Gig Gab - The Working Musician's Podcast

You moved to a new city where nobody knows your name. Now what? When Edgar Solorzano left Venezuela for South Florida ten years ago, his answer was simple: hit record. He took a GoPro to a country gig with a band of firefighters, posted the highlights, and kept posting every day: under a minute, the best moment of the night, replying to every comment, even the mean ones. When the only calls were for country gigs, he started posting slap covers of Level 42 and the Red Hot Chili Peppers until the phone rang for everything else. It’s the same move that started it all back home, where a 2006 YouTube video landed him in the busiest band in Maracaibo, playing up to six shows a night.

Then Edgar walks you through the working week: three or more nights of weddings, corporate gigs, casinos and clubs, almost no rehearsals, and what to do when you’ve pulled up the wrong charts for a 35-minute hora. You’ll hear how VAM Band’s system makes a gig easy to walk into, why Edgar turns the nanny tracks off, the in-ear mix where kick and bass melt into one instrument, and the dead-simple rig behind all those gig videos: an Insta360 X6 and a second in-ear receiver on the same channel. There’s also a warning about talkback culture before you go live, and yes, a detour to nerd out on Rush. Post the gig, share the gig, and Always Be Performing.

00:00:00 Gig Gab 559 – Monday, November 9th, 2026

November 9th: World Ballet Day

Guest co-host: Edgar Solorzano

00:02:00 First a full-time student…and posting videos

00:03:45 How I found Edgar (and the Rob Santoro connection)

00:05:04 Starts with Country Gigs

00:06:06 Building your profile

Took my Go Pro, recorded the show

00:09:57 Getting the algorithm to recommend you

Post every day

Be less than a minute

Find a highlight of the night

00:11:19 Reply to everything

00:13:56 The importance of playing multiple styles

00:17:37 Being the youngest member of the band

00:18:44 Publish to YouTube!

Mac Geek Gab 1

00:24:30 Time to Nerd out on RUSH

00:27:41 SPONSOR: Claude.ai – Ready to tackle bigger problems? Sign up for Claude today, which includes access to Claude Cowork, too, when you visit https://Claude.ai/giggab

00:29:15 SPONSOR: Tidal – Visit https://Tidal.com/GIGGAB to create an account and start uploading your music for free: zero platform fees on every sale. Your music, your earnings.

00:30:35 Playing at least 3 nights per week

Corporate gigs

Wedding Gigs

Casinos and Clubs

VAM Band

Paid rehearsals

00:32:24 Rarely rehearsing

00:33:25 Trying not to read on gigs

00:37:58 Playing with VAM Band

Adam Moskowitz, The Invisible Conductor – Gig Gab 397

Demolishing Walls & Pulling Teeth with Adam Moskowizard – Gig Gab 425

Tangents, Tracks, and Tenacity – Gig Gab 507

00:40:33 Nanny Tracks

00:43:10 The best in-ear mix

Kick & Bass

Snare, Hi-Hat

Keys & Guitar

Vocals

Drum Overhead & Vocal Reverb

00:46:27 In-ears keep you in control

Mixing yourself

00:49:36 Streetlight, the corporate/casino band

00:51:41 Clicks and tracks are just tools

00:53:04 Recording and Processing and Sharing your gigs

Insta360 X6 – the best for musicians

Two receivers

And the talkback mic

01:00:11 Edgar’s in-ear rig

CTM AS-7 In-Ears

Sennheiser G4

01:04:27 Gig Gab 559 Outro

Contact Edgar Solorzano

EdgarSolorzano.net

IG: @edgar_solorzano

FB: @Edgarflush

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The post Post the Gig, Get the Gig: Social Media for Working Musicians with Edgar Solorzano – Gig Gab 559 appeared first on Gig Gab.

Gig Gab was Paul Kent’s idea, and he’s back in the co-host chair with 27 years of running the ten-piece Houserockers behind him. You’ll hear how Dave’s Underground band learns a whole new themed set every six weeks at the Seacoast Rep, why moving from bars to an 800-seat theater starts with deciding you are a theater band, and the frequency-versus-scarcity tension every local act wrestles with. Paul’s answer to the fan who says they’ll catch you next time is blunt: stop competing with the couch. Find the people already looking to get out, let them get to know the band and each other, and host a two-hour party every single night.

