Kawalis | Cinema, Television & Theater from the Arab World

Filmmaker and artist Ahmed Ghossein discusses his intimate, award-winning work, the unique challenges of producing cinema in Lebanon, and the complex relationship between art, war, and memory. Ghossein, whose films like My Father Is Still a Communist and All This Victory (Jidar Sawt) have garnered international acclaim, delves into his upbringing in southern Lebanon, the influence of his family's audio archives, and the profound split between the cultural realities of Beirut and the rest of the country. He also shares his shift toward black comedy and conceptual art to navigate the surreal post-2019 crisis in Lebanon.
 
0:00 Introduction
2:04 Childhood, Art and Cinema's Role In Growing Up
5:00 Growing Up In Nabatieh and the Cultural Scene Across Lebanon
7:38 The Divided Reality of War in Beirut Versus the South
10:09 The Filmmaker's Role: Capturing Reality vs Stepping Back
12:04 A Theater Education at the Lebanese University 
16:23 The Success and Intimacy of My Father Is Still a Communist
17:21 Dealing With Personal Archive, Memory and Ethical Distance
21:03 My Father Is Still a Communist: The Cassettes and the Absence of the Father
28:26 The Relationship With Intimate Success and Being "Naked"
30:57 Success and Responsibility: Shifting Artistic Tools
31:47 The High Stakes of Filmmaking in Lebanon Due to Lack of Funding
33:46 All This Victory (Jidar Sawt): A True War Story
39:39 The Intention Behind Making Films
44:05 Conceptual Art and the Post-2019 Crisis in Lebanon
44:55 Art on Economic Crisis: The "How To Make Your Money Sell" Piece
47:06 Black Comedy and the Surreal Reality of Lebanon
50:39 Post-2019 Obsession With Therapy and Personal Healing
52:21 The Surrealism of Real Lebanese News Stories
53:15 Where To Watch Ahmed Ghossein's Films
 
Ahmad Ghossein is an artist and a filmmaker whose practice utilizes a number of media, including video art, installation, art in public spaces and film. The starting point of his work stems from the collecting and analyzing of facts, documents, and found footage and materials, which then feed into a body of work that draws on the potentialities of the moving image. His feature film debut All This Victory (2019) won the Grand Prize and the Audience Award at the Venice International Film Critics’s Week. His short film, White Noise, which was produced under the auspices of “Lebanon Factory,” opened the Director’s Fortnight of the Cannes Film Festival 2017. His Video work My Father Is Still a Communist (2011) commissioned by Sharjah at foundation was awarded best short film in Tribeca Doha Film Festival 2011 and was selected by MoMa and Berlinale and several festivals. His other short The Fourth Stage opened the Forum Expanded of the Berlinale Film Festival, Berlinale 2016. He was the co-artistic director of Beirut Art Center (2020-2021) and his work has been exhibited in countless museums and galleries around the world.
Connect with Ahmad Ghossein 👉 https://instagram.com/ahmadghossein
 
Hosted by Mikey Muhanna 👉 https://instagram.com/mikey_mu
 
Theme music: Peninsular, Tarek Yamani 🔊 
https://spoti.fi/47I59ns

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» Anghami: https://play.anghami.com/podcast/1044639402

THIS SERIES IS PART OF THE AFIKRA PODCAST NETWORK
Explore all episodes in this series: https://youtube.com/playlist?list=PLfYG40bwRKl7IMTj6Jk7yAJXCMMqxaP5A&feature=shared

ABOUT AFIKRA
afikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region – past, present and future – through conversations driven by curiosity.
📍 Local events in 40+ locations worldwide http://afikra.com/chapters
🎧 New podcasts + videos weekly http://afikra.com/podcasts
⚡ Become a member: https://www.afikra.com/membership
🔗 Instagram: https://www.instagram.com/afikra_
🔗 Facebook: https://www.facebook.com/afikra.official
🔗 Twitter: https://twitter.com/afikra

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We're joined by film critic and president of the International Federation of Film Critics (FIPRESCI), Ahmed Shawky, and delve into the role of film critics in the Arab world. We talk about Shawky's personal journey into critiquing films and the evolution of Arab cinema. Shawky shares insights on iconic Egyptian filmmakers, the impact of global cinema, and his experiences at various film festivals. We touch on the challenges of censorship and the future of the Arab film industry. 

