PodcastsKunstA Small Voice: Conversations with photographers and filmmakers

A Small Voice: Conversations with photographers and filmmakers

Ben Smith
A Small Voice: Conversations with photographers and filmmakers
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  • A Small Voice: Conversations with photographers and filmmakers

    274 - Joachim Ladefoged

    28-1-2026 | 1 u. 15 Min.
    Joachim Ladefoged is a Danish photographer born in 1970. He has worked as a professional since 1991, and is a member of the international photo agency VII. Today he is a staff photographer at the Danish Daily Jyllands-Posten, but over the years he has worked regularly for magazines such as The New York Times Magazine, Mare, The New Yorker and TIME.
    Joachim has received numerous awards for his work from institutions such as Visa D'Or, World Press Photo, POYi, Eissie, and Agfa, as well as Picture of the Year in Denmark. Over the years he has published 3 monographs, Albanians, Mirror and Time After My Time.
    Joachim photographs everything with the same inventiveness and diligence, whether sports, war or commerce. His highly accomplished career has seen him master complex, violent news stories, commercial assignments, daily news, and rich, vibrant, and spectacular feature stories. Joachim is credited with being one of the driving forces behind the new wave of Danish photojournalism.
    In episode 274, Joachim discusses, among other things:
    Having arthritis as a teenager and the impact it had on his life (good and bad)
    Starting his career as an intern at a local newspaper
    Moving on to ‘the best job in the world’ at national newspaper Politiken
    Winning the World Press Photo award
    Words of wisdom received from Magnum legend Constantine Manos
    Getting into Magnum… and being chucked out again
    Being part of ‘the new wave of Danish photojounalists’
    Why changing direction on becoming a father was “the right decision, but a hard decision”
    Why three photographers were just made redundant on his newspaper
    His approach to shooting and lighting portraits
    His book project Time After My Time
    Photographing his kids with the iPhone
    Instagram


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  • A Small Voice: Conversations with photographers and filmmakers

    273 - Lee Shulman

    14-1-2026 | 1 u. 10 Min.
    Lee Shulman is a visual artist, filmmaker, and founder of The Anonymous Project, one of the most significant archives of vernacular color photography in existence. Since 2017, the project has amassed nearly one million Kodachrome slides from the 1940s to the early 2000s — intimate, everyday images that might have otherwise been lost to time. Through curation and transformation, Lee reanimates these personal photographs, weaving them into compelling narratives that explore memory, family, love, and cultural shifts across generations.
    Lee’s career also extends into film direction, notably with his debut feature documentary, "I Am Martin Parr," released in 2025. This film chronicles a road trip with renowned photographer Martin Parr, revisiting iconic locations from his oeuvre. Shulman's prior collaboration with Parr on the "Déjà View" project, which paired Parr's distinctive photographs with images from The Anonymous Project, laid the groundwork for their working relationship. The documentary provides an affectionate portrayal of Parr's artistic process and enduring work ethic, further cementing Lee’s engagement with the broader discourse of photography.
    Born in London in 1973, Lee lives and works in Paris. His work has been exhibited internationally, including at the Venice Biennale and Rencontres d’Arles, and is held in major collections such as the Getty Museum in Los Angeles and Photo Elysée in Lausanne.
    Website | Instagram


    Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.
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  • A Small Voice: Conversations with photographers and filmmakers

    272 - Year In Review 2025

    31-12-2025 | 1 u. 8 Min.
    Featuring:
    Ed Sykes
    Ian Howarth
    Dina Litovsky
    Joseph Michael Lopez
    Mike Abrahams
    Ian Macdonald
    Katrin Koenning
    Tomasz Tomaszewski
    Mackenzie Calle
    Marc Wilson
    Paul Seawright
    Mohamed Bourouissa
    Anna Arendt
    Marjolein Martinot
    Rankin
    Tony Docekal
    Eli Reed
    Merlin Daleman
    Mike Brodie
    Paul Sng
    Ed Kashi
    Rachel Elizabeth Seed


    Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.
    Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.
    Follow me on Instagram here.
    Need a new website? I will build you one with Squarespace. Details here.
  • A Small Voice: Conversations with photographers and filmmakers