Then it’s AI for working musicians: gig posters, the Kanban booking tracker Paul built in half a day, lead lists, email campaigns, and Dave’s case for AI as the ultimate procrastination killer. Plus, a condo neighbor storms a 9:55 PM rehearsal demanding the band wrap by 8:30, and finds out he picked the wrong Dave. Stick around to hear who actually coined Always Be Performing.

00:00:00 Gig Gab 558 – Monday, November 2nd, 2026

November 2nd: World Ballet Day

Co-hosts: Paul Kent and Dave Hamilton

00:02:36 Roberto’s The Loving Mosh

00:03:02 Gig Gab as a marketing tool

00:04:53 Paul’s 5 Projects

The Houserockers – Ten piece corporate band

Solo Gigs

Various 4pc bands

00:07:32 Paul’s Houserockers Summer

00:08:37 Dave’s Gigs

00:10:44 The Underground Model

00:18:21 Rotating Tribute Band

00:21:06 Evolving from a bar band to a theater band

00:22:57 Mixing bar gigs in with your theater band

00:24:01 SPONSOR: Warby Parker – Our listeners can buy one pair of glasses and get 20% off any additional pairs at https://WarbyParker.com/GIGGAB — and using our link helps support the show. #WarbyParker #ad

00:25:28 Frequency vs. Scarcity

00:27:29 Creating a band with a local presence

Build your mailing list!

Two ticketed, four-walled events per year

00:31:51 Audience Curation

What about: If I can see you “next time”, I won’t go “this time”?

00:34:19 Finding the right people

The Gig Gab Green Room

Don’t compete with the couch: find your true fans.

Market to people who already want to get off the couch!

Let people get to know each other AND get to know the band

Live music is a visual art

You are the curator of an emotional experience for people

Create a social contract: “For two hours we’re gonna hang out together, let’s have some fun.”

Related: Your Competition Is the Couch with Neonautica (Gig Gab 555)

00:41:37 Embrace your role as a facilitator for giving people a break!

00:42:25 AI: Renaissance or Doomsday?

feedback@giggabpodcast.com

00:45:03 AI as a tool for running bands

Making gig posters with the help of AI

00:50:30 Paul’s Gig Tracker Pro

ChatGPT

Kanban Chart

Build a lead list: “Find all booking contacts for my area”

Bounce booking ideas

Workshop an email campaign

AI is the best procrastination eliminator, bar none.

00:57:50 Using AI

Instinct

Muse

Grok Bot

01:01:04 Noise Complaints!

01:08:52 Gig Gab 558 Outro

Contact Paul Kent

PaulKentMusic.com

SVHouserockers.com

Contact Gig Gab!

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The post Don’t Compete with the Couch: How to Get People to Your Gigs, Bar Band to Theater Band & AI for Musicians with Paul Kent – Gig Gab 558 appeared first on Gig Gab.

Twenty years ago, Pat Watters looked at Texas country’s self-sustaining scene, where bands lift each other up and fans proudly claim their own, and asked a simple question: why only Texas? He’s spent every year since 2008 answering it in Wisconsin, building the Pat Watters Band on unapologetic regional pride. As a marketing agency partner, he knows exactly how bands get found. Stop pitching your gig like a fallback. “If you’re free Friday night” tells people you’re the last resort, so talk like you’re the best option and they just haven’t heard about it yet. Guard against oversaturation, because if fans can see you anytime, they’ll never actually come. Load your originals early while the room is still listening, and give every song a story worth leaning in for.

Then work all three relationships: artist to artist, artist to media, and artist to fan. You’ll hear how the Midwest Country Music Organization turned rival bands into a real community, and why one musicians’ dinner on a slow Monday could start the same thing in your town. Pat shares his show-promotion formula: title every Facebook event with your band name and the venue, drop the event link in the comments, and post one simple day-of line that gets your followers asking where. Don’t build on rented land. Own your domain and your mailing list, and spend a few smart dollars on Meta ads. Then dress like you meant to be on that stage. Become a bigger version of yourself, and Always Be Performing.

