Close Readings

• Love and Death: Thom Gunn and Paul Muldoon

  Thom Gunn’s career as an elegist was tied closely to the onset of the Aids epidemic in the 1980s, during which he saw many of his friends die. Despite loosening his early formalism after absorbing the work of the New American Poets, Gunn’s vision of the poet was not as a confessional diarist but rather a careful stylist of well-wrought verse drawing on the traditions of Fulke Greville and Ben Jonson. In this episode, Seamus and Mark look at elegies including ‘Talbot Road’, ‘The Gas-poker’ and others from his celebrated collection The Man with Night Sweats, where Gunn combined this allusive, rhetorical style with a poignant realism to recreate his subjects. They then turn to the more self-reflexive, oblique elegies of Paul Muldoon, who has reinvented the form in richly-patterned, playful poems such as ‘The Soap Pig’ and ‘Incantata’. Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe: Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/applecrld⁠⁠⁠⁠⁠⁠⁠⁠⁠ In other podcast apps: ⁠⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingsld⁠⁠⁠ More in the LRB: Thom Gunn's 'Lament': ⁠⁠https://lrb.me/ldep12gunn1⁠ Colm Tóibín on Gunn: ⁠https://lrb.me/ldep12gunn2⁠ Michael Nott: Thom Gunn in New York: ⁠https://lrb.me/ldep12gunn3⁠ Markl Ford on Muldoon: ⁠https://lrb.me/ldep12muldoon1 Get in touch: [email protected]

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• Love and Death: Thom Gunn and Paul Muldoon

  Thom Gunn’s career as an elegist was tied closely to the onset of the Aids epidemic in the 1980s, during which he saw many of his friends die. Despite loosening his early formalism after absorbing the work of the New American Poets, Gunn’s vision of the poet was not as a confessional diarist but rather a careful stylist of well-wrought verse drawing on the traditions of Fulke Greville and Ben Jonson. In this episode, Seamus and Mark look at elegies including ‘Talbot Road’, ‘The Gas-poker’ and others from his celebrated collection The Man with Night Sweats, where Gunn combined this allusive, rhetorical style with a poignant realism to recreate his subjects. They then turn to the more self-reflexive, oblique elegies of Paul Muldoon, who has reinvented the form in richly-patterned, playful poems such as ‘The Soap Pig’ and ‘Incantata’. Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe: Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/applecrld⁠⁠⁠⁠⁠⁠⁠⁠ In other podcast apps: ⁠⁠⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingsld⁠⁠ More in the LRB: Thom Gunn's 'Lament': ⁠https://lrb.me/ldep12gunn1 Colm Tóibín on Gunn: https://lrb.me/ldep12gunn2 Michael Nott: Thom Gunn in New York: https://lrb.me/ldep12gunn3 Markl Ford on Muldoon: https://lrb.me/ldep12muldoon1

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• Fiction and the Fantastic: Two Novels by Ursula K. Le Guin

  When the polymorphous writer Ursula K. Le Guin died in 2018, she left behind novels, short stories, poetry, essays, manifestos and French and Chinese translations. The huge and loyal readership among children and older readers that she built during her lifetime has only grown since her death, as has recognition of her work as ‘serious’ literature. Chafing against her confinement in genre fiction, she liberated sci-fi, fantasy and YA literature from the condescension to which they had long been subjected. In 2016, she joined the short list of authors to be published in their lifetime by the Library of America. For the final regular episode of Fiction and the Fantastic (though there will be one more special episode) Marina and Chloe read ‘The Left Hand of Darkness’ and ‘The Dispossessed’: works of exceptional imaginative power and intellectual range, passionate idealism and keen-eyed observation. Is Le Guin’s status in both literary and ‘genre’ canons a testament to the force and clear-sightedness of her radical – even prophetic – political vision? And what does it mean for the fantastic if we accept her self-characterisation as a ‘realist of a larger reality’? Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe: Directly in Apple Podcasts: ⁠⁠⁠⁠⁠https://lrb.me/applecrff⁠⁠⁠⁠⁠ In other podcast apps: ⁠⁠⁠⁠⁠https://lrb.me/closereadingsff⁠⁠⁠⁠ Further reading and listening from the LRB: Colin Burrow on Ursula K. Le Guin: https://www.lrb.co.uk/the-paper/v43/n02/colin-burrow/it-s-not-jung-s-it-s-mine A collection of writing on science fiction from the LRB: https://www.lrb.co.uk/collections/in-hyperspace Amia Srinivasan on Le Guin’s experiments with pronouns: https://www.lrb.co.uk/the-paper/v42/n13/amia-srinivasan/he-she-one-they-ho-hus-hum-ita Colin Burrow discusses Le Guin with Thomas Jones on the LRB Podcast: https://www.lrb.co.uk/podcasts-and-videos/podcasts/the-lrb-podcast/magical-authority Next episode: A taxonomy of fantastic literature with Marina, Adam Thirlwell and Edwin Frank.

