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Retro Spectives

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Retro Spectives
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  • E135: Yu-Gi-Oh! 5D's World Championship 2011: Over the Nexus
    Yu-Gi-Oh!, along with Magic: The Gathering and Pokemon, is one of the original big 3 trading card games.  Starting its life as a Manga, then a tv series, the story about the card game eventually became a card game.  Since then Yugioh has morphed through many different iterations and is still going strong today, even if its present self doesn’t have much to do with its humble beginnings. Nestled right in between the birth of the card game and the current format is Yu-Gi-Oh! 5D’s World Championship 2011: Over the Nexus.  It's an interesting middle child of the franchise for many reasons - it builds off previous games in the franchise while still being primarily a single player game.  Its format at full power makes the decks of yesteryear look like a joke, but would get trounced by anything played today.  It boasts a truly absurd card pool of ~4300 cards, and they’re shockingly mostly coded correctly.So, is it worth going back to a different time and place to play some single player Yu-Gi-Oh?  Or is this weird slice of history more of a curio to look back on and never experience?On this episode, we discuss:IdentityWhat exactly is the identity of Yu-Gi-Oh! compared to other trading card games like Magic or Hearthstone?  What does it excel at, and where is it at its weakest?  How does the game actually play out, with its extra deck and high consistency tutors?DeckbuildingHow viable is it for the player to build their own deck from scratch?  How well does the UI facilitate both experimenting with ideas, and finding cards that synergise together?  Do enemy decks give you inspiration and options, or are they generic and copy pasted?Progression SystemsHow do you unlock the cards required to build your decks?  Are unlocks intelligently seeded throughout your playthrough to give you a gradual increase in power?  Is it satisfying to gradually build a deck up from its basic roots, or is it too difficult to acquire key cards?We answer these questions and many more on the 135th episode of the Retro Spectives Podcast!--Intro Music: KieLoBot - Tanzen KOutro Music: Rockit Maxx - One point to anotherYugioh 2001 OST: Miki Murai, Kazuma Jinnouchi, Yasuhita Iso--Is there a better Yugioh video game out there that we somehow missed on?  What other single player card games, retro or modern, are worth our time?  Are you a fan of card games on motorcycles?  Come let us know what you think on our Community Discord Server!You can support the show monetarily on our Buy me a Coffee Page!
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  • E134: Perfect Dark
    Released towards the end of the Nintendo 64’s lifespan in 2000, Perfect Dark was the culmination of several years of FPS development on consoles.  After Rare released Goldeneye in 1997, they wanted to take another spin at the formula, but this time with an original IP.  Enter Perfect Dark, featuring many of the cornerstones of FPS design that defined Goldeneye, but far more refined.The game featured more varied level design, a ridiculous selection of weapons, improved enemy AI (with a wider range of reactions to damage) and more advanced scripting.  No longer tied down to realism, Rare was free to throw in sci-fi weapons and surreal alien environments.  And this extended to the story as well, which went to some absolutely wild places.But for all its improvements upon Goldeneye, is there a fatal flaw at the heart of N64 FPS design?  Or is it just an awkward middle child, playing in the shadows of both the PC behemoths and the specter of Halo?On this episode, we discuss:Level DesignPerfect Dark retains the mission structure of Goldeneye, with multiple objectives set in short and sharp missions.  Do the improved and better explained mission objectives bring a clarity to the mission design that Goldeneye lacked, or is it still confusing and incoherent?GunsPerfect Dark has an absolute plethora of weapons, from guided rocket launchers to wallhack alien sniper rifles.  Does its wide variety of weapons provide a deep and replayable moment to moment gameplay experience, or is it undone by its identity as a hitscan FPS?EnemiesMost of the enemies you face in Perfect Dark are regular humans, who die in a single headshot.  What does the game do to add challenge and variety to the FPS hitscanning experience of clicking on heads, and is it way too easy with a mouse and keyboard?We answer these questions and many more on the 134th episode of the Retro Spectives Podcast!—Intro Music: KieLoBot - Tanzen KOutro Music: Rockit Maxx - One point to anotherPerfect Dark OST: Grant Kirkhope—What was your favourite level in Perfect Dark?  Are there any indie FPS games coming out (or already out) that are evocative of its design?  Did you find there was anything at all remotely redeeming about the story?  Come let us know what you think on our community discord server!You can support the show monetarily on our Buy me a Coffee Page!
