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Gig Gab - The Working Musician's Podcast

Dave Hamilton & Friends
Gig Gab - The Working Musician's Podcast
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  • Gig Gab - The Working Musician's Podcast

    Play the Fill: Stage Confidence, Filling an Empty Room & Booking Gigs

    14-09-2026 | 1 u. 1 Min.
    You’ve earned your seat on that drum riser, even when four people in the crowd know the Bonham parts better than you do. Dave Hamilton and guest co-host Skylar Hamilton (his daughter) look back on Dave’s summer of gigs, starting with a Led Zeppelin and Heart tribute for about 600 people. A shaky moment in Heartbreaker turns into a drum solo nobody rehearsed, and a derailed Living Loving Maid turns a careful recital into a real rock show. Less than a week later, a Casual Gravity night in Laconia starts with six fans and a nearly empty room and ends packed by the third set. Two rules made that happen: don’t punish the people who showed up, and play for the crowd that’s not in the door yet. Skylar sums it up with the question you should ask every time you walk on stage: are you going to bother to be here, or should you just go home?

    Then Skylar picks your questions for Stump the Music Geek. You’ll hear how to juggle a day job and multiple bands (put everything on the calendar), what to do when a private-gig client wants to swap six songs 72 hours before the show, the contract clauses that turn last-minute requests and overtime into extra pay, and why one bandleader needs to make the final call on stage. The Sales 101 speed round covers following up with venue managers, what to do when 20 booking emails get no reply, asking for the no like an auctioneer, visiting a venue as a customer when nobody answers your DMs, and getting local businesses to back your band. Play the fill, set the expectation, and Always Be Performing.

    00:00:00 Gig Gab 551 – Monday, September 14, 2026

    September 14th: National Rosa Tequila Day

    Guest co-host: Skylar Hamilton

    00:02:40 The lessons of perspective: Zeppelin/Heart Underground gig

    00:20:16 SPONSOR: Hims. With Wegovy® at Hims, lose up to 20% of your body weight when combined with diet and exercise. Visit https://hims.com/giggab to get a personalized, affordable plan that gets you.

    00:21:51 Casual Gravity Gig

    Don’t punish the people who showed up

    Play for the crowd that’s not in the door yet

    Stump the (Music) Geek

    00:29:52 How do you handle time management?

    00:36:42 How would you react to a client who changes the set last-minute?

    00:44:04 What’s your advice on having a bandleader who makes the final call?

    00:47:50 SPONSOR: Claude.ai – Ready to tackle bigger problems? Sign up for Claude today, which includes access to Claude Cowork, too, when you visit https://Claude.ai/giggab

    Sales 101, Musician Style

    00:51:20 After making initial contact with a venue manager, is it bad business to follow-up with them a week later?

    00:52:12 What about 20 booking emails?

    00:54:53 Ask Like An Auctioneer

    Dia Bondi on Business Brain

    00:55:30 How do you get someone’s attention?

    00:57:20 How to find local business sponsors for a band?

    01:00:37 Gig Gab 551 Outtro

    Contact Gig Gab!

    @GigGabPodcast on Instagram

    feedback@giggabpodcast.com

    Sign Up for the Gig Gab Mailing List

    The post Play the Fill: Stage Confidence, Filling an Empty Room & Booking Gigs – Gig Gab 551 appeared first on Gig Gab.
  • Gig Gab - The Working Musician's Podcast

    Re-Impressing the Room All Night: The Realities of Nashville's Lower Broadway with Tyson Hanes & Adam Barber

    07-09-2026 | 1 u. 30 Min.
    Nashville’s Lower Broadway isn’t a gig, it’s a gauntlet, and Tyson Hanes and Adam Barber of The Tyson Hanes Band are here to show you how it actually works. You’ll hear why nobody’s from Nashville, why being the small fish in a giant pond forces you to level up fast, and what it takes to play four-hour shifts straight through with a thousand-song list, no set list, and no safety net. The crowd builds the show one tip at a time, so you go from Merle Haggard to Metallica in a single breath, learn a requested tune off a fifteen-second Spotify listen, and lean on shared Dropbox charts and big ears to nail the transitions together. And because new people walk in all night long, you’re not impressing an audience once…you’re re-impressing them for four straight hours. That’s what Always Be Performing really looks like.