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• 'The Sovereignty of Good' by Iris Murdoch

  Imagine a woman setting herself the task of liking her son’s choice of wife. At first she finds her daughter-in-law unbearable, but through the effort of seeing her clearly and justly she comes to accept and even appreciate the younger woman. For Iris Murdoch this is an example of moral labour, the struggle to achieve virtue that is understood intuitively by all of us. In her 1970 book The Sovereignty of Good, a collection of three lectures, Murdoch rejects the unambitious, ‘milk and water’ ethics of her fellow English moralists at Oxford in favour of a Platonic system in which morality has the same objectivity as mathematics. In this episode Jonathan and James discuss Murdoch’s lifelong philosophical project to establish what the rational unity of morality might be like without God. They consider her ideas of ‘unselfing’ and of goodness as a replacement for God, and what she got wrong about Sartre’s distinction between authenticity and sincerity. Non-subscribers will only hear an extract from this episode. To listen to the full episode, and to all our other Close Readings series, subscribe: Directly in Apple Podcasts: ⁠⁠⁠⁠⁠https://lrb.me/applecrcip⁠⁠⁠⁠⁠ In other podcast apps: ⁠⁠⁠⁠⁠https://lrb.me/closereadingscip⁠ Further reading in the LRB: Alexander Nehamas: John Bayley's 'Iris': https://lrb.me/cipep12murdoch1 James Wood: Existentialists and Mystics: https://lrb.me/cipep12murdoch2 Rosemary Hill on Iris Murdoch: https://lrb.me/cipep12murdoch3 Audiobooks from the LRB Including Jonathan Rée's 'Becoming a Philosopher: Spinoza to Sartre': https://lrb.me/audiobookscip

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• Novel Approaches: ‘Kidnapped’ by Robert Louis Stevenson

  Robert Louis Stevenson’s Kidnapped began life serialised in a children’s magazine, but its sophistication and depth won the lifelong admiration of Henry James. Set in the aftermath of the 1745 Jacobite rising, Kidnapped follows young lowlander David Balfour’s flight across the Highlands with the rebel Alan Breck Stewart. In Stevenson’s hands, a straightforward adventure story becomes a vivid exploration of friendship, the body, and social and political division. In this episode of Novel Approaches, Clare Bucknell is joined by Stevenson fans Andrew O’Hagan and Tom Crewe. They explore Stevenson’s startlingly modern handling of perspective and pacing, his approach to the art of fiction, and the value of being ‘betwixt and between’. Non-subscribers will only hear an extract from this episode. To listen in full, and to all our other Close Readings series, sign up: Directly in Apple Podcasts: ⁠⁠⁠⁠⁠⁠https://lrb.me/applecrna⁠⁠⁠⁠⁠⁠ In other podcast apps: ⁠⁠⁠⁠⁠⁠https://lrb.me/closereadingsna Further reading in the LRB: Andrew O’Hagan on Stevenson’s life:⁠https://www.lrb.co.uk/the-paper/v27/n04/andrew-o-hagan/in-his-hot-head⁠ ...his circle:⁠https://www.lrb.co.uk/the-paper/v42/n10/andrew-o-hagan/bournemouth⁠ ...and his home in Edinburgh:⁠https://www.lrb.co.uk/the-paper/v46/n01/andrew-o-hagan/diary⁠ P.N. Furbank on R.L.S.’s letters:⁠https://www.lrb.co.uk/the-paper/v16/n16/p.n.-furbank/what-sort-of-man⁠ Matthew Bevis on Treasure Island:⁠https://www.lrb.co.uk/the-paper/v34/n20/matthew-bevis/kids-gone-rotten⁠ Next episode: The Mayor of Casterbridge by Thomas Hardy.

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