Troy and Roger crack open the cursed seal of The Church, Michele Soavi’s ambitious Italian horror film where stunning visuals clash with a script that feels like it was possessed mid-scene. They dive into the film’s wild opening massacre, its uneven rules around demonic possession, and a cast of characters who often seem as confused as the audience. From awkward romantic subplots to questionable dubbing choices, the guys try to make sense of the beautiful chaos unfolding inside a haunted cathedral built on a foundation of medieval sins. They debate whether the film’s atmosphere makes up for its narrative gaps, and why so many people keep wandering off alone in a literal demon church. It’s messy, moody, and somehow still manages to be memorable, even if it leaves you with more questions than answers.
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2:04:16
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2:04:16
Offerings (1989)
Troy and Roger dig into Offerings (1989), a low-budget slasher that proudly wears its Halloween influences like a badge—and maybe forgets to iron out its own plot in the process. They explore the strange tale of John Radley, a traumatized adn bullied boy turned silent killer, and the inexplicably chill reactions of the town’s residents to a string of body parts showing up on doorsteps. From awkward teen banter to a sheriff who seems more inconvenienced than alarmed, the guys dissect the film’s odd pacing, charmingly clunky script, and that unforgettable pizza delivery moment. Offerings may not reinvent the slasher wheel, but it serves up enough nostalgic weirdness to be oddly endearing. Just don’t ask what’s on the pizza!
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2:11:28
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2:11:28
Post MEAT Premiere Banter!
Happy Pride Month! You're getting a rare bonus treat as Troy and Roger recorded this episode in person while Troy was in Cleveland for the premiere of Roger's film MEAT! Join them as they reflect on the big night, share a few laughs, and chat about what’s coming up for the podcast in the weeks ahead. It’s a fun, festive catch-up you won’t want to miss!
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26:21
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26:21
Episode 166 – Stigmata (1999)
Troy and Roger put on their crucifixes and crank up the ’90s electronica as they dive into Stigmata — the film that dares to ask, “What if your hairstylist was chosen to deliver a lost gospel... via spontaneous bleeding?” They explore Patricia Arquette’s committed, though seemingly unbothered performance, the film’s goth-chic visuals, and some subtle jabs at the Catholic Church. From subway lashings to night club thornings, the guys wade through the plot’s holy confusion and debate whether Gabriel Byrne is better as a conflicted priest or just confused by the script. . It’s sometimes messy, melodramatic, and maybe a little meaningful — depending on how many cursed rosaries you’ve got on hand!
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2:00:54
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2:00:54
Episode 165 – Madman (1981)
Troy and Roger head deep into the woods to whisper the name Madman Marz — and yep, it goes about as well as you'd expect. The guys dive into this 1981 campfire slasher, complete with axe murders, hot tub weirdness, and characters making decisions so bad you’ll want to yell at your screen. They unpack the film’s eerie atmosphere, the worthiness of the final girl status of Betsy, and why Ellie might just be one of the genre’s most baffling characters. From its lopsided pacing to its bold, but anger inducing finale, Madman is a cult favorite that’s as clumsy as it is creepy. Is it scary? Occasionally. Is it entertaining? Absolutely -especially with Troy and Roger along for the ride!
Avid horror fans and filmmakers (and noted homosexuals) Troy Escamilla and Roger "The Scream Queer" Conners have many opinions on film. Tune in weekly to hear these two discuss and dissect some of the horror genre's most iconic, overlooked, and often underrated films.
Netherlands