It's the 40th Anniversary of 'Back to the Future' and I read a review of Michael J. Fox's brief new memoir about the making of the film, and about his life before, during, and just after the film's release. This sent me to finally watch 2023's 'Still: A Michael J. Fox Movie', a brilliant documentary from noted director Davis Guggenheim (An Inconveniant Truth, It Might Get Loud, Waiting for Superman) that defies the Streamerification of documentary filmmaking that I've long decried on the podcast (see my episode on Brother's Keeper). This episode covers a lot of what I really loved about those two primary sources of information about Michael J. Fox's life and battle with Parkinson's Disease, a battle he's fought privately and publicly. The Michael J. Fox Foundation has to date raised more than 2 billion dollars for Parkinson's research and in 2022 spent more than the US Government did on research seeking a cure for the disease. 'Back to the Future' has an incredible story of near-disaster followed by infinitesimal chance of salvage represented by the casting of Fox, and finally, worldwide pop-cultural magnitude of the highest and most enduring order. This episode serves as an introduction to this superlative example of Hollywood moviemaking at its best and a tribute to the incredible, extraordinary and everyday life of its star.
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250. 'Tropic Thunder'
Like a thunderbolt from another dimension, a dimension where $90 million-dollar comedies with top-tier talent and a first-class, Oscar-winning cinematographer combine with an expensive location shoot in Hawaii (standing in for Viet Nam) to gross $200 million dollars and spawn at least two Pantheon-level comedy characters in Tom Cruise's Les Grossman and Robert Downey, Jr's Kirk Lazarus-as-Staff-Sergeant-Lincoln-Osiris. I woefully failed to mention in the episode that Downey's transformation into Lazarus-as-Osiris was done by none other than the legend Rick Baker. To say they don't make 'em like this anymore is a sad truth. We have truly lost as a film-going society when big time stars gather to be in a movie this funny and big-screen watchable. I suppose the big screen's loss is HBO's gain, however. And soda: Ben Stiller has a new line of sodas and they're very good. You should try one!
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249. Diane Keaton in 'Annie Hall'
Diane Keaton died over the weekend at the age of 79, and it's been fascinating to read her various obituaries and memories of her being shared. Also interesting to contemplate what a singular presence she was for more than 50 years on stage and screen. 'Annie Hall' won Diane Keaton her only Academy Award, although she was also nominated for 'Reds', 'Marvin's Room' and 'Something's Gotta Give', which shows you the range she had as an actor. Revisiting here was a pleasure and reminded me of what we've lost as a movie-going culture of late. Smart, funny comedies that don't talk down to an audience but also play as mass entertainments seem in such short supply, as do superlative onscreen personalities like Diane Keaton. This quickie episode isn't mean to be expansive or complete..just an excuse to watch one of her most famous roles in a film named after her character and drawn from her real-life romance with Woody Allen some years before the film was made.
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248. 'Drugstore Cowboy' (1989)
Gus Van Sant's 2nd feature, starring Matt Dillon, Kelly Lynch, James Le Gros, Heather Graham, William S. Burroughs, James Remar, and Max Perlich.
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247. 'Jeremiah Johnson' (1972)
Continuing the Redford Appreciation Episodes with a revisit of Sydney Pollack and Robert Redford's 1972 deceptively revisionist Western, 'Jeremiah Johnson'. Shaped by Redford and Pollack from an apparently off-the-wall John Milius screenplay, and only shot on location in the Utah wilderness through Redford's intervention with the studio, 'Jeremiah Johnson' is, I think, secretly one of everybody's favorite comfort watches.
The Full Cast and Crew Podcast loves searching for that perfect, telling anecdote or soundbite from a writer, director, actor, or crew member as we revisit the films of our shared 70s and 80's childhoods with an appreciation for the cinematic arts and without pretension or annoying fan-boy antics. Proudly independent and advertising-free.
Netherlands