00:00:00 Gig Gab 557 – Monday, October 26, 2026

October 26th: National Chicken Fried Steak Day

Guest co-host: Pat Watters

00:02:24 Texas, a collaborative musical environment

Pat Green from Texas, an inspiration!

00:06:24 Leveraging regional pride

00:10:56 Assume you’re the best option, they just don’t know about it yet

Marketing your band in 2026

Re-making room for music post-COVID-lockdowns

“If you’re free Friday night”

Create FOMO…ASSUME FOMO.

00:13:50 Manage saturation, resist the temptation to play too often

“If somebody can go see you anytime, they’ll never go see you.”

00:15:32 Beware the three-year arc

Make yourself less available

00:16:26 Playing covers as an original band

Play originals at the beginning of the night, covers towards the end

00:19:38 Give the audience a reason to pay attention

“Upbeat Songs About Death” – Bitter Pill AND the Pat Watters Band

00:21:18 That public talk is also self-talk

Our job is to entertain

00:23:16 SPONSOR: Tidal Upload. Visit https://Tidal.com/giggab to create an account and start uploading your music for free.

00:24:27 SPONSOR: Hims. With Wegovy® at Hims, lose up to 20% of your body weight when combined with diet and exercise. Visit https://hims.com/giggab to get a personalized, affordable plan that gets you.

00:25:54 Three relationships: artist-to-artist, artist-to-media, and artist-to-fan

Midwest Country Music Organization

Related: Building fans through theatrical live shows with Neonautica (Gig Gab 555)

00:31:59 Create an evening for yourself

00:36:11 Formula for marketing your shows

Learn your audience’s demographics

Facebook event and a Facebook post (with a link to the event in the comments)

Keep website up-to-date

“I get to play country music today.”

Related: Social media for musicians with Chris Cron (Gig Gab 554)

00:47:14 Always create your own event

“The Pat Watters Band at [Venue]”

00:48:10 Don’t Build on Rented Land

Joe Pulizzi – The Content Marketing Institute

Have a website and a mailing list

00:53:51 Marketing on Facebook Ads

Meta Business Manager

Keeping a band together

00:59:46 Intentionally Wear a Costume on Stage

“Performers are all figments of our own imagination” – Kris Kristofferson

The Alter Ego Effect

“Be an exaggerated version of yourself”

01:07:31 Gig Gab 557 Outro

Contact Pat Watters

PatWattersBand.com

Facebook: ThePWB

IG: ThePWB

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The post You’re Not Their Backup Plan: How to Market Your Band’s Shows with Pat Watters – Gig Gab 557 appeared first on Gig Gab.

Every club at SXSW sounds good, every night, all week, and we’ve often wondered how they maintain that consistency. This week Dave finally gets the answer from Nate Cross, SXSW’s Director of Production, who went from intern to Assistant Production Manager to running the whole show. You’ll hear how his team builds out 55 to 60 venues (down from 100+ before the pandemic), why they mic everything even when it looks like overkill, and how 20-minute changeovers actually run on time with bands who’ve never met. Then there’s the backline story: trading the free band beer for a drum kit and amps at every venue, which enhanced everything.

Want to be the band every festival wants back? Show up on time, keep it simple, and put your current input list first, since it matters more than your stage plot. Add one sentence describing what your band should sound like so the engineer isn’t guessing. Nate also explains how SXSW went from a flat “no” on in-ear monitors to welcoming your split snake, and shares how his two-drummer, nine-piece band Water Damage turned one showcase into a challenge accepted. Whether you’re under the lights or behind the scenes, Always Be Performing.

