Film Stories with Simon Brew

The idea wasn't a bad one. With the cost of X-Men movies spiralling, 20th Century Fox was interested in a lower cost, slightly more niche film in the saga. One that could perhaps appeal to a teen audience, that wouldn't put quite the strain on the old finances.

Josh Boone - off the back of The Fault In Our Stars - was brought in to write and direct, a dream project for him. But the dream would soon turn sour, with two big, unexpected obstacles, and a whole lot of to and fro over potential reshoots...
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Alicia MacDonald first feature film as director, Finding Emily, turns out to be a Working Title-backed romantic comedy, the kind that used to fill British cinema charts. Albeit with a twist!

In this Film Stories special, she talks to Simon Brew about launching her first feature, the years on her way up when she found herself alongside Mike Leigh, and in a room while Alan Rickman watched her type. Plus a whole lot more...

Finding Emily is now in UK cinemas.
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Director Thea Sharrock is the guest for this special edition of the Film Stories podcast. She joins Simon to chat about her new film, Ladies First, which stars Rosamund Pike and Sacha Baron Cohen.

Plus! There's time too for conversation about Wicked Little Letters, The One And Only Ivan, directing Equus on Broadway, and the state of the chairs in the posh London hotel she happens to be sitting in.

If you like this podcast, you can support it at www.patreon.com/simonbrew

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Steven Spielberg's 1991 movie Hook was supposed to be his perfect project. The director compared to Peter Pan, making the story of Peter Pan never growing up? What could go wrong?

Well, plenty. In this episode of Film Stories, Simon Brew charts the tale of how Spielberg lost control of Hook's production, how it became tied up with a major Hollywood acquistion, and why unexpected competition in the winter of 1991 didn't help its cause either.

Plus: why was Spielberg himself not keen?
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After 1991's Terminator 2: Judgment Day, James Cameron's interest in making a third Terminator movie seemed to wane. However, that didn't stop others trying to take things forward.

And whilst Arnold Schwarzenegger would, for many years, insist that he'd only make T3 with Cameron, a string of underwhelming box office performers started to have an impact for Arnie.

That said, just securing the rights to Terminator caused no end of challenges, and would drive a wedge between James Cameron and two of his friends. And that's just part of the story...

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