Framer Framed Podcast

In this episode, Léopold Lambert, editor-in-chief of The Funambulist magazine, is in conversation with Gloria Pavita, a reader, writer, storyteller, and spatial practitioner working between the Democratic Republic of the Congo (DRC) and South Africa. Their conversation centres on the violent infrastructures of relationality connecting the Katanga regionof the DRC to the nuclear bombings of Hiroshima and Nagasaki in 1945. Around 70-75% of the uranium used in the bombs was sourced from Katanga’s Shinkolobwe mine, but this history remains largely unknown,even within the DRC.
Drawing on Édouard Glissant's thinking on relationality,they explore how colonial extraction – from uranium to rubber to coltan – forges connections across geographies and communities that might be reclaimed as networks of solidarity. The conversation moves from historical erasure and opacity to the present: the minerals extracted from that same land now travel in the form of minerals inside our phones and laptops, raising questions about witnessing and complicity.
This podcast is a co-production between Framer Framed and The Funambulist magazine bringing together two parallel projects: the Framer Framed exhibition Between Fires: Irradiated Imaginations and Anti-Nuclear Solidarities and The Funambulist's issue ‘The Colonized and the Atomic Bomb: 80 Years After Hiroshima and Nagasaki, Indigenous Perspectives on Interconnectedness’.
The exhibition Between Fires is curated by Fabienne Rachmadiev and presented in partnership with Sonic Acts at Framer Framed from 13 February t/m 17 May 2026.

In this episode of the Framer Framed podcast, we go behind the scenes of the Amsterdam iteration of the exhibition Past Disquiet with its curators, Rasha Salti and Kristine Khouri. Together, they reflect on their decade-long research into politically engaged artists and the transnational solidarity movements of the 1960s to 1980s — from Chile to Palestine, from Nicaragua to South Africa — and their resonances in the Netherlands.
Rasha and Kristine speak about their curatorial methodology, the archival process, and the spatial design of the exhibition at Framer Framed. They discuss “museums in exile,” the role of murals, and the challenges of exhibiting stories that are often absent from official narratives. What emerges is a portrait of solidarity as both protest and collective world-making — anethos that carries powerful lessons for contemporary activism.
Kristine Khouri is a researcher with a background in Arabcultural history and art history. Her work focuses on the history of art circulation, exhibition, and archival practice in the Middle East and North Africa. She is a board member of the Arab Image Foundation in Beirut and has recently focused on the politics and ethics of digital archives.
Rasha Salti is a researcher, writer, and curator of art and film. She has curated internationally at MoMA, Haus der Kulturen der Welt, and the Museo de la Solidaridad Salvador Allende, among others. She is currently the commissioning editor for La Lucarne at ArteFrance, a program dedicated to auteur documentaries.
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This podcast episode captures Framer Framed's event on November 5, 2024, featuring Lucia Kagramanyan's research project, Her Voice: Behind Armenian Lullabies. Her Voice was simultaneously presented as a broadcast on NTS Radio and a listening session. Organised by League of Tenders for Vleeshal’s Repetition is a Form of Changing as part of their International Nomadic Program 2024-2025, it includes archival songs, new lullabies, melodic chants, and personal accounts.
Lullabies have been a form of therapy, a means of survival, and a way to preserve cultural heritage in the face of displacement and oppression. Through intimate stories and haunting melodies, we uncover the emotional and cultural significance of lullabies in Armenian history. From the soothing rhythms of cradles to the migration of melodies across regions, these songs are more than just bedtime tunes—they are vessels of memory, resilience, and identity. Join us as we explore how Featuring voices from mothers, grandmothers, and artists, this podcast reveals the universal power of lullabies to connect us to our past, our roots, and each other.
League of Tenders is a curatorial duo established in 2018 by Elena Ishchenko and Maria Sarycheva. Over time, the League of Tenders has focused on disability representation, overcoming the alienation of everyday labour, practices of care, and support and friendship in the age of disasters.
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In this compelling episode, host Professor Chiara De Cesari engages in a thought-provoking conversation with members of RIWAQ—Centre for Architectural Conservation in Ramallah, Palestine. This organisation is committed to preserving Palestinian cultural heritage. As RIWAQ undertakes the monumental task of documenting and restoring architectural sites across the West Bank and Gaza, they confront the challenges of maintaining cultural memory amidst destruction. The discussion highlights the pressing need for community-centred cultural initiatives that operate independently of governmental influences, illustrating how civic organisations can build a robust cultural infrastructure in the face of adversity. 

Throughout the episode, the two members of RIWAQ share their personal experiences and perspectives on the cultural landscape in Palestine. They discuss the devastating impact on both physical and digital archives, as well as the innovative strategies employed to safeguard vital cultural narratives for future generations. By fostering partnerships with civil society groups, RIWAQ exemplifies the power of grassroots efforts in cultural preservation. This episode offers a poignant reflection on resilience and the enduring hope for a future where cultural heritage is not merely preserved but flourishes, inspiring listeners to consider the role they can play in supporting these crucial efforts.

You can support RIWAQ’s vital work by becoming a member and by donating here.

 https://www.riwaq.org/memberships

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This episode is a crossover podcast featuring the launch event of Errant Journal's seventh issue, titled 'Embodying Resistance'. It includes a live interview with guest editor Ghiwa Sayegh, recorded at Framer Framed in Amsterdam on 3 November 2024. 

This issue of Errant Journal aims to interrogate the role of the body in strategies of resistance from below. Taking Palestine as a starting point, the ongoing genocide committed by Israel and other colonial powers and the people’s continued struggle for liberation inform the issue’s thinking and praxis. From this political standpoint, it explores the ways in which bodies – that are sexualised, criminalised, racialised, crip – have been able to divert and subvert in order to fight back. To resist from the body is what crip theory tells us is a matter of need. It is a body that no longer fears deviation, specifically because of how cheap our lives are considered and how dangerous our futures are treated. It is about finding community and kinship when we are told we are alone.

Ghiwa Sayegh is an anarcha-queer writer, independent publisher, and archivist from Beirut. They are the founding editor of Kohl, a Journal for Body and Gender Research and a co-founder of Intersectional Knowledge Publishers.

This episode originally aired on Errant's channel on November 17, 2024. Issue #7 can be purchased here.

www.errantjournal.org  

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