LensWork - Photography and the Creative Process

Episode #1528 from our long-running, weekly podcast
On Photography and the Creative Process

Art as Gift

While Brooks is traveling this week, here is an audio recording of him reading the Editor's Comments from LensWork #44, originally published in Dec 2002. This audio is part of the archived of audio presentations of the Ediitor's Comments from the pages of LensWork that are available to members of LensWork Online.



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You might also be interested in. . .

Every Picture Is a Compromise, a series at www.brooksjensenarts.com.

and...

"How to" tutorials and camera reviews are everywhere on YouTube, but if you're interested in photography and the creative life, you need to know about the incredible resources you can access as a member of LensWork Online.

Here's a Thought… #2786 with Brooks Jensen

Distribution On a Budget

As much as I resist the pragmatics of calculating the cost in production of our art, it is necessary to consider the costs for many of us. This includes not just the production of our work but also the distribution of our work. Wouldn't it be lovely if we could produce 20" prints with abandon and mail them out to everyone we might want to gift a print? If we can't, we can at least devise a means of production and distribution that fits our budget.

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Here's a Thought… #2785 with Brooks Jensen

The Transition to Art Mind

One of the greatest challenges of my creative life has been the flip of mind that is required to shift from everyday mind to artmaking mind. They are different and mutually exclusive. I can't, for example, think about my art while paying the monthly bills. These two activities require a completely different way of processing their respective tasks. The art life question is always one of purposely and at will letting go of everyday mind and slipping into art mind. I've tried all kinds of techniques, but still cannot flip a mental switch to bring it about.

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Here's a Thought… #2784 with Brooks Jensen

The Virtue of Unknown Roads

So many photographer I talk to go to known destinations. I don't think it ever occurs to them that the destination is known because so many other photographers have been there before them! The great advantage of going down unknown roads is precisely that you have no idea what you will find there. It's the discovery of the unknown that gives photography its spice. I'd much rather discover some place on my own rather than follow in the footsteps of the herd.

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Here's a Thought… #2783 with Brooks Jensen

Removing the Unwanted

After all these years in photography, I still believe the best advice I ever received was "remove the unnecessary." I've often joked that Ansel Adams' most useful fool was a12-gauge shotgun to remove unwanted tree branches from the scene. I remember in an early Lens-Work workshop I had everyone take a picture that purposely had something they wanted to remove. That was followed by a demonstration on the use of Photoshop's Clone Tool. How quaint.

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