We can write dialogue that makes readers laugh. Here are thoughts on creating funny conversations between our characters. Plus, we don't need to have our character look into a mirror to describe herself, which has been done time and again. Here are ways to avoid the mirror.Support the show
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25:48
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25:48
Episode 174 - How to ruin our story's first sentences.
A story's first sentence should make the reader ask, "What's next?" They should propel the reader into the story. Here's how to do it right and how to do it wrongly. Also, three master writers show us how to describe a setting.Support the show
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25:36
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25:36
Episode 173 - The magic of dialogue.
Dialogue is fun to write and fun to read. Our story should have lots of it. Here's a powerful thing dialogue can do: it can reveal (that is, to show rather than tell) what a character is thinking. The character's conversation can be lively and fun, and hearing the character speak is so much stronger than reading the character's mind. Here are thoughts on writing revealing dialogue. Support the show
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23:56
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23:56
Episode 172 - Our first fifteen pages.
The first pages of our novel should contain certain elements and avoid certain elements. Here's a list of things to include and exclude in those first pages. Plus, ways to write forceful, clear, and lovely sentences.Support the show
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25:53
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25:53
Episode 171 - Top ten list of bad advice for writers.
In these episodes I try to set out good writing advice but a lot of bad advice is out there, so here is a list of bad advice, and the list may help us avoid writing blunders. Here are also ten dialogue mistakes, and avoiding them likely means we end up with engaging and even riveting dialogue for our characters.Support the show
Hosted by James Thayer, the podcast is a practical, step-by-step manual on how to craft a novel. It presents a set of tools for large issues such as story development and scene construction (Kirkus Reviews said Thayer's novels are "superbly crafted') and it also examines techniques that will make your sentence-by-sentence writing shine. The New York Times Book Review has said Thayer's "writing is smooth and clear. it wastes no words, and it has a rhythm only confident stylists achieve.
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