00:00:00 Gig Gab 553 – Monday, September 28, 2026

September 28th: Ask a Stupid Question Day

Guest co-host: Nate Cross from SXSW

00:01:16 Arrived in Austin 2003, interned with SXSW in 2006

Finally in 2012 the phone rings…Assistant Production Manager

00:07:33 Learning the SXSW flow

00:11:20 Dozens of Venues, 5-6 bands per night per venue

00:12:40 Building out stages and PAs

00:15:01 Setting up the stages for success

Everyone coming to that stage wants it to sound as good as possible…and so do we!

Micing everything

00:17:18 Changeover

00:18:10 Keeping the schedule running on time

Managing the 20-minute changeover

00:22:44 How many production staff assigned per venue?

FOH engineer

Stage manager

Student Production Crewmember

Plus 2-3 stage crew

00:24:05 Adding backline to every venue in 2026

00:27:22 Setting Your Band Up For Success at a Festival

Punctuality

Communication

Simple Is (usually) best

00:31:04 Advancing with Success

Stage Plot is truly for space allocation. Make sure your layout is up-to-date and correct.

Input List is the most important aspect

Update your Stage Plot and Input List once per year

00:35:08 Put that “what my band sounds like” sentence on your input list

00:41:21 IEMs, Split Snakes

Pre-pandemic the answer to IEMs at SXSW was “no”

00:49:40 “My band doesn’t use monitors”

00:51:27 Water Damage, Nate’s band

Water Damage Instagram – @wwwaterdamage

00:54:05 The Thread of Serendipity That Runs Through SXSW

Dave says get a Platinum Badge!

01:02:14 Gig Gab 553 Outro

Contact Gig Gab!

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The post How Every Club Sounds Great: Running SXSW Stages & Changeovers with Nate Cross – Gig Gab 553 appeared first on Gig Gab.

Skylar Hamilton is back by popular demand for round two of your questions, recorded across an Airbnb kitchen table in New York City where a roll of paper towels doubles as a mic stand, because it’s the right height and it kills table rumble.

Set lists first: your opener sets the tone, and the tone is yours to set. Easing a dining room into rock-band mode calls for something catchy and upper-mid-tempo with room to breathe; a room that came to see a band wants to know right away what kind of show they walked into. Start cold off a click in your ears instead of a count-off if you want crisp. Put the across-the-board crowd-pleaser second, not first. And treat the night as an exchange of energy: it’s great when the audience offers first, but you can’t plan on that, so you make the first offering. Always Be Performing, right from note one.

From there you get a genuine on-air disagreement about AI and episode artwork, and where the line sits between using a tool and removing the human creator. The audience for your art is other humans, whatever you used to make it. Then stage etiquette, with Rush handing you both answers on one tour: Anika Nilles quietly fixing a wardrobe malfunction mid-song while the show rolls on, and Geddy Lee stopping 2112 to get a dead bass sorted. The call is yours in a split second: if you’re the focal point and the problem has you distracted, name it and bring the crowd in; otherwise let it go and keep playing.

Crowd work closes it out: banter is a skill you learn to summon on demand, not a personality you’re born with. Pick one person or an avatar and talk to them, build a stage character the way Billie Joe Armstrong is already St. Jimmy every night, treat what you wear as a costume your audience assumes you chose on purpose, borrow the bits you love from the front people who inspire you, and then watch yourself back a few days later…alone, and generous enough to find one good moment for every three you’d fix.

00:00:00 Gig Gab 552 – Monday, September 21, 2026

September 21st: National Pecan Cookie Day

Guest co-host: Skylar Hamilton

00:02:28 Use a paper towel roll

Keep Rolling With It

00:04:45 Setlist Management

Starting Songs

00:18:33 How do we continue using AI to maximize efficiency without removing the artists?

Waves NS1

00:31:51 Send us your questions: feedback@giggabpodcast.com

00:32:09 Stage Etiquette: What happens when something goes wrong?

The Alter Ego Effect

00:43:13 Crowd Management: Being a front-person

01:03:01 Gig Gab 552 Outro

Contact Gig Gab!

@GigGabPodcast on Instagram

feedback@giggabpodcast.com

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The post The Opener Sets the Tone: Set List Strategy, AI vs. the Artist & The Craft of Fronting a Band – Gig Gab 552 appeared first on Gig Gab.