London Review Bookshop Podcast

To celebrate the publication of their respective new books, So Mayer (Bad Language) and Sarah Schulman (The Fantasy and Necessity of Solidarity) discussed the radical affinities between their work in exposing the power structures underpinning both the ways in which we communicate, and the language we use to do so.

You can buy Bad Language and The Fantasy and Necessity of Solidarity from the London Review Bookshop.
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Margaret Drabble’s new collection, The Great Good Places, is an omnium gatherum of essays, stories and memoir, drawing on a lifetime’s worth of insight and wisdom. ‘Generous, perceptive, and good-humoured, Margaret Drabble is always a delight to read’, wrote Joan Bakewell; The Great Good Places has all these qualities in evidence. Drabble was in conversation with Tessa Hadley, whose most recent novel is The Party (Vintage).

You can buy a copy of The Great Good Places from the London Review Bookshop.
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What Am I, A Deer?, Polly Barton’s debut novel, takes on the vagaries of translation – linguistic translation, self-translation, and reinvention – which she’s previously explored in the much-loved Fifty Sounds, also published by Fitzcarraldo. ‘The protagonist of What Am I, A Deer? finds herself both Schrödinger and his cat on entering the Frankfurt tram, the office, and the ‘black box’ of the karaoke booth; inside and outside simultaneously, trying to figure out whether she exists and in a state of tingling oscillation’, writes Jen Calleja. ‘Polly Barton is the maestra of controlled dissolution.’

You can buy a copy of What Am I, A Deer? from the London Review Bookshop.
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In an audacious new take on the campus novel Luke Kennard’s protagonist, a penniless out-of-work actor, takes on a job unlike any other. He is hired to sit silently at the back of a lecture hall, concealed within a black bag. Black Bag (John Murray) examines, hilariously, modern masculinity, romance, identity and much else besides. ‘Such a smart and philosophical novel really has no business being this entertaining’ writes Anna Metcalfe. ‘Black Bag is hilarious, profound, tender and deranged. A deeply cathartic read for anyone seeking the funny side of the total decimation of the arts.’ Luke Kennard was in conversation with fellow poet and novelist Will Eaves.

You can buy a copy of Black Bag from the London Review Bookshop.
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In Magic and Mechanics, the latest in Scratch Books’ ‘Reverse Engineering’ series, six writers – George Saunders, Claire-Louise Bennett, Mark Haddon, Camilla Grudova, Amber Medland and Colin Barrett – present and disassemble one of their recent short stories. To celebrate its launch, join Claire-Louise Bennett in conversation with novelist Ben Pester as they discuss their work, exploring the ways that their backgrounds in theatre have led them to create exhilarating and innovative prose writing.

You can buy a copy of Magic & Mechanics from the London Review Bookshop.
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