00:00 Introduction 
00:37 Defining the Role of a Film Critic
02:00 Early Influences and Passion for Cinema
03:35 The Impact of the Internet on Film Criticism
08:42 Starting a Blog and His First Writing Job
11:46 Golden Age of Arab Cinema
15:55 Challenges of Film Criticism in the Arab World
19:57 The Life of a Modern Film Critic
25:14 Optimism and Challenges in Arab Cinema
29:38 The Role of Film Festivals
31:27 The Growth of Filmmakers on the Global Scene
32:25 Advice for Arab Film Festivals
34:19 Successful Film Festival Models
39:47 The Role of Saudi Arabia in the Arab Film Industry
48:14 Challenges and Optimism in Censorship
52:22 Rapid Fire Questions

Ahmed Shawky is a Tanta-born Egyptian film critic, programmer, and president of the International Federation of Film Critics (FIPRESCI) and the Egyptian film critics association (EFCA). He publishes weekly articles about cinema and entertainment industry, mainly in three major Arabic websites: Filfan.com, Fasllah.com, and Schehrezade.com. He has published eight books Egyptian cinema, and worked for many festivals like El Gouna, Cairo, and Malmo. In 2010, he presented his first film, A Life's Box, then directed The Green Tape, and A Guinea Pig, before making his first documentary, Once Upon a Place.

Connect with Shawky 👉 https://www.instagram.com/shawforlife

Hosted by:
Mikey Muhanna 👉 https://www.instagram.com/mikey_mu/?hl=en-gb

Theme music: Peninsular, Tarek Yamani 🔊 https://spoti.fi/47I59ns

FOLLOW & RATE THE KAWALIS PODCAST:
» Apple Podcasts:https://podcasts.apple.com/us/podcast/afikra-movie-night/id1646405109
» Spotify: https://open.spotify.com/show/6wG6CeZgE9LGtOVKwB6d5U
» Anghami: https://play.anghami.com/podcast/1044639402

THIS SERIES IS PART OF THE AFIKRA PODCAST NETWORK
Explore all episodes in this series: https://youtube.com/playlist?list=PLfYG40bwRKl7IMTj6Jk7yAJXCMMqxaP5A&feature=shared

ABOUT AFIKRA
afikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region – past, present and future – through conversations driven by curiosity.
📍 Local events in 40+ locations worldwide http://afikra.com/chapters
🎧 New podcasts + videos weekly http://afikra.com/podcasts
⚡ Become a member: https://www.afikra.com/membership
🔗 Instagram: https://www.instagram.com/afikra_
🔗 Facebook: https://www.facebook.com/afikra.official
🔗 Twitter: https://twitter.com/afikra

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In this episode of Kawalis, we welcome Farah Nabulsi, the acclaimed director and writer behind films like "The Teacher" and the BAFTA-winning and Oscar-nominated "The Present." Nabulsi shares her powerful journey from her career in finance to filmmaking, highlighting her profound connection to Palestine and the human stories that inspire her work. The conversation delves deep into the reality of life under occupation, unpacking the emotional and political complexities. Nabulsi discusses her creative process, the impact of her films, and the urgent need for empathy and awareness. This episode is a compelling exploration of humanity amid the ongoing atrocities on Palestinians.

00:00 Introduction: Understanding the Palestinian Struggle
01:11 The Journey of Making a Film About Palestine
03:25 A Personal Connection to Palestine
03:53 Witnessing the Reality on the Ground
06:59 The Emotional Impact of Injustice
09:53 From Banking to Filmmaking
13:41 The Power of Storytelling
26:04 Creating "Today They Took My Son"
32:23 The Impact of Short Films
34:26 Inspiration Behind "The Present"
36:52 The Journey of a Filmmaker
37:19 Overcoming Imposter Syndrome
38:12 The Birth of a Screenplay
38:43 Taking the Director's Seat
40:42 Reflecting on the Film's Impact
41:22 Navigating Cultural and Personal Challenges
42:31 Authenticity and Audience Reception
47:28 Nabulsi's Latest Film "The Teacher"
47:44 Casting and Collaboration
59:59 Exploring Human Dynamics
01:04:06 The Role of International Presence
01:06:30 Challenges in Distribution and Reception
01:11:59 Final Thoughts and Release Information

Farah Nabulsi is a Palestinian-British, Oscar-nominated and BAFTA award-winning filmmaker and human rights advocate. Born, raised and educated in London, Farah began her career as an institutional equity stockbroker. She ended up with a CFA designation at JP Morgan Chase before moving on to build a children-focused business that she ran for 10 years. In 2015, she started working in the film industry and founded Native Liberty Productions, through which she writes, produces and directs fiction films, exploring topics that matter to her. She created a digital resource (oceansofinjustice.com) to deconstruct the Israeli military occupation of Palestine in a way never done before.

