Have You Ever Seen

John Travolta, Nancy Allen and director Brian De Palma teamed up to make the brilliant horror flick Carrie in 1976, but the team was nearly at their best 5 years later in this one about movie-makers. The show-offy De Palma, who mostly made thrillers, loved his characters to be all kinds of shades of gray. Mission possible here. Blow Out's set-ups & pay-offs are excellent...and the ending is operatic, symbolic and powerful. That perfect scream is heartbreaking. This violent tragedy is well-crafted, with inspirations from Antonioni's Blow-Up and the incident at Chappaquiddick. So go get some sound effects for the foley department as this 752nd episode of Have You Ever Seen examines the suspense/conspiracy thriller Blow Out.
Well, Actually: at around the 44-minute mark, it should have been The Black Dahlia "was at the end of a pretty poor (box office) run" in 2006, not Femme Fatale. That was released in 2002.
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Will Ferrell's popularity peaked right around 20 years ago, but he was about as huge as comedy stars got in 2006. In Marc Forster's Stranger Than Fiction, he isn't goofing around...although maybe that was to his fans' discontent. And he's not in tragedy or a comedy, but a dramedy...and the man who had always gone big proved he could also play quiet, nerdy and sad. Emma Thompson is a famous author writing & narrating everything he does...and it upends his life. Falling for the woman he's auditing--the Maggie Gyllenhaal character--upends it too. Stranger Than Fiction also has Dustin Hoffman, Queen Latifah and Tony Hale doing good work in a pretty great movie. So, taxman, strap on your trusty wristwatch as I dig into a touching filmic experience in this 751st edition of Have You Ever Seen.
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The French Foreign Legion called the 3 Geste boys and they trekked off to Africa to end up in William Wellman's tense adventure flick. It's an action-war film that ends with a long, but well-paced siege inside a fort. Gary Cooper is miscast as the title character (he's too old and too American), but he has pretty good chemistry with Ray Milland and Robert Preston, who play his brothers. Susan Hayward is briefly in this too, although Brian Donlevy steals the movie as a jerk sergeant...and got an Oscar nomination for it. There's also a movie-long mystery here after someone steals their benefactor's expensive sapphire. But who...and why?! So tune in for episode #750 as white bros go on assignment in Africa and play war with the locals in Beau Geste.
Subscribe to Have You Ever Seen in your app. Jot down a nice review and rate the show too. How do you get in touch? Well, I'm "@moviefiend51" on Twitter, "Ryan-Ellis" on Bluesky and "RyanHYES" on Letterboxd. Prefer email? Well, that's "haveyoueverseenpodcast@gmail.com."

Let's go back to December 2016 when John Lee Hancock's The Founder and Martin Scorsese's Silence were positioned as Oscar contenders. Neither won a gold trophy, but Hancock made the better movie. The Founder is a big-business biopic about Ray Kroc sharking Dick & Mac McDonald out of their own fast-food creation, then franchising McDonald's worldwide. The product isn't so good now, but the film about it is very entertaining, especially Nick Offerman and John Carroll Lynch's chemistry as the McDonald's brothers. Then I reviewed Silence, although that section is really an evaluation of the noted gangster maestro's religious passion projects...and how Marty is just not at his best when his movies are explicitly about faith. So get drive-though as you swallow this 749th episode where I preach about The Founder & Silence.
Subscribe to Have You Ever Seen in your podcast application. Rate the show and review it as well. Also, I like to be contacted. The email address is haveyoueverseenpodcast@gmail.com. Twitter is "@moviefiend51", Bluesky is "ryan-ellis" and Letterboxd is "RyanHYES".

June started on this podcast with a fast-cutting musical in Moulin Rouge. Now I end the month talking about an old-school Technicolor song-and-dancer...and it was an award-winning mega-smash. The King And I is Walter Lang's crowning achievement as a director and the King is the part Yul Brynner played thousands of times onstage. He won an Oscar for playing this hardheaded chauvinist on celluloid opposite Deborah Kerr's Anna, the headstrong English widow hired to teach his many kids. The culture clash leads to a curious "love" story where they barely touch each other until that...well, let's say head-scratching climax. Not a fan of that ending! The lavish production is entirely set-bound, but this is still quite an experience. So settle in for my 748th episode as I investigate the et ceteras in The King And I.
Subscribe to "Have You Ever Seen" in your app. Rate the show. Review it. Tweet me (@moviefiend51). Bluesky me (ryan-ellis). Email me (haveyoueverseenpodcast@gmail.com). Letterboxd me (RyanHYES).