London Review Bookshop Podcast

In Rebecca Perry’s May We Feed the King (Granta) the narrative switches between two increasingly intermingling timelines, medieval and contemporary, as a modern curator becomes absorbed in the story of a half-forgotten monarch struggling to maintain his rule. Perry is the author of two acclaimed poetry collections Beauty/Beauty and Stone Fruit and was in conversation about her debut novel with fellow poet K Patrick.
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In 2016 the painter Chantal Joffe approached the writer Olivia Laing to ask if they would sit for a portrait. Out of that meeting emerged a close friendship and collaboration, and out of that collaboration has emerged Painting, Writing, Texting (Mack), an account in words and images of what can happen when two ways of looking at the world converge. Painter and writer were at the shop to talk about art, writing and collaboration, chaired by Emily Labarge (Dog Days).

You can buy a copy of Painting, Writing, Texting from the London Review Bookshop.
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In an episode of the LRB podcast Aftershock recorded live at the London Review Bookshop, Daniel Soar and contributors discussed the long aftermath of 9/11 and the War on Terror, from Iraq and Afghanistan to drone strikes, mass surveillance and the weaponisation of the financial system. What is the legacy of Bush and Cheney’s ‘forever war’ in today’s White House? Joining Daniel Soar were Patrick Cockburn, Laleh Khalili and Tom Stevenson.
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When Juliet Mitchell’s Psychoanalysis and Feminism was published in 1974 Freudianism was seen by most feminists as ineradicably patriarchal and inimical to the women’s movement. Mitchell’s brilliant exegesis, drawing on Lacan and Laing as well as Freud himself, instead sees Freud's asymmetrical view of masculinity and femininity as reflecting the realities of patriarchal culture, and seeks to use his critique of femininity to critique patriarchy itself.

To mark a new edition of her seminal work from Verso Mitchell revisits its arguments in conversation with curator, art historian and writer Frances Morris who was, from January 2016 to February 2023, director of the Tate Modern.

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To mark the publication of Knife Woman: The Life of Louise Bourgeois (Yale) its author, curator and art historian Marie-Laure Bernadac was in conversation about the life and work of Louise Bourgeois with the book’s translator, Lauren Elkin. ‘Bernadac's remarkable biography has made the telling of Louis Bourgeois's life into a new art’ (Juliet Mitchell).

You can buy a copy of Knife Woman: The Life of Louise Bourgeois from the London Review Bookshop.
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