Connect with Nabulsi 👉 https://www.instagram.com/farah.nabulsi/

"The Teacher" will have its US premier on April 11 in NYC and its nation-wide premier on April 18.

Watch "Today They Took My Son" 👉 https://www.youtube.com/watch?v=cDZy1VTfL60

Hosted by:
Mikey Muhanna 👉 https://www.instagram.com/mikey_mu/?hl=en-gb

Theme music: Peninsular, Tarek Yamani 🔊 https://spoti.fi/47I59ns

FOLLOW & RATE THE KAWALIS PODCAST:
» Apple Podcasts:https://podcasts.apple.com/us/podcast/afikra-movie-night/id1646405109
» Spotify: https://open.spotify.com/show/6wG6CeZgE9LGtOVKwB6d5U
» Anghami: https://play.anghami.com/podcast/1044639402

THIS SERIES IS PART OF THE AFIKRA PODCAST NETWORK
Explore all episodes in this series: https://youtube.com/playlist?list=PLfYG40bwRKl7IMTj6Jk7yAJXCMMqxaP5A&feature=shared

ABOUT AFIKRA
afikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region – past, present and future – through conversations driven by curiosity.
📍 Local events in 40+ locations worldwide http://afikra.com/chapters
🎧 New podcasts + videos weekly http://afikra.com/podcasts
⚡ Become a member: https://www.afikra.com/membership
🔗 Instagram: https://www.instagram.com/afikra_
🔗 Facebook: https://www.facebook.com/afikra.official
🔗 Twitter: https://twitter.com/afikra

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In this last episode in 3 Kawalis podcast special zooming in on cinema in the Gulf, Alia Younis hosts associate professor of Culture and Politics at Georgetown Qatar, Firat Oruc, to explore the history of cinema in the Arab Gulf region. Firat delves into the colonial emergence of cinema in the 1930s, highlighting the peculiar British regulations and colonial anxieties tied to film exposure. The discussion covers the significant role of oil companies in establishing cinemas, producing petro-documentaries aimed at showcasing their version of development and modernization. Firat shares his journey of discovering archival documents that shed light on the historical and contemporary aspects of Gulf cinema. Join us as we uncover how cinema has been a powerful force in shaping cultural and political narratives in the Gulf.

00:00 Introduction
01:58 The Colonial Era of Gulf Cinema
03:41 Archival Discoveries and Colonial Anxieties
04:26 Colonial Anxiety around Cinema Arrival
11:23 Censorship and the Introduction of Cinema
23:46 The Role of Oil Companies in Gulf Cinema
28:51 Petro-Documentaries and Nation Building
40:00 The Influence of Television and Radio
47:30 Personal Journey into Gulf Cinema History
49:02 Future Research Directions

Firat Oruc is an associate professor of Culture and Theory at Georgetown University and is currently working on two book projects: one on world literature and the making of modern Turkey, and the other on the cultural and political history of film in the Arabian Peninsula. He is the editor of Sites of Pluralism: Community Politics in the Middle East (Oxford University Press, 2019) and co-editor of Indian Ocean Literary Circularities (Duke University Press, 2022). He is also the author of journal articles that have appeared in Comparative Literature, Film History, HAWWA: Journal of Women of the Middle East and the Islamic World, Journal of World Literature, Criticism, Postcolonial Text, and English Language Notes. At GU-Q, he is co-lead of the Energy Humanities Research Initiative at the Center for International and Regional Studies and Director of the Certificate in Media and Politics program. He is the recipient of research grants from the Qatar National Research Fund, the Doyle Engaging Difference Program, and the Teaching, Learning, and Innovation Summer Institute. He has served as a visiting assistant professor of English and Comparative Literature at the University of California, Los Angeles, and a Mellon Postdoctoral Fellow in the Comparative Literary Studies program at Northwestern University. Professor Oruc received his Ph.D. in literature from Duke University.

Hosted by Alia Yunis 👉 https://www.instagram.com/alia__yunis/

Alia Yunis is a writer, journalist and filmmaker. She is also a visiting associate professor of film and heritage studies at Zayed University in Abu Dhabi. 