    Then there’s the business side, and this is where it gets pointed. Tyson and Adam collaborated to their own QR-code song request system with a developer – two taps from scan to Venmo, straight to the band’s group text – and turned it into SongRequestHero.com for other bands. When JBJ’s management mandated a clunkier third-party app, killed their on-stage banners, and then ignored three weeks of professional questions from forty-five musicians, they walked.

    You’ll get the full story, plus the bigger lesson underneath it: treat your band like a real business or stay a bar band forever. Answer your email. Send your invoices. Don’t get drunk on stage. Build the infrastructure that lets you sell the Nashville experience to corporate buyers anywhere in the country. And take Adam’s advice: you’ll happily pay for lessons from a better player, so pay for a business coach or a mastermind too. Dave throws SCORE.org into the mix for the free version, with one catch worth hearing.

    00:00:00 Gig Gab 550 – Monday, September 7, 2026

    September 7th: National Beer Lovers Day

    Guest co-hosts: Tyson Hanes and Adam Barber of The Tyson Hanes Band

    00:02:06 Being a band in Nashville

    But no one is from Nashville

    Talent is off the charts

    The pond is much bigger

    Nashville keeps you from getting stagnant

    00:06:42 Playing Lower Broadway on Nashville

    Playing straight through

    Multiple genres

    Making money off of tips

    From Merle Haggard to Metallica

    00:10:26 The talent

    00:12:16 The nerdy tech behind being a band playing lots of covers

    Shared Dropbox

    Audioengine

    00:16:53 Playing on Lower Broadway takes big ears

    00:18:01 Re-impressing an audience all night

    Lose Yourself from The Tyson Hanes band

    Playing the same song multiple times

    00:20:00 The crowd builds the setlist

    Streamlining the process

    00:22:07 SPONSOR: Warby Parker – Our listeners can buy one pair of glasses and get 20% off any additional pairs at https://WarbyParker.com/GIGGAB — and using our link helps support the show. #WarbyParker #ad

    00:23:38 Dave asks the unintentionally loaded question

    00:25:57 Developing your own app

    00:28:31 What’s your app?

    SongRequestHero.com

    Dave has used HelloBand.io

    00:31:50 JBJ’s management said you have to use a new app and no on-stage banners

    00:41:17 The relationship erodes

    00:45:36 Musicians bonding together…if they want to

    00:48:50 How do bands make money as a band in Nashville?

    00:52:27 Going from a “hey, we’d like to pay you in alcohol” band to a corporate band

    Bringing the Nashville Request feel to Corporate Gigs

    01:00:38 Deciding you’re going to be a pro band before you can be a pro band

    Communication!

    Mike Schulte from Pork Tornadoes

    “Nashville is not the flex you think it is.”

    01:06:51 Bringing Nashville to you and your event

    01:11:25 When your name is on the door

    There’s a benefit and a risk

    01:19:53 Get a business coach

    Join a mastermind, even if it costs you. Especially if it costs you.

    SCORE.org

    01:28:00 Gig Gab 550 Outtro

    Follow Tyson Hanes Band

    IG: @tysonhanesmusic

    TheTysonHanesBand.com

    Contact Gig Gab!

    @GigGabPodcast on Instagram

    feedback@giggabpodcast.com

    Sign Up for the Gig Gab Mailing List

    The post Re-Impressing the Room All Night: The Realities of Nashville’s Lower Broadway with Tyson Hanes & Adam Barber – Gig Gab 550 appeared first on Gig Gab.
  • Gig Gab - The Working Musician's Podcast

    Ask for the Gig You Want: Kevin Glendinning on SNL, Super Bowls, and 25 Years on the Road

