of fate. Media depictions of deadly contagions had, to this point, been speculative and often off the mark; his book takes an in-depth look at what filmmakers imagined would happen and contrasts it with the reality. International in scope, A Viewing Guide to the Pandemic examines films in a wide variety of genres, from the silent era to the present day. Black Death, Ebola, Mad Cow Disease, Bird Flu -- it explores fictionalized accounts of plague and pestilence such as box-office hit Outbreak (1995), as well as documentary treatments of real-life incidents. Whether the threats depicted have a basis in reality -- the biowarfare of the Cold War era, for instance -- or are, like zombies and vampires, more fantastical, Scheib demonstrates how the fear of contagion has provided a wealth of inspiration for the big and small screen. In addition to his work on the pandemic, Scheib runs Moria Reviews where he posts reviews for horror, science fiction, and fantasy films. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
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36:23
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36:23
Veronica Litt, "Ugh! As If!: Clueless" (ECW Press, 2025)
Veronica Litt's Ugh As If!: Clueless (ECW Press, 2025) uncovers the complex layers beneath the glossy surface of the 1995 classic film "Clueless." Litt investigates not just the Austen satire but the film’s deeper ethical questions about femininity, innocence, bias, and inequity. A sweet and sly exploration of the Jane Austen–inspired teen movie and its evergreen imperative to be kind, do better, and find the activist within We are totally butt-crazy in love with "Clueless." Since the movie’s premiere in 1995, pop culture has mined Amy Heckerling’s high school comedy for inspiration, from Iggy Azalea and Charli XCX’s “Fancy” music video to Cher’s iconic yellow plaid suit appearing at every Halloween party. In Ugh As If!, Veronica Litt argues that this seemingly fluffy teen romp is the quintessential thinking woman’s movie, one in which the audience is asked to seriously consider the beauty and power of naïveté. Cher Horowitz’s gradual pivot from oblivious it girl to burgeoning activist is a powerful reminder that even the most unlikely people can change for the better and contribute to their communities. In this bright, shiny film, pursuing a more just society isn’t just possible — it’s enjoyable. This fun, feminine, feel-good movie is a counter-narrative to nihilism, a refusal to give into cynicism, hopelessness, and passivity. Almost without viewers noticing, "Clueless" teaches Cher, and us, how to become better. Like the film it examines, Ugh As If! nudges even the most jaded viewer into feeling hopeful about the future. About the Pop Classics Series Short books that pack a big punch, Pop Classics offer intelligent, fun, and accessible arguments about why a particular pop phenomenon matters. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
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49:57
Karen Redrobe, "Undead: (Inter)(in)animation, Feminisms, and the Art of War" (Univ of California Press, 2025)
Karen Redrobe's latest book Undead: (Inter)(in)animation, Feminisms, and the Art of War (Univ of California Press, 2025) is a fascinating account of the role of animation in the visual cultures of war. It analyzes works by artists including Yael Bartana, Nancy Davenport, Kelly Dolak and Wazhmah Osman, Gesiye, David Hartt, Helen Hill, Onyeka Igwe, Ibrahim Nasrallah, Mary Reid Kelley, and Patrick Kelley, in which relational and intermedial practices of “(inter)(in)animation” generate aesthetic tactics for reframing war. Like all of Karen's work, Undead is theoretically rich, thoroughly interdisciplinary, and written with clarity as well as urgency. Its mixture of clear-sighted criticality and dogged hopefulness is especially powerful in the times of conflict, cruelty, and destructiveness through which we’re living. In this wide-ranging conversation, Karen speaks with refreshing honesty and vulnerability about how to reimagine scholarly research and writing in line with anti-war feminist politics, what it means to confront the complicity of the university—and of university workers—in cultures of war, and why scholars should embrace being wrong and taking risks. Undead was published in April 2025 by the University of California Press. A free ebook version is available through Luminos. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film
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1:06:40
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1:06:40