Have You Ever Seen

I'd like to know what's buzzin', cousins, as I bring you the 716th podcast on Have You Ever Seen. Preston Sturges was making a lot of hay in the early '40s, releasing The Lady Eve AND Sullivan's Travels the year before The Palm Beach Story came out. Palm Beach isn't as classic or as funny as THOSE two are, but it's an effectively zany, fast-talkin' rom-com. Claudette Colbert and Joel McCrea make for a compelling married NYC couple. She tries to divorce him (you'll never guess where), so she can marry a rich man like Rudy Vallee...and then help her ex out by getting him some money out of the deal. If you think THAT'S whacky, wait until the out-of-deep-left-field ending! But The Palm Beach Story IS a fun time and I've got all kinds of stories to tell about it.
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After yesterday's episode about the unchosen 450 actors & actresses who were in fact nominated for the AFI's Top 100 Stars list, now it's time to begin a quest. I will review the films of MANY of the 180-ish folks who this podcast has never discussed. And since Eddie Cantor, Ann Sothern, George Murphy & the Nicholas Brothers are in Kid Millions and the Three Stooges are in Soup To Nuts, I'm knocking 5 names off the "must-cover" list in 1 double episode! This 715th show on Have You Ever Seen digs into the musical-comedy adventure about Cantor inheriting a lot of money (Kid), then it's time for a zany goof about romance & chowderhead firefighters (Nuts). So strap in to hear about these two B&W romps from the '30s as my quest to talk about the previously-unreviewed AFI acting nominees takes flight.
Well, Actually: at around the 16-minute mark, the line should have been "these are white actors playing Muslim Africans", not "Muslim Americans".
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Surprise! I didn't say during Monday's episode that I'd be posting 2 podcasts later in the same week, but here's the first one. Here I'm talking about the American Film Institute's Top 100 Stars list, which was really 50 stars (25 men, 25 women). Although their odd numbering method isn't really the point…and neither is their dumb criteria. No, this 714th Have You Ever Seen podcast is REALLY about the 450 people who were nominated, but didn't make the cut. My plan is to review as many of the 180-ish up-until-now-omitted actors & actresses as I possibly can in the months and years ahead. So if you ever wanted to hear a guy rattling off about 500 names, then this monologue about the AFI's Old-Timey Actors is your dream episode! Oh, and tune in again tomorrow when I begin this quest by talking about 2 B&W '30s comedies: Kid Millions and Soup To Nuts.
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It may be Groundhog Day, but I'm talking about Show Boat, the Hammerstein & Kern Broadway musical that was turned into a big-budget movie. Any film with singing that also has subplots about deadbeat husbands, alcoholism and racism (and a scene with blackface) risks failing to pull off such a tricky balance, but Frankenstein director James Whale DOES make it work. He's got Irene Dunne, Allan Jones and Paul Robeson in key roles in the one where performers on a touring boat in the Deep South…eventually end up in Chicago for about half of the often erroneously-titled movie. So let this ol' man podcaster talk to you about "Ol' Man River" (and so much more) in this 713th dash of Have You Ever Seen podcasting.
Well, Actually: around the 39:00 mark, the line SHOULD have been that Hammerstein and RODGERS (not Kern) were especially big in the '50s.
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Character actor extraordinaire Edmond O'Brien's insurance investigator is actually the focus in Robert Siodmak's The Killers, but Burt Lancaster is quite powerful in his big-screen debut. And then there's the stunning Ava Gardner as the devious femme fatale. The entire cast is solid, the story is layered in its flashback structure (which is similar to Citizen Kane), plus, the main insurance-claim storyline is similar to what happens in Double Indemnity. And it all works really well. So steal money from your fellow thieves as the 712th podcast on Have You Ever Seen looks at the sinister intrigue and sudden violence in The Killers.
Well, Actually: at the 41:00 minute mark, the line should have been "co-starring a WOMAN who doesn't love the main character."
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