Ellen E Jones on Screen Deep: How Film and TV Can Solve Racism and Save the World
Another chance to hear the episode on the Kraszna- Krausz Moving Image Book Award Winning Screen Deep by Ellen E Jones.
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1:12:35
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1:12:35
Ellen E Jones on the Kraszna-Krausz Moving Image Book Award
Today I talk to Ellen E Jones the winner of the Kraszna- Krausz Moving Image Book Awards 2025.
The event at the Barbican to celebrate Ellen's win is on 27 October - https://www.barbican.org.uk/whats-on/2025/event/imitation-of-life-12-with-introduction-reception
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41:48
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41:48
The Pordenone Silent Film Festival with James Harrison and Neil Brand
Though it was not to acquire its definitive name and identity until the following year, the Giornate del Cinema Muto can date its first edition to 9 to 11 September 1982. Jay Weissberg is the current director of the festival. I spoke with James Harrison from South West Silents. And musician, dramatist and expert Neil Brand.
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1:11:19
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1:11:19
Rear Window with Jennifer O'Callaghan
Get the book here.
The definitive, in-depth look inside the making of Alfred Hitchcock’s Rear Window—the all-time classic of voyeurism, paranoia, and murder that became one of Hollywood’s greatest achievements and turned generations of viewers into “a race of Peeping Toms.” . . .Before the internet and social media offered voyeuristic glimpses into the lives of others, the acclaimed Master of Suspense, Alfred Hitchcock, exposed the dangers and delights of looking—and knowing—too much in his 1954 masterpiece Rear Window. Widely hailed as one of the greatest films ever made, it stars James Stewart and Grace Kelly at the top of their game but, in an unusual gamble, is shot entirely from within a Greenwich Village apartment . . .Using this limited point of view, Hitchcock forces his audience to participate in his protagonist’s voyeuristic impulses and darkest obsessions—a bold move in the era of the Hollywood Blacklist and restrictive Hays Code. But the gamble paid off, and Rear Window became a timeless classic.This eye-opening book goes straight to the source of Rear Window’s genius by mining the original papers of Hitchcock, Jimmy Stewart, and Thelma Ritter, revealing little-known facts behind the Why taking the role of Lisa Fremont was one of the toughest decisions Grace Kelly ever made; How Hitchcock intertwined suspense and romance with inspiration from Ingrid Bergman; How he used a topless scene to distract the censors from other scenes to which they may have objected; and how Hitchcock crafted the film’s unforgettable villain, Lars Thorwald, by modeling him on a producer he loathed—the infamous David O. Selznick.
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54:49
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54:49
Jonathan Demme by David M. Stewart
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Writers on Film is the only podcast to focus on film books and to talk to the best authors working in the area of cinema. From Making Of tomes to biographies, studies to novelisations, author and film critic John Bleasdale is fascinated by where the written word intersects with the world of the big screen. Get bonus content on Patreon
A proud part of the Film Stories Podcast Network: www.filmstories.co.uk
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