Empire

The battle of succession that erupted during a severe illness of Shah Jahan is often regarded as one which determined the fate of India. The eldest of Shah Jahan’s sons was Dara Shukoh—the Glory of Darius. Contemporary miniatures show that Dara bore a striking resemblance to his father, and like him he was luxurious in his tastes and refined in his sensibilities. He preferred life at court to the hardships of campaigning; he liked to deck himself in strings of precious stones and belts studded with priceless gems; he wore clothes of the finest silk and from each ear lobe he hung a single pearl of remarkable size. Dara was a tolerant Sufi and composed a study of Hinduism and Islam, ‘The Mingling of Two Oceans’, which stressed the affinities of the two faiths and what he believed to be the Vedic origins of the Quran. Then there was Aurangzeb, unloved by his father, a bitter and bigoted puritan, as intolerant as he was grimly dogmatic. He was a ruthlessly talented general and a brilliantly calculating strategist, but entirely lacked the winning charm of his predecessors.  Listen as William and Anita are joined by Supriya Gandhi, author of The Emperor Who Never Was: Dara Shukoh in Mughal India, to discuss the brothers who fought for the crown, and with it the future of India. Twitter: @Empirepoduk Email: [email protected] Goalhangerpodcasts.com Assistant Producers: Anouska Lewis & Becki Hills Producer: Callum Hill Exec Producer: Neil Fearn Learn more about your ad choices. Visit podcastchoices.com/adchoices

Within days of his beloved wife’s death, Shah Jahan starts designing his grandest architectural project yet to express his love for her. Her mausoleum is to be a domed, symmetrical, bright white building surrounded by aromatic gardens. But the Taj Mahal is not the only beautiful structure the Mughal Emperor commissions. One of the most extravagant examples of his work is the Peacock Throne, a dazzling display of precious gems, including the Koh-i-Noor diamond and the Timur Ruby. And Shah Jahan's architectural vision soon extends beyond Agra. He later leaves the capital, perhaps to escape the grief associated with his wife’s death, and embarks on building the city of Shahjahanabad, otherwise known as Old Delhi.  Listen as William and Anita discuss Shah Jahan’s magnificent architecture… Twitter: @Empirepoduk Email: [email protected] Goalhangerpodcasts.com Assistant Producers: Anouska Lewis & Becki Hills Producer: Callum Hill Exec Producer: Neil Fearn Learn more about your ad choices. Visit podcastchoices.com/adchoices

Shah Jahan, the third son of the opium-addicted Jahangir, was born in 1592 with the name Khurram. More interested in precious gems and architecture than dancing girls at court, Khurram was reserved and carefully crafted his image as the “millennial sovereign”. Upon Jahangir's death, Khurram finds himself embroiled in a fierce succession struggle. His cunning and military experience, honed from years of avoiding his father's armies, proves invaluable in this fight for the throne.  But Khurram was not powerful on his own. He was surrounded by powerful women – raised by his step-grandmother Ruquiya Sultan, adored by his eldest daughter Jahanara, and most important of all loved and supported by his wife Mumtaz Mahal. She was his confidante and best friend, and to lose her would break his heart. But his broken heart would lead to the building of one of the most beautiful buildings in the world… Join Anita and William as they explore the early life of the fifth Mughal Emperor, Shah Jahan. Twitter: @Empirepoduk Email: [email protected] Goalhangerpodcasts.com Assistant Producers: Anouska Lewis & Becki Hills Producer: Callum Hill Exec Producer: Neil Fearn Learn more about your ad choices. Visit podcastchoices.com/adchoices

Often overshadowed by his son’s architectural wonders like the Taj Mahal, Emperor Jahangir was a true connoisseur of beauty.  His reign witnessed a flourishing of art, architecture, and craftsmanship through his patronage of impressive workshops of artists who created vibrant masterpieces. Jahangir continued expressing his love of the natural world through the paintings he commissioned: from zebras to squirrels to exotic birds. And women were not excluded from his world of art. His powerful wife Nur Jahan oversaw architectural projects like the “Baby Taj”, and female painters at court documented the intimate life of the imperial harem. But beyond documenting the world around him, how did Jahangir use art as propaganda, and what is the meaning behind the mysterious zodiac coins he created? Listen as William and Anita are joined by Susan Stronge, curator of the V&A exhibition, The Great Mughals: Art, Architecture and Opulence, to discuss the visual culture of the court of Jahangir. Twitter: @Empirepoduk Email: [email protected] Goalhangerpodcasts.com Assistant Producers: Anouska Lewis & Aaliyah Akude Producer: Callum Hill Exec Producer: Neil Fearn Learn more about your ad choices. Visit podcastchoices.com/adchoices