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A Score To Settle

Podcast A Score To Settle
Brian McVickar
A Score To Settle is both a podcast and blog about music composed for Film and TV.

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5 van 55
  • ASTS 055: Guest Neil S. Bulk, soundtrack album producer and editor-2023 in review
    Welcome all listeners out there to the new year and also to the inaugural episode of 2024! To launch into this new year, in this episode I am accompanied once more by perennially popular soundtrack album producer and editor Neil S. Bulk, to continue our conversation in recapping his standout projects from the prior year, in this instance 2023. His work can be heard on album releases from the La La Land, Quartet and Varese Sarabande record labels. As always, I appreciate when Neil can spend time to share the details and experiences on these albums!   Below are the films and composers represented here, with time index for helpful reference:   Intro - 00:00:00 GORKY PARK (1983) (James Horner) - 00:02:36 DAD (1989) (James Horner) - 00:13:15 SNEAKERS (1992) (James Horner) - 00:20:01 THE MASK OF ZORRO (1998) (James Horner) - 00:26:01 MULAN (1998) (Dolby Atmos album releases, score by Jerry Goldsmith, songs by Matthew Wilder and David Zippel) - 00:38:12 LIVE AND LET DIE (1973) (music by George Martin, title song by Paul McCartney & Wings) - 00:45:34 OCTOPUSSY (1983) (music by John Barry, title song "All Time High" by Barry and Tim Rice) - 01:00:00   Stay safe out there, take care of yourself and each other!    Albums discussed now available at: La La Land Records Quartet Records   Connect with the podcast on Facebook and Twitter: www.facebook.com/ascoretosettle https://twitter.com/score2settlepod   Email the show at [email protected]   
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  • ASTS 054: Now Playing... ”Barbie”, ”Oppenheimer”, ”Tetris”, ”The Marvels” and more!
    Welcome back, everyone! To close out 2023, I’m concluding with an episode of the Now Playing sub-series of the podcast to spotlight notable film scores throughout the calendar year. This year provided some surprise blockbusters, such as BARBIE and OPPENHEIMER, along with new entries from major franchises like INDIANA JONES, CREED and THE FAST & THE FURIOUS - with memorable music from many. Enjoy music from a cavalcade of composers - John Williams, Lorne Balfe, Christophe Beck and Hans Zimmer, among others!   Below are the films and composers represented here, with time index for helpful reference.   Title playtime index: ANT-MAN AND THE WASP: QUANTUMANIA (Christophe Beck) - 00:01:37 SHAZAM: FURY OF THE GODS (Christophe Beck) - 00:06:12 CREED 3 (Joseph Shirley) - 00:10:09 TETRIS (Lorne Balfe) - 00:17:29 DUNGEONS & DRAGONS: HONOUR AMONG THIEVES (Lorne Balfe) - 00:24:06 THE SUPER MARIO BROS MOVIE (Brian Tyler/Koji Kondo) - 00:34:09 FAST X (Brian Tyler) - 00:38:24 INDIANA JONES AND THE DIAL OF DESTINY (John Williams) - 00:42:33 BARBIE (Mark Ronson and Andrew Wyatt, "What Was I Made For?" by Billie Eilish) - 00:53:00 OPPENHEIMER (Ludwig Göransson) - 01:04:02 THE CREATOR (Hans Zimmer) - 01:10:50 THE MARVELS (Laura Karpman) - 01:19:01   Stay safe out there, take care of yourself and each other!    Connect with the podcast on Facebook and Twitter: www.facebook.com/ascoretosettle https://twitter.com/score2settlepod     Email the show at [email protected]  
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  • ASTS 053: TV Goes To The Movies - ”The Transformers”
    Hello and welcome back to the podcast! In this episode, prepare to be transformed as I continue my mini-series entitled “TV Goes To The Movies” and now explore the music for THE TRANSFORMERS franchise. As before, my focus is musically what was or was not carried over from the television episodes of a particular series to its respective theatrical feature, such as the main TV theme or scoring style.   During its near 40 year history, from the original 1984 syndicated cartoon series, to the animated and live action movies, the Japanese-only series and more, music for the THE TRANSFORMERS has been remarkably varied. The vocal and score tracks have often reflected current or trendy musical approaches, leading to elements of lush symphonic strains, synth pop, hard rock and jazzy funk all being heard in various incarnations. Now, hold on to your crankshafts and let's transform and roll out!    Title playtime index: Intro - 00:00:00 THE TRANSFORMERS (US, 1984 cartoon series, theme by Anne Bryant & Ford Kinder, score by Johnny Douglas and Robert J. Walsh) - 00:06:17 TRANSFORMERS: THE MOVIE (US, 1986 animated theatrical film, songs by Stan Bush, Lion & Spectre General, score by Vince DiCola) - 00:16:45 THE TRANSFORMERS: HEADMASTERS (1987), TRANSFORMERS: SUPER-GOD MASTERFORCE (1988) and TRANSFORMERS: VICTORY (1989) (Japan, songs & score by Ishida Katsunori, Toshiya Igarashi, Michiaki Watanabe) - 00:31:45 TRANSFORMERS (2007), TRANSFORMERS: DARK OF THE MOON (2011), BUMBLEBEE (2018) and TRANSFORMERS: RISE OF THE BEASTS (2023) (US, live action theatrical films, song "What I've Done" by Linkin Park, scores by Steve Jablonsky, Dario Marianelli and Jongnic Bontemps) - 00:38:18*   *This segment also contains an excerpt from BATMAN BEGINS (2005), composed by Hans Zimmer and James Newtown Howard   Additional tracks heard but not referenced -  "Calling You", Theme from TRANSFORMERS: SUPERLINK (Japan, 2004), by Takayoshi Tanimoto "Time Limit", from TRANSFORMERS: LEGEND OF THE MICRONS (Japan, 2002), composed by Hayato Matsuo   Stay safe out there, take care of yourself and each other!    Connect with the podcast on Facebook and Twitter: www.facebook.com/ascoretosettle https://twitter.com/score2settlepod   Email the show at [email protected]  
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  • ASTS 052: TV Goes To The Movies - ”The Man From U.N.C.L.E.”
