Drummers on Drumming

This week on Drummers on Drumming (powered by Big Fat Snare Drum), we’re back with another installment of The Drum Panel with Mark Stepro and Chase Elodia.

Mark plays with The Wallflowers and has worked with artists like Butch Walker and Brett Dennen, and Chase plays with Hudson Freeman and is getting ready to release his new record, Real Ones, on October 23rd.

Check out Chase's music ⁠HERE⁠

We continue putting the new Drum Panel format to work, using a few loose categories to give the conversation some direction without keeping us from going down whatever rabbit holes come up.

In this episode:

What people are actually getting when they hire you beyond someone who can play the parts

Knowing a song well enough that you don’t need the usual safety nets

Adding drums to a song without ruining what already makes it great

Getting so good at serving other artists that your own music gets neglected

Whether music actually needs to be released to feel finished

Translating what an artist says they want into what they actually mean

Records that gave us permission to make different choices behind the kit

Finding creativity inside really simple drum parts

Whether “serving the song” can become an excuse for not making an interesting choice

Touring, having a family, and accepting that there might not actually be such a thing as balance

Plus, Tom Petty, Steve Ferrone, Brian Devendorf, Alan Myers, Stewart Copeland, Vinnie Colaiuta, and a lot more.

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Drummers on Drumming (the book) takes you inside the stories, records, and moments that shaped some of the world’s greatest drummers. Built on the Big Fat Five format of digging into top influences, it’s packed with candid interviews and personal insights. Whether you’re just starting out or have been playing for years, this book is here to inspire you to sharpen your skills and find your own voice behind the kit.

For more information on Big Fat Snare Drum, check out⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.bigfatsnaredrum.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠
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This week on Drummers on Drumming, we’re back with another installment of The Drum Panel with Eric Urrea and William Goldsmith.

William is the drummer for Sunny Day Real Estate and was also the original touring drummer for Foo Fighters. I’ve had him on the podcast before, and he’s incredibly funny, down to earth, and always really thoughtful about this stuff without taking any of it too seriously.

We continue putting the new Drum Panel format to work this week, hitting questions from The Work, The Playing, The Why, Drummer Problems, Records + Drummers, The Hang, and Hot Takes.

In this episode:

The stuff we leave out when people ask how our careers are going

Who first made us comfortable enough to sound bad in front of them

Getting out of your own way when coming up with drum parts

How much of our taste was decided when we were kids

Why certain drum sounds just feel right to us

What to do when you hate the programmed drum part you’re being asked to play

The difference between playing the part and figuring out what somebody actually wants from it

Drummers people assume influenced us who really didn’t

Hitting too hard in the studio

Playing the record exactly versus capturing the spirit of the original drummer

Some pretty fucking great stories involving David Bowie, Foo Fighters, Sunny Day Real Estate, and more

As always, we also end up talking about creativity, influence, ego, and all the shit we should probably be paying therapists to listen to.

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Get Your Copy of the Drummers on Drumming Book Today

🎯 ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Click here to order now!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Drummers on Drumming (the book) takes you inside the stories, records, and moments that shaped some of the world’s greatest drummers. Built on the Big Fat Five format of digging into top influences, it’s packed with candid interviews and personal insights. Whether you’re just starting out or have been playing for years, this book is here to inspire you to sharpen your skills and find your own voice behind the kit.

For more information on Big Fat Snare Drum, check out⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.bigfatsnaredrum.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠
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This week on Drummers on Drumming, we’re back with another installment of The Drum Panel with Eric Urrea and Gunnar Olsen.

We’re continuing with the new format for the Panel, using a few loose categories to give the conversation some direction without keeping us from going down whatever rabbit holes come up.

A lot of this one ended up being about how your relationship with drums changes the longer you do it.

In this episode:

The gigs you would've killed for ten years ago that you might not take now

Separating being busy from actually feeling successful

What happens to your playing when you get nervous

How much technique actually matters if what you’re doing sounds good

Knowing when a song actually needs a fill

Why constantly recording and analyzing yourself can sometimes take something away from playing

Leaving a band when you still love the people in it

Drummers we understand completely differently now than we did when we were younger

---

Get Your Copy of the Drummers on Drumming Book Today

🎯 ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Click here to order now!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Drummers on Drumming (the book) takes you inside the stories, records, and moments that shaped some of the world’s greatest drummers. Built on the Big Fat Five format of digging into top influences, it’s packed with candid interviews and personal insights. Whether you’re just starting out or have been playing for years, this book is here to inspire you to sharpen your skills and find your own voice behind the kit.

For more information on Big Fat Snare Drum, check out⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.bigfatsnaredrum.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠
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This week on Drummers on Drumming, we’re back with another installment of The Drum Panel with Eric Urrea and Cain Daniel.

This episode is also a test run for a new format for the Panel. After going through the listener survey, I wanted to give these conversations a little more structure while still leaving plenty of room for us to go wherever the conversation takes us.

In this episode:

What actually makes you recommend another drummer for a gig

What we’re listening to while we play that has nothing to do with the drums

How we choose the right gear for different gigs

Taking a gig you really want when the money sucks

Famous drum parts we might not understand the hype around

Horrible gigs that somehow led to something good

Having your own voice versus being adaptable enough to make a living

Whether you actually need to read music to be a professional drummer

A few Hot Takes to finish things off

---

Get Your Copy of the Drummers on Drumming Book Today

🎯 ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Click here to order now!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Drummers on Drumming (the book) takes you inside the stories, records, and moments that shaped some of the world’s greatest drummers. Built on the Big Fat Five format of digging into top influences, it’s packed with candid interviews and personal insights. Whether you’re just starting out or have been playing for years, this book is here to inspire you to sharpen your skills and find your own voice behind the kit.

For more information on Big Fat Snare Drum, check out⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.bigfatsnaredrum.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠
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This week on Drummers on Drumming, we’re back with another installment of The Drum Panel.

I’m joined by Eric Urrea, an independent drummer from Chicago who plays with Marina City and La Armada, and Adam Christgau, who has toured and recorded with artists like LP, Troye Sivan, MARINA, Sia, Miley Cyrus, Angel Olsen, Kacey Musgraves, Tegan and Sara, and more.

I had just finished a week of rehearsals where we were recording everything, listening back, and picking apart what was actually working. So I came into this one with a bunch of thoughts I wanted to throw at Eric and Adam.

In this episode:

Why the best-sounding snare might not be the most fun one to play

Tuning drums for the microphone versus the room

Shells vs plugins

Why dynamics might matter just as much as timing

The painful importance of recording and listening back to yourself

Why a great-feeling show doesn’t always sound great the next day

Whether you can actually practice having better taste

Learning the difference between what you think you’re playing and what’s actually coming out

---

Get Your Copy of the Drummers on Drumming Book Today

🎯 ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Click here to order now!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠

Drummers on Drumming (the book) takes you inside the stories, records, and moments that shaped some of the world’s greatest drummers. Built on the Big Fat Five format of digging into top influences, it’s packed with candid interviews and personal insights. Whether you’re just starting out or have been playing for years, this book is here to inspire you to sharpen your skills and find your own voice behind the kit.

For more information on Big Fat Snare Drum, check out⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.bigfatsnaredrum.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Twitter⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠, and ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠
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