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  • E133: The Legend of Zelda: Ocarina of Time
    The Legend of Zelda: Ocarina of Time is without a doubt one of the most influential video games ever made.  Unlike some titles that struggled with the transition to 3D, Zelda absolutely smashed it, setting the blueprint for what successful open world level design looked like for many years to come.It introduced (or popularised) many mechanics, including lock-on, c-button item selection and even an active day/night cycle.  It somehow took the 2D dungeon design of the earlier Zeldas and transformed them into something that modern games struggle to emulate to this day.  And its legacy is so strong that even people who have never played the games are familiar with “Hey, Listen!”.  But for all its fame and fortune, for all of its innovation and brilliance - it is 27 years later.  What was once revolutionary is now standard or even passe.  Ocarina of Time not only has to compete against all the games that have copied and built on its foundations, but also itself, with many more 3D zelda games launched in its wake.  Has Ocarina of Time truly stood the test of time, or should it go back to kid mode and stay there?On this episode, we discuss:DungeonsOcarina of Time’s major gameplay draw, its deepest mechanics, are all found in its dungeons.  It's a mix of puzzles, combat and exploration, gated by keys and items.  Are the dungeons in OOT well designed with good pacing, or are they frustrating slogs with endless backtracking?ItemsThe longer you play Ocarina of Time, the more tools you have at your disposal.  Nuts, hookshots, hover boots, ocarina songs, spells - the list goes on and on.  Does the game manage to balance this huge array of options, or does each one end up feeling too shallow and specific?CombatOne of the pillars of Ocarina of Time, and all Zelda games, are their combat systems.  OOT introduced the concept of a lock on, with some very aggressive mini boss enemies that feel like prototype Dark Souls skeletons.  Is the combat here fun and engaging, or does the camera control and AI hold it back?We answer these questions and many more on the 133rd episode of the Retro Spectives Podcast!—Intro Music: KieLoBot - Tanzen KOutro Music: Rockit Maxx - One point to anotherZelda OOT OST: Koji Kondo—We played Zelda: Ocarina of Time using Ship of Harkinian, a custom modded port of the game that runs like a dream on modern PCs.  Definitely check it out!—Is our take on the Water Temple spot on, or highly controversial?  DId you ever get stuck while wandering the greater open world, or was that just a feature so you could catch more fish?  Which Zelda game should we play next?  Come let us know what you think on our community discord server!You can support the show monetarily on our Buy me a Coffee page
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  • E132: Parasite Eve
    Resident Evil changed everything.  When originally released in 1996, what was once a niche genre for enthusiasts was now a blockbuster staple in every second home.  All of a sudden people were craving zombies, horrifying monsters and disturbing themes.  It was so popular that Square, far more known for its more traditional JRPGs, decided to throw its hat in the ring and make Parasite Eve.On the surface, the game appeared to be textbook survival horror.  But dig a little deeper and you could see that Square was unable to escape its roots.  Turn based mode happened in a sphere similar to Vagrant Story, upgrades were plentiful and incremental, and the storytelling had more cutscenes than gameplay at least in the early stages.  Thematically this was still horrifying…but under the hood was a different story.Was this blend of genres ultimately successful, giving survival horror a fresh new perspective?  Or is it impossible to reconcile grim resources management with the power fantasy that RPGS almost always offer?On this episode, we discuss:StoryHow does Parasite Eve use real world science to lend an air of credibility to the horrific changes that are happening all over Manhattan?  Does it execute the smaller details well even if the larger picture is a bit silly at times?CombatHow enjoyable is the moment to moment real time combat of Parasite Eve?  The game requires you to dodge attacks, and pick the best moment to strike.  Is this too simplistic or does it work well?ProgressionHow do the weapon and armour upgrades work in Parasite Eve?  Does it provide the player with a satisfying sense of progression, or is it all just a confusing mess?We answer these questions and many more on the 132nd episode of the Retro Spectives Podcast!—Intro Music: KieLoBot - Tanzen KOutro Music: Rockit Maxx - One point to anotherParasite Eve OST: Yoko Shinomura—What crazy weapon upgrade paths do you like to use?  Is the NG+ mode worth playing?  How is Parasite Eve 2 different from the original?  Come let us know what you think on our discord server!Come let us know what you think or recommend us a new game on our community discord server!If you would like to support the show monetarily, you can buy us a coffee here!
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  • E131: Ico
    Director Fumeto Ueda has been hailed by many as somewhat of an auteur of the gaming landscape. A creative whose style embraces minimalist desolation. Known best for his work on Shadow of the Colossus, Ueda's directorial debut took place in 2001 with Ico, a boy-meets-girl action-adventure released for the PlayStation 2. Born with horns in a small village, Ico was seen as a great misfortune and was locked away in an eerie castle across the sea. Just as Ico settled in to his stony tomb, an earthquake strikes, freeing him and beginning the long journey to freedom. Along the way Ico meets Yorda, the daughter of the evil shadowy queen who rules over the land and the two work together to escape. While the premise was simple the game was considered by many to be a success, and has been cited by many prominent directors as an influence in their games. Prince of Persia: The Sands of Time, Uncharted, Dark Souls, The Legend of Zelda, Metal Gear Solid 3, you name it, Ico as certainly left its mark on the world. But is it still fun to play today?On this episode, we discuss:Puzzle Solving.Ico often presents the player with simple diagetic puzzles that make use of the environment.Unlike many other games, it makes almost no attempt to guide the player.Is this too harsh, or is the lack of handholding refreshing in the moden era?Combat.Despite its claim to fame, Ico's combat has very little going for it.What exactly makes it so unsatisfying and could it be improved?Yorda.An enscort quest that lasts an entire game would surely raise eyebrows if released today.Did the team at Sony Computer Entertainment manage to bring Yorda to life?Or is she simply a frustrating Key for the player to drag about the gameworld? We answer these questions and many more on the 131st episode of the Retro Spectives Podcast!--Intro Music: KieLoBot - Tanzen KOutro Music: Rockit Maxx - One point to anotherIco OST: Michiru Oshima--Is Ico worth playing in the year 2025 and beyond? Are escort quests inherently unfun design? Does Patrick just hate fun or is James too easily impressed ? Come let us know on our community discord server!You can support us monetarily on our Buy me a Coffee page
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Are classic games deserving of their praise? Or have the unwashed masses been blinded by nostalgia? On the Retro Spectives Podcast, we tell you why you're wrong about the games you love.
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