New Books in Music

Rock 'n' roll appeared in the 1950s as the high-energy, electrically amplified music of young dancers and listeners, first in the United States and then around the globe, and from the beginning it symbolized more than music. First popularized as a marketing rubric to sell African-American rhythm and blues to white teenagers, it stood for racial integration, sexual freedom, youthful rebellion, and for change and modernity. It was never a single kind of music, and historians disagree about when it began and which artists or records should be included in its canon--but it was always a flashpoint, whether condemned as an assault on cultural standards or hailed as the most exciting movement of the twentieth century.

Rock ‘N’ Roll: A Very Short Introduction (Oxford University Press, 2026) explores the complex musical styles and evolutions of the genre and also examines it as product, symbol, and vehicle of societal change. The introduction seamlessly integrates the genre with elements of 1955-1965's mass influence including the rise of television and niche radio formats, the civil rights movement, a new concept of "teenagers" as a unique age group, and a sexual revolution. Rock 'n' Roll traces the rise and trajectories of the styles and musicians grouped as rock 'n' roll and their journey to becoming emblems of much more

Elijah Wald is a Grammy winning writer, musician, and historian. His books include Escaping the Delta: Robert Johnson and the Invention of the Blues; How the Beatles Destroyed Rock 'n' Roll: An Alternative History of American Popular Music; Jelly Roll Blues: Censored Songs and Hidden Histories; The Mayor of MacDougal Street (source for the movie Inside Llewyn Davis); and Dylan Goes Electric! (source for the movie A Complete Unknown). He has taught at various universities and holds a PhD in ethnomusicology and sociolinguistics.

Elijah Wald’s website.

Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021), Frank Zappa's America (LSU Press, 2025), and U2: Until the End of the World (Gemini Books, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival.

Bradley on Facebook and Bluesky.
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Stacey Copeland, Assistant Professor of Cultural Heritage and
Identity at the Centre for Media and Journalism Studies at the
University of Groningen, joins Jana Byars to talk about⁠ Lavender Sounds: From Lesbian Radio to Queer Feminist Soundwork⁠
(University of Michigan Press, 2026) delves into lesbian radio history
and its evolution into queer feminist podcasting today, exploring the
politics, aesthetics, and cultural activism embedded in queer feminist
soundwork. Through deeply personal and archival explorations, Stacey
Copeland traces the emergence of queer feminist soundwork—a unique blend
of community-led storytelling, political resistance, and creative
expression rooted in feminist and LGBTQ+ activism. At the heart of the
book lies a powerful idea: sound is not just heard but felt, connecting
generations through shared voices and struggles. In conversation with
award-winning and cutting-edge queer and feminist podcast producers from
across Canada and the U.S., Lavender Sounds invites us to turn a
feminist embodied ear to the past to uncover the ways gender, race, and
sexual orientations are embedded in our everyday media listening
practices. From pioneering Canadian radio shows like Vancouver's The
Lesbian Show and Montreal's Dykes on Mykes to today's queer chumcasts
and audio documentary, Lavender Sounds is a journey through auditory
landscapes where joy, protest, intimacy, and identity intersect. This
book opens a vibrant conversation about how radio and podcasting are
vital tools for marginalized communities to connect, create, and claim
space in the media world.
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Ella Jenkins (1924–2024) was one of the most influential musicians of
the twentieth century, although many people have never heard of her. A
pioneer in children’s music and an innovative educator, Jenkins recorded
forty albums and influenced countless children and adults over a
sixty-year career. Gayle Wald places Jenkins’s life and work within the
larger contexts of the civil rights movement, the folk revival, and the
changing worlds of children’s education and entertainment in This is Rhythm: Ella Jenkins, Children’s Music, and the Long Civil Rights Movement (University
of Chicago Press, 2025). Committed to civil rights, Jenkins infused her
beliefs in social justice and our shared humanity into her work with
children and her compositions. She viewed music as a way for children to
come together and establish connections with each other rather than as a
gateway to musical achievement or literacy. Based on dozens of
interviews including with Jenkins and her life partner Bernadelle
Richter, Wald traces Jenkins’s life from her childhood in segregated
Chicago, her involvement with the integrated folk music scene, and her
successful career as a music educator. This is Rhythm was given special recognition by the 2026 Pattis Family Foundation Chicago Book Award.
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This panel discussion will explore the remarkable influence of Latin American music and dance on the culture of Yiddish speaking communities in the United States. Ronald Robboy will discuss Latin American musical influences upon Yiddish theater composers, including Sholom Secunda, Abraham Ellstein, and Alexander Olshanetsky; Sonia Gollance will discuss the popularity of dances like the Tango and Mambo in the Borscht Belt, as exemplified by movies like Dirty Dancing and Mamboniks; and Josh Kun will discuss the influence of Latin American music on post-war Jewish music and the influence of Jewish music on U.S. Latino/a artists.

This event forms part of Carnegie Hall’s Nuestros sonidos festival.

This panel discussion originally took place on March 10, 2025.
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With his shag haircut and white Stratocaster guitar, Jeff Beck was an
icon known and loved by millions. Yet somehow, he maintained the
ineffable low profile cool of a cult hero as he glided through six
decades of musical trends with nary a lapse in taste. Not to say he ever
played it safe. What other guitarist can lay claim to performing with
opera star Luciano Pavarotti, mainstream television personality Kelly
Clarkson, and professional degenerates like Guns N’ Roses with equal
grace and wit? Or as Beck himself once quipped, “I’m an awkward son of a
bitch when it comes to doing the expected.”

In Blow by Blow: The Jeff Beck Story (Da
Capo, 2026)​, Brad Tolinski and Chris Gill return to chart the
unexplored life of rock’s greatest and perhaps most enigmatic
instrumentalist. Culled from approximately 30 hours of interviews with
the late guitarist himself, numerous conversations with those closest to
him, and extensive research, the book sheds new light on the genius
that Jimmy Page once said, “shifted the whole sound and face of electric
guitar music.”
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