    31-08-2026 | 1 u. 10 Min.
    Monitor engineer Kevin “KG” Glendinning joins you live from a Roman amphitheater in Pula, Croatia: eight countries in seven days into the Lorde world tour…and he’s got the receipts. You’ll hear how fifteen trips through the SNL stage started with a Carson Daly taping, why the rooms that treat you well are the rooms you remember, and what happens when a 32-year veteran finally plugs in a source expander and realizes the “new guys” were right. That’s the through-line: always be learning, always be open-minded, and never let a get-off-my-lawn attitude about new tech be the reason your phone stops ringing. Then it gets into the real in-ear monitor conversations: recreating a Celestion cab with a 2.6mm armature, the one-ear trick that quietly costs Adam Levine and John Mayer another 25% of volume, and why ear fatigue deserves the same respect a pitcher gives his arm.

    The road stories land hard from there. Super Bowl XLV in Dallas with snow, the Black Eyed Peas, and a lesson in letting the pros run their own show. Red Rocks (aka “Wet Rocks”) and why a mountain full of shuttle trucks is worth every minute. A locked-up console mid-residency and telling Christina Aguilera the audio will come back, all while genuinely hoping it would. A charter plane struck by lightning over the Amazon, an emergency landing at a decommissioned airfield, and waking up to the news about Taylor Hawkins. Plus the covert phone call that became seven years with Justin Timberlake, and the soft ask years earlier that made it happen. Rehearse enough that nerves turn into muscle memory, thank the people who opened doors for you, ask for the gig you want…and Always Be Performing.

    00:00:00 Gig Gab 549 – Monday, August 31st, 2026

    August 31st: Eat Outside Day

    Guest co-host: Kevin Glendinning

    00:02:38 Pula, Croatia. 8 countries in 7 days

    00:04:36 SNL stage for The Deftones with the Carson Daly show

    00:06:20 Making an impression on touring musicians with

    00:08:35 Always be learning about the new tech

    Learning from the “new” guys

    Neve 5045 Primary Source Expander

    Waves PSE Plugin

    Digico Mustard Source Enhancer

    00:13:55 Always be open-minded

    00:18:57 Mixing ears and the respect of it all

    00:21:02 Chris Rabold mixing monitors for REM

    00:22:06 Now some REM stories

    00:24:23 Helping get Adam Levine & John Mayer through ear fatigue with one ear monitor

    00:26:46 OzFest System Engineers and hearing fatigue

    00:27:45 Sometimes it just doesn’t sound right

    00:30:44 Super Bowl in 2011 in Dallas…with snow!

    And The Black Eyed Peas

    00:35:45 Being rehearsed enough to just do the gig (and fix what goes wrong when it goes wrong)

    00:36:25 Lorde’s large-and-resilient fanbase

    00:39:21 Working Red Rocks..”Wet Rocks”

    00:44:33 Christina and the reboot

    “Don’t worry…the audio will come back.”

    Dave’s issue with the Mackie DL32S losing input signals

    00:49:58 Batteries Matter

    00:52:31 Miley Cyrus, Taylor Hawkins, Lightning-stuck aircraft, oh my!

    00:56:28 Getting paid to see the world

    The pros and the cons

    00:59:11 The “covert” phone call… and Justin Timberlake

    Get to know ML who works for ShowCo

    Ask for the gig you want (and, specifically, ask Anthony Giordano)

    The Victoria’s Secret Awards!

    Watching Muse with Justin

    01:06:11 Have gratitude for everyone who you’ve worked with

    01:08:14 Kevin wants to answer your questions!

    01:09:52 Gig Gab 549 Outtro

    Follow Kevin Glendinning

    IG: @kev_chitown

    LinkedIn: Kevin ‘KG’ Glendinning

    Contact Gig Gab!