    271 - Rachel Elizabeth Seed

    17-12-2025 | 1 u. 5 Min.
    Rachel Elizabeth Seed is a Brooklyn and Los Angeles-based nonfiction storyteller working in film, photography, and writing.
    In 2025, she won the Truer Than Fiction Spirit Award for her debut feature film, A Photographic Memory, which is also a New York Times Critics Pick.
    Rachel’s work has received support from the Sundance Institute, Chicken + Egg Films, the Jewish Film Institute, the California Film Institute, Jewish Story Partners, NYFA, Field of Vision, the Jerome Foundation, NYSCA, the Maine Media Workshops, the Roy W. Dean grant, the National Arts Club, IFP, and many others. 
    Formerly a photo editor at New York Magazine, her photography has been exhibited worldwide, including at the International Center of Photography, and she was a cameraperson on several award-winning feature documentaries. Rachel’s writing has been published by No Film School, the Sundance Institute, and Talkhouse and she is Executive Director / Co-founder of the Brooklyn Documentary Club, a NYC-based filmmaker collective with 250+ members.
    In episode 271, Rachel discusses, among other things:
    A summary of her mum’s character
    nature vs. nurture
    Her mum’s Images of Man interviews for ICP/Scholastic
    What inspired her to make a film
    How her own story became interwined with her mum’s
    Discovering a family archive of super 8 footage
    How she recreated the interviews using actors
    The importance of working with good editors
    The challenge of funding and financing
    Key advice for anyone wanting to make a personal documentary
    The fine balance between collaboration and having the courage of your convitions as director
    Writing for narration as opposed to for reading
    Sharing her personal stories as the film evolved over a ten year period - How to balance life and art
    ‘Selling the film’ and what that means in practice
    The Brooklyn Documentary Club
    Moving to L.A.
    Projects she has in development
    Website | Instagram


    Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.
    Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.
    Follow me on Instagram here.
    Need a new website? I will build you one with Squarespace. Details here.
  • A Small Voice: Conversations with photographers and filmmakers

    197 - Martin Parr (#2)

    07-12-2025 | 1 u. 22 Min.
    Martin Parr (born 23 May 1952), the man who the Daily Telegraph declared to be, “arguably Britain’s greatest living photographer” is known for his photographic projects that take an intimate, satirical and anthropological look at aspects of modern life, in particular documenting the social classes of England, and more broadly the wealth of the Western world.
    His major projects have been rural communities (1975–1982), The Last Resort (1983–1985), The Cost of Living (1987–1989), Small World (1987–1994) and Common Sense (1995–1999). Since 1994, Martin has been a member of Magnum Photos, where he scraped in by one vote and where between 2013 and 2017 he served as President. His work has been published in numerous photobooks, over 120 of his own, and he has exhibited prolifically throughout his career.
    In 2017 the Martin Parr Foundation was opened in Bristol. The MPF is as a gallery and archive and research resource dedicated to both preserving the Martin’s photographic legacy and to supporting emerging, established and overlooked photographers who have made and continue to make work focused on the British Isles.
    Since his first A Small Voice appearance on Episode 91 of the podcast in October 2018, Martin has had a major exhibition at the National Portrait Gallery which opened in March 2019. Entitled Only Human, the show included portraits from around the world, with a special focus on Britishness, explored through a series of projects that investigated British identity. Also since that episode Martin was awarded a CBE in the Queen’s birthday honours in June, 2021.
    Martin’s latest book, A Year in the Life of Chew Stoke Village was released in September 2022 by RRB Books.

    On episode 197, Martin discusses, among other things:
    Influence of his methodist grandfather… and peers at Manchester
    Early experiences in Hebdon Bridge
    The move to Ireland - From the Pope to a Flat White
    Liverpool and the controversy around The Last Resort work
    Bristol and Bath - The Cost of Living
    Being blown away by his first experience of Arles
    Joining Magnum amidst disapproval from the old guard
    Small World
    A Year in the Life of Chew Stoke Village
    Signs of the Times
    Common Sense
    The work of the Martin Parr Foundation
    Good work and bad work
    Referenced:
    Robert Doisneau
    Bill Brandt
    Robert Frank
    Garry Winogrand
    Alan Murgatroyd
    Brian Griffin
    Daniel Meadows
    Albert Street Workshop
    Fintan O’Toole
    Peter Fraser
    Peter Mitchell
    Tom Wood
    Anna Fox
    Ken Grant
    David Moore
    John Hinde
    Philip Jones Griffiths
    Henri Cartier-Bresson
    Boris Mikhailov
    Krass Clement
     
    Martin: Website | Instagram | Episode 91 | Chew Stoke book
    MPF: Website | Instagram
    “Most of the pictures I take are very bad, because to get the good pictures is almost impossible. If you went out in the morning and said ‘today I’m only gonna take good pictures’ you wouldn’t get anywhere. You wouldn’t even start. So you’ve got to have that momentum of shooting, and you’ve got to have found the right subject, the right place, the right time, and then things will start to happen.”


    Become a A Small Voice podcast member here to access exclusive additional subscriber-only content and the full archive of 200+ previous episodes for £5 per month.
    Subscribe to my weekly newsletter here for everything A Small Voice related and much more besides.
    Follow me on Instagram here.
    Need a new website? I will build you one with Squarespace. Details here.

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Over A Small Voice: Conversations with photographers and filmmakers

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