    Welcome all to the podcast! In this episode, I continue my mini-series entitled "TV Goes To The Movies", a topic in which I intend to explore TV shows that migrated over to the big screen. As expected, my focus is musically what was or was not carried over from the television episodes of a particular series to its respective theatrical feature, such as the main TV theme.   This time I open Channel D to examine "The Man From U.N.C.L.E." - a popular spy series which aired on NBC from 1964-1968. Its musical template was initially set by legendary composer Jerry Goldsmith, while still early in his career, and subsequently experienced many unexpected tonal shifts. Afterwards I discuss the eight "Man From U.N.C.L.E." "movies", each built from 2-part TV episodes and primarily released theatrically internationally, and lastly wrap up with the 2015 feature film, directed by Guy Ritchie, starring Henry Cavill and Armie Hammer, with music composed by Daniel Pemberton.   Title playtime index: Intro - 00:00:00 THE MAN FROM U.N.C.L.E. Theme (Concert Version) (Jerry Goldsmith) - 00:03:59 THE MAN FROM U.N.C.L.E. Theme (Season One broadcast version) (Jerry Goldsmith) - 00:06:15 Early Jerry Goldsmith TV & Film works - DR KILDARE (TV, 1961), CITY OF FEAR (Film, 1959), THE PRIZE (Film, 1963) - 00:07:10 THE MAN FROM U.N.C.L.E. (TV, Season One) (Jerry Goldsmith, Morton Stevens, Lalo Schifrin) - 00:15:50 THE MAN FROM U.N.C.L.E. (TV, Season Two) (Gerald Fried, Robert Drasnin) - 00:28:28 THE MAN FROM U.N.C.L.E. (TV, Season Three) (Gerald Fried, Robert Drasnin, Nelson Riddle) - 00:39:11 THE MAN FROM U.N.C.L.E. (TV, Season Four) (Richard Shores) - 00:50:40 THE MAN FROM U.N.C.L.E. "movies" (released theatrically internationally) (Gerald Fried) - 00:56:22 THE MAN FROM U.N.C.L.E. (Film, 2015) (Daniel Pemberton) - 01:02:49     Stay safe out there, take care of yourself and each other!    Connect with the podcast on Facebook and Twitter: www.facebook.com/ascoretosettle https://twitter.com/score2settlepod     Email the show at [email protected]  
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  • ASTS 051: TV Goes To The Movies - ”Mission: Impossible”
    Hello everyone! With this episode of the podcast, I begin a new sub-series entitled "TV Goes To The Movies", a topic intended to explore TV shows which migrated over to the big screen.   In mapping out a potential plan for the podcast this year, I felt motivated to explore this scenario in terms of musically what was and was not carried over from the television episodes of a particular series to its respective theatrical feature. For example, was the TV series' main theme referenced? Was the style of episodic scoring repeated? Was the series composer, or composers, hired on for the cinematic adventures? My plan is to feature music released officially on album from a selected TV series, followed by the films and see if we can identify recurring attributes.   The initial episode in this sub-series is fraught with danger and intrigue... that being MISSION: IMPOSSIBLE!   Title playtime index: MISSION: IMPOSSIBLE (TV, 1966-1973) (Lalo Schifrin, et al) - 00:00:00 MISSION: IMPOSSIBLE (TV, 1988-1990) (Lalo Schifrin, Ron Jones) - 00:36:28 MISSION: IMPOSSIBLE (Film, 1996) (Danny Elfman) - 00:44:15 M:I 2 (aka MISSION: IMPOSSIBLE 2) (Film, 2000) (Hans Zimmer) - 00:55:37 MISSION: IMPOSSIBLE 3 (Film, 2006) (Michael Giacchino) - 01:05:47 MISSION: IMPOSSIBLE - GHOST PROTOCOL (Film, 2011) (Michael Giacchino) - 01:10:03 MISSION: IMPOSSIBLE - ROGUE NATION (Film, 2015) (Joe Kramer) - 01:22:27 MISSION: IMPOSSIBLE - FALLOUT (Film, 2018) (Lorne Balfe) - 1:34:22   Stay safe out there, take care of yourself and each other!    Connect with the podcast on Facebook and Twitter: www.facebook.com/ascoretosettle https://twitter.com/score2settlepod     Email the show at [email protected]  
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