Theme music: Peninsular, Tarek Yamani 🔊 https://spoti.fi/47I59ns

#GulfCinema #ArabFilms #afikraKawalis #FiratOruc #AliaYunis #Colonialism

FOLLOW & RATE THE KAWALIS PODCAST:
» Apple Podcasts:https://podcasts.apple.com/us/podcast/afikra-movie-night/id1646405109
» Spotify: https://open.spotify.com/show/6wG6CeZgE9LGtOVKwB6d5U
» Anghami: https://play.anghami.com/podcast/1044639402

THIS SERIES IS PART OF THE AFIKRA PODCAST NETWORK
Explore all episodes in this series: https://youtube.com/playlist?list=PLfYG40bwRKl7IMTj6Jk7yAJXCMMqxaP5A&feature=shared

ABOUT AFIKRA
afikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region – past, present and future – through conversations driven by curiosity.
📍 Local events in 40+ locations worldwide http://afikra.com/chapters
🎧 New podcasts + videos weekly http://afikra.com/podcasts
⚡ Become a member: https://www.afikra.com/membership
🔗 Instagram: https://www.instagram.com/afikra_
🔗 Facebook: https://www.facebook.com/afikra.official
🔗 Twitter: https://twitter.com/afikra

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What is the Gulf-Kerala connection? This episode of Kawalis is a deep dive into migration, media, and cultural exchange. Filmmaker Alia Yunis hosts associate professor at Azim Premji University, Bindu Menon, as part of a three-episode special on cinema in the Arab Gulf. They navigate the intricate ties between Kerala and the Gulf, delving into the historical and cultural connections shaped by migration and the oil economy of the Gulf Cooperation Council (GCC). From early media exchanges to contemporary creative industries, we discover how migration has influenced media production, consumption, and everyday life from the United Arab Emirates to Qatar. Special focus includes the audio cassette culture, the iconic dhow, and the evolution of Malayalam cinema in the Gulf – highlighting some key players and contributors. Learn how these elements jointly contribute to a shared cultural heritage and media modernity between India and the Gulf region.

00:00 Introduction: Kerala's Influence on the Gulf
01:07 Meet Bindu Menon
02:30 Historical Ties: Kerala and the Gulf
07:40 Migration and Media: the 70s to the 90s
12:47 The Audio Cassette Revolution
25:59 Video Cassettes and Film Culture
43:54 The Dhow: A Symbol of Migration
52:02 Modern Malayalam Cinema and the Gulf
59:09 Conclusion and Reflections 

(Thumbnail image by https://www.instagram.com/vishpash/)

Bindu Menon is Assistant Professor of Media Studies at the School of Arts & Sciences, Azim Premji University, Bangalore. Her research work explores relations between media technologies, publics and politics in India. She is completing her book on the history of cinema and sensory publics in early 20th century South India. Her current research project examines the movement of media objects and forms along the path of migration between Kerala and the Gulf Council Countries with a particular focus on audio technologies, musical genres of love and belonging and devotional and spiritual genres. Through mapping the ark of these sonic registers, she tries to explore questions that are relevant to the formation of political communities. Her research papers on history of cinema, amateur video movements and rap music videos have been published in peer reviewed journals such Biography, Bioscope and the Journal of Creative Communications. She has served as Assistant Professor at the University of Delhi and held post-doctoral positions at International Institute of Asian Studies at Leiden, Indian Institute of Advanced Studies at Shimla and the Centre for Study in Religion and Society, University of Victoria, Canada.

Connect with Bindu 👉 https://in.linkedin.com/in/bindu-menon-a785842a?original_referer=https%3A%2F%2Fwww.google.com%2F

Hosted by Alia 👉 https://www.instagram.com/alia__yunis/

Alia Yunis is a writer, journalist and filmmaker. She is also a visiting associate professor of film and heritage studies at Zayed University in Abu Dhabi. 

Theme music: Peninsular, Tarek Yamani 🔊 https://spoti.fi/47I59ns

FOLLOW & RATE THE KAWALIS PODCAST:
» Apple Podcasts:https://podcasts.apple.com/us/podcast/afikra-movie-night/id1646405109
» Spotify: https://open.spotify.com/show/6wG6CeZgE9LGtOVKwB6d5U
» Anghami: https://play.anghami.com/podcast/1044639402

THIS SERIES IS PART OF THE AFIKRA PODCAST NETWORK
Explore all episodes in this series: https://youtube.com/playlist?list=PLfYG40bwRKl7IMTj6Jk7yAJXCMMqxaP5A&feature=shared

ABOUT AFIKRA
afikra | عفكرة is a movement to convert passive interest in the Arab world to active intellectual curiosity. We aim to collectively reframe the dominant narrative of the region by exploring the histories and cultures of the region – past, present and future – through conversations driven by curiosity.
📍 Local events in 40+ locations worldwide http://afikra.com/chapters
🎧 New podcasts + videos weekly http://afikra.com/podcasts
⚡ Become a member: https://www.afikra.com/membership
🔗 Instagram: https://www.instagram.com/afikra_
🔗 Facebook: https://www.facebook.com/afikra.official
🔗 Twitter: https://twitter.com/afikra

Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.