    @GigGabPodcast on Instagram

    feedback@giggabpodcast.com

    Sign Up for the Gig Gab Mailing List

    The post Ask for the Gig You Want: Kevin Glendinning on SNL, Super Bowls, and 25 Years on the Road – Gig Gab 549 appeared first on Gig Gab.
  • Gig Gab - The Working Musician's Podcast

    From Broadway Swing to Principal: Eight Shows a Week...with Victor Carrillo Tracey

    24-08-2026 | 1 u. 14 Min.
    Your voice is the most temperamental instrument you’ll ever own, and this week Victor Carrillo Tracey – original company member of Broadway’s The Outsiders – walks you through what it takes to keep one working eight shows a week. Hydration and sleep swap places at number one, alcohol and caffeine cost more than you think, and inspiration doesn’t get a vote when downbeat is 8pm. You’ll hear how a single college voice lesson with a head cold taught Victor to navigate around a compromised instrument years before he needed it on Broadway, and why nerves usually answer to preparation rather than talent. Book the room. Play your opener as the last song of soundcheck. Always Be Performing starts well before anyone’s watching.

    Then it gets nerdy. Victor breaks down what a swing actually is (think relief pitcher), and how he covered nine tracks at once before working his way up to playing Paul full-time. You’ll pick up forced perspective, the staging trick that tells an audience exactly where to look and translates straight to your own stage. Plus the band sealed in the pit under the apron, monitor wedges in the floor and sidefills in the wings, a rig that tracks each voice around the house, watching a Broadway book get written in real time, and Dave’s case for mixing your in-ears in stereo instead of piling everything up the middle. Victor’s last Outsiders show is October 11th, right around performance number one thousand…and he still tells himself this is the best job ever before every show.

    00:00:00 Gig Gab 548 – Monday, August 24th, 2026

    August 24th: International Strange Music Day

    Guest co-host: Victor Carrillo Tracey

    00:02:45 The voice is the most temperamental instrument

    00:06:04 The benefits of an education

    Always Be Learning – Beginner’s Mind

    00:08:54 Learning to navigate around your voice when things are non-optimal

    00:13:28 Taking care of your voice

    The most important thing is hydration.

    Except Sleep is the most important thing.

    Be aware of alcohol and caffeine

    00:17:01 Inspiration won’t always strike

    00:18:35 And taking care of your body

    00:20:55 Preparing yourself for success

    Play your opener as your last soundcheck song before the house opens

    You can visualize this, too!

    Book the room to rehearse in advance

    Always be preparing

    Having a preparation mindset

    00:28:40 SPONSOR: Hims. With Wegovy® at Hims, lose up to 20% of your body weight when combined with diet and exercise. Visit https://hims.com/giggab to get a personalized, affordable plan that gets you.

    00:30:08 Being a Swing

    Kinda like a relief pitcher

    Nine tracks at once!

    00:33:33 Ok, a detour into musical theater and The Outsiders

    00:39:02 Forced Perspective

    00:43:12 Missing playing a non-voice instrument

    00:45:19 Playing with the band in a theater show

    …without seeing your bandmates

    00:50:46 Watching the Broadway book being built

    And recording the Cast Album at Power Station at BerkleeNYC Music Studio

    Jamie Eblen

    Justin Levine

    00:56:11 Mixing a musical…and hearing it on stage!

    Monitor wedges in the apron

    Sidefills in the wings

    Cody Spencer

    01:04:55 Previews are grueling, and great!

    01:05:45 Mix your in-ears in stereo

    Nothing up the middle: kick one degree right, snare one degree left.

    01:07:43 Victor’s leaving The Outsiders after 2.5 years

    Choosing your destiny…follow your gut

    And make it happen!

    Gratitude!

    “This is the best job ever” before going on stage every time.

    01:12:37 Gig Gab 548 Outtro

    Follow  Victor Carrillo Tracey

    IG: @victorctracey

    Contact Gig Gab!

    @GigGabPodcast on Instagram

    feedback@giggabpodcast.com

    Sign Up for the Gig Gab Mailing List

    The post From Broadway Swing to Principal: Eight Shows a Week – Gig Gab 548 with Victor Carrillo Tracey appeared first on Gig Gab.
  • Gig Gab - The Working Musician's Podcast

    Matt Beck on Matchbox Twenty, The Outsiders, Hot Cocoa and a Green Tartan Suit

    17-08-2026 | 1 u. 13 Min.
    Matt Beck taught himself guitar strung upside down and backwards and has never once found a reason to stop. He joins you this week from the pit of The Outsiders, where he’s played since opening night three years ago, and from a July that had him running Jon Anderson, the B-52’s, and Matchbox Twenty in the same month: seventies, eighties, and nineties, back to back to back. You’ll hear why a guitar player who can actually read on a staff gets calls other players never see, how orchestrators bury Easter eggs in a score, what it does to a band when the pit is closed and the audience only sees you on camera at the curtain call, and why the plight of the freelancer always comes down to the same thing: your calendar, and what you said yes to eight months ago.

