John Fetterman on Trump’s “Raw Sewage,” and What the Democrats Get Wrong
Since the election, Senator John Fetterman—once a great hope of progressives—has conspicuously blamed Democrats for the electoral loss. Fetterman tells David Remnick that the Democratic Party discouraged male voters, particularly white men. He has pursued a lonely course of bipartisanship by meeting with Trump at Mar-a-Lago before his Inauguration, joining Truth Social, and voting to confirm Pam Bondi as Attorney General—the only Democrat to do so. But, despite Trump’s relatively high approval ratings, he lambasts the Administration for the “chaos” it is currently sowing in America. Fetterman sympathizes with voters’ widespread disgust with contemporary politicking. “Unlimited money has turned all of us in some way into all OnlyFans models,” he says. “We’re all just online hustling for money.”
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34:35
Celebrating 100 Years: Jia Tolentino and Roz Chast Pick Favorites from the Archive
Staff writers and contributors are celebrating The New Yorker’s centennial by revisiting notable works from the magazine’s archive, in a series called Takes. The writer Jia Tolentino and the cartoonist Roz Chast join the Radio Hour to present their selections. Tolentino discusses an essay by a genius observer of American life, the late Joan Didion, about Martha Stewart. Didion’s profile, “everywoman.com,” was published in 2000, and Tolentino finds in it a defense of perfectionism and a certain kind of ruthlessness: she suggests that “most of the lines Didion writes about Stewart, it’s hard not to hear the echoes of people saying that about her.” Chast chose to focus on cartoons by George Booth, who contributed to The New Yorker for at least half of the magazine’s life. You can read Roz Chast on George Booth, Jia Tolentino on Joan Didion, and many more essays from the Takes series here.
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16:15
The A.C.L.U. v. Trump 2.0
In Donald Trump’s first term in office, the American Civil Liberties Union filed four hundred and thirty-four lawsuits against the Administration. Since Trump’s second Inauguration, the A.C.L.U. has filed cases to block executive orders ending birthright citizenship, defunding gender-affirming health care, and more. If the Administration defies a judge’s order to fully reinstate government funds frozen by executive order, Anthony Romero, the A.C.L.U.’s executive director, says, we will have arrived at a constitutional crisis. “We’re at the Rubicon,” Romero says. “Whether we’ve crossed it remains to be seen.” Romero has held the job since 2001—he started just days before September 11, 2001—and has done the job under four Presidents. He tells David Remnick that it’s nothing new for Presidents to chafe at judicial obstacles to implement their agendas; Romero mentions Bill Clinton’s attempts to strip courts of certain powers as notably aggressive. But, “if Trump decides to flagrantly defy a judicial order, then I think . . . we’ve got to take to the streets in a different way. We’ve got to shut down this country.”
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33:44
“No Other Land”: The Collective Behind the Oscar-Nominated Documentary
The film “No Other Land” has been nominated for an Academy Award for Best Documentary Feature. It was directed by four Palestinian and Israeli filmmakers, and to unpack the film’s message David Remnick speaks with two of the directors, Basel Adra, who lives in the West Bank, and Yuval Abraham, who lives in Jerusalem. The documentary takes a particular focus on the demolitions of Palestinian homes overseen by the Israeli military which often involve a lack of building permits. “You very quickly realize that it’s a political issue,” Abraham explains. “The Israeli military declines almost ninety-nine per cent of Palestinian requests for building permits. . . . There is a systematic effort to prevent” construction of homes for a growing population. “We made this movie from a perspective of activism,” Adra tells Remnick, “to try to have political pressure and impact for the community itself.” But, since they began filming, the political situation has deteriorated severely, and “all the reality today is changing . . . to be more miserable.” “No Other Land” is opening in select major cities this weekend.
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23:41
Trump’s Boogeyman: D.E.I.
Many of the most draconian measures implemented in the first couple weeks of the new Trump Administration have been justified as emergency actions to root out D.E.I.—diversity, equity, and inclusion—including the freeze (currently rescinded) of trillions of dollars in federal grants. The tragic plane crash in Washington, the President baselessly suggested, might also be the result of D.E.I. Typically, D.E.I. describes policies at large companies or institutions to encourage more diverse workplaces. In the Administration’s rhetoric, D.E.I. is discrimination pure and simple, and the root of much of what ails the nation. “D.E.I. is the boogeyman for anything,” Jelani Cobb tells David Remnick. Cobb is a longtime staff writer, and the dean of Columbia University’s Graduate School of Journalism. “If there’s a terrible tragedy . . . if there is something going wrong in any part of your life, if there are fires happening in California, then you can bet that, somehow, another D.E.I. is there.” Although affirmative-action policies in university admissions were found unconstitutional by the Supreme Court, D.E.I. describes a broad array of actions without a specific definition. “It’s that malleability,” Cobb reflects, that makes D.E.I. a useful target, “one source that you can use to blame every single failing or shortcoming or difficulty in life on.”
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