The Art Business

• Inside Tintera with Zein Khalifa: Egypt’s Gallery Revolutionizing Fine Art Photography

  In this episode David interviews Zein Khalifa, alumna of the MA in Photography at Sotheby's Institute of Art London and co-founder of Tintera, the only private gallery in Egypt dedicated to fine art photography, about her journey from photographer to gallerist and the gallery’s mission to showcase and preserve contemporary Egyptian photography. They discuss analog vs digital practices, curatorial choices, working with Egyptian and regional artists, building audiences locally and internationally, and Tintera’s participation in the forthcoming 1:54 (London) and Paris Photo art fairs.   Links: https://www.tintera.art/ https://www.linkedin.com/in/zein-khalifa-90767425/?originalSubdomain=uk   music ‘Baby, I Miss The Internet’ (Rama, Rama, Rama)  by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020)

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• From ZBrush to Linen: Georgia Dymock on Myth, Monsters and Making

  David interviews painter Georgia Dymock about her artistic journey since leaving Slade: solo shows, selection for New Contemporaries, representation by Gillian Jason, and winning the ACS x Gurr John Studio Prize. They discuss how the prize and gallery exposure are shaping her career. Georgia explains her studio routine in Camden and her process of moving from digital sculpture (ZBrush, rendering) to oil on herringbone linen, exploring themes of connectedness, ambiguity, hybrid mythic figures and the balance between surface and psychological distance. She also reflects on influences, practical art‑business skills, and plans to expand her work.   Links: https://www.georgiadymock.com/ https://www.gillianjason.com/artists/97-georgia-dymock/ https://www.gurrjohns.com/ https://artistscollectingsociety.org/news/2025-acs-studio-prize-x-gurr-johns-exhibition/     music ‘Baby, I Miss The Internet’ (Rama, Rama, Rama)  by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020)

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• Venus, Mars & the Garden of Meaning: Botticelli’s Hidden Messages

  This lecture explores Sandro Botticelli's Venus and Mars, examining its Neoplatonist layers of meaning, ambiguous identities, and possible identifications with historical figures like Giuliano de' Medici and Simonetta Vespucci. The talk discusses iconography, seasonal symbolism, botanical clues (including the thorn apple/Datura), Christian readings (Adam and Eve, Mary Magdalene), and the painting's likely function in a marriage chamber, offering a multi-semantic interpretation that blends myth, history, and moral commentary. music ‘Baby, I Miss The Internet’ (Rama, Rama, Rama)  by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020)

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• A BRIEF HISTORY OF ART & ITS MARKETS PART 2: RENAISSANCE TO NEW MILLENNIUM

  In this second episode of a two-part lecture series, Dr David Bellingham continues his exploration of the art market, tracing its development from the Renaissance to the contemporary global scene. Drawing on historical, economic, and ethical perspectives, the lecture examines how art evolved from elite patronage into a commodified asset shaped by imperialism, celebrity culture, and financial speculation. Topics include: The rise of branded artists and the value of materials The emergence of auction houses and commercial galleries Colonial plunder and the ethics of restitution The impact of globalisation and digital transparency The role of collectors, dealers, and art fairs in shaping today’s market This episode completes the journey begun in Part I, offering a critical overview of the forces that continue to shape the art world today. Keywords: Art Market History, Renaissance Patronage, Auction Houses, Colonial Acquisitions, Contemporary Art Fairs, MAAB, David Bellingham   music ‘Baby, I Miss The Internet’ (Rama, Rama, Rama)  by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020)  

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• A BRIEF HISTORY OF ART & ITS MARKETS PART 1: PREHISTORY TO MEDIAEVAL

  In this first episode of a two-part lecture series, Dr David Bellingham traces the evolution of the art market from its prehistoric origins to the medieval period. Drawing on archaeological, literary, and technical evidence, the lecture explores how art objects transitioned from ritual and utilitarian functions into exchangeable commodities. Topics include: Long-distance trade and stylistic diffusion in ancient cultures The emergence of artist signatures and competition in Classical Greece Roman collecting, auctions, and the replication of originals The role of advisors and secondary markets The shift to church patronage and the proto-Renaissance This episode sets the stage for Part II, which will examine the rise of the modern art market from the Renaissance to the present day. Keywords: Art Market History, Ancient Trade, Artist Branding, Roman Collecting, Medieval Patronage, MAAB, David Bellingham music ‘Baby, I Miss The Internet’ (Rama, Rama, Rama)  by TOT TAYLOR is used by kind permission of the artist ©Tot Taylor/Songmatic Music (2020)  

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