    Then it’s the road stories. Matt traces twenty-three years with Matchbox Twenty back to a Lisa Loeb tour with Dweezil Zappa standing next to him, and the Zappa family connection that put his name in the right room. He talks about building parts alongside Bono and The Edge for the Spider-Man musical, writing live arrangements for Rod Stewart, and finally getting Sugarjar out the door with Richard Hammond and Sammy Merendino. You’ll also get a Matchbox soundcheck shut down by something nesting in the rafters, three cups of hotel cocoa and a green tartan suit that taught Matt everything he needed to know about a pre-show routine, and the discipline underneath all of it: on Band Geeks off-days, he ran the entire Jon Anderson show every single morning. Always be performing and, as Matt adds on his way out, always be practicing.

    00:00:00 Gig Gab 547 – Monday, August 17th, 2026

    August 17th: Black Cat Appreciation Day

    Guest co-host: Matt Beck

    00:03:48 Musicals trying to make it on to Broadway

    00:04:50 Theater work in NYC

    Playing, orchestrating

    “Play like Steve Gadd”

    “Play like Steve Vai”

    “A la Larry Campbell”

    00:09:45 Acknowledging the band

    00:11:56 Reading guitar on staff music

    00:14:36 Knowing your castmates

    00:15:59 Managing the schedules of multiple projects

    Going from Jon Anderson to B-52’s to Matchbox Twenty…in a month!

    00:22:07 Logistics of travel on gig day

    00:24:37 Matchbox Twenty…23 years!

    Got the call for…Lisa Loeb, alongside Dweezil Zappa.

    And the Zappa family connection delivers, along with great networking.

    00:30:38 Studio vs. Live

    00:32:28 SPONSOR: Claude.ai – Ready to tackle bigger problems? Sign up for Claude today, which includes access to Claude Cowork, too, when you visit https://Claude.ai/giggab

    00:34:15 Working with Bono and Edge on the Spiderman Musical

    Creating those signature moments

    00:35:32 Live arrangements with Rod Stewart

    00:37:03 Creative collaboration is the key

    00:38:06 Playing in original bands as an informative piece of the career

    00:39:27 Learning how to be in a band

    00:40:24 Sugarjar, Matt’s 3 piece band

    Richard Hammond

    Sammy Merendino

    00:42:30 Learn to play every style authentically

    And play with as many people as you can.

    Diversify!

    00:45:01 Growing up with professional musician parents

    00:47:09 The risk of a day job

    00:48:21 As if a swarm of bees

    00:50:44 Slipping through the crowd in a green suit!

    00:54:47 Pre-show routines and biological imperative

    00:57:30 “If You’re Gone” – matchbox twenty

    Dave says: Yes, I know… “When I am Gone” is a similarly tear-jerking Bitter Pill song

    01:02:08 Band Geeks and Jon Anderson…and Matt Beck

    Off-day routine: run the show

    01:11:15 Gig Gab 547 Outtro

    Follow Matt Beck

    IG: mattbecktwenty

    Contact Gig Gab!

    @GigGabPodcast on Instagram

    feedback@giggabpodcast.com

    Sign Up for the Gig Gab Mailing List

    The post Matt Beck on Matchbox Twenty, The Outsiders, & Hot Cocoa and a Green Tartan Suit – Gig Gab 547 appeared first on Gig Gab.
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Welcome to Gig Gab—the podcast sanctuary for working musicians and anyone fascinated by the vibrant, often unseen world behind every note played on stage. Whether you’re a musician, a member of the crew, or just someone who loves peeking behind the curtain to discover the secrets of live performances, you’ve found your tribe.
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