The New Yorker Radio Hour

Ari Emanuel is the executive chairman of W.M.E., one of the biggest talent agencies in Hollywood. He has overseen the careers of Oprah Winfrey, Taylor Swift, Meghan Markle, Martin Scorsese, Dwayne (the Rock) Johnson, and Donald Trump. His entertainment machine now includes the W.W.E., the U.F.C., live theatres, ticketing operations, and more. In a new memoir, “Roll the Calls,” Emanuel charts his rise from working in the mailroom to global power. He talks with David Remnick about his disappointment with Donald Trump’s self-enrichment during his Presidency; his close relationship with Elon Musk, whom he calls an “incredible human being”; and doing business within “shades of gray” with the de-facto Saudi leader Mohammed bin Salman.
Further reading:
“Ari Emanuel Takes on the World,” by Connie Bruck

New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.

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Grandmaster Flash has been an innovator in the art of d.j.’ing since he was practically a child growing up in the Bronx. As a young man named Joseph Saddler, he spent his days trying to figure out how to make the drum breaks in his favorite songs last longer and longer. Now in his late sixties, Flash remains as devoted to the art of the turntable as ever. In a new memoir, “Birth of a Culture,” he looks at hip-hop’s earliest days, as the music made its way from outdoor parties to huge venues like the Audubon Ballroom. He tells David Remnick how his creative innovations were born of an obsession with electronics, and why he views his group’s biggest hit, “The Message,” as the beginning of the end of a glorious moment in hip-hop culture.
Further reading:
“Grandmaster Flash’s Remix of Hip-Hop History,” by Vinson Cunningham

New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.



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Malcolm Gladwell, a longtime staff writer at The New Yorker, often uses ideas from the social sciences and epidemiology and applies them to surprising topics. But his new book tackles an issue that’s in the headlines every day. The book is called “The American Way of Killing,” and the subject is America’s unique association with gun violence. Death statistics, he says, fail to convey the scale of the problem because advances in medical care save countless lives that are nevertheless scarred by violence. Gladwell talks with David Remnick about how gun-control advocates have got the problem wrong, and why he thinks that a persistent dynamic of under-policing and over-incarcerating is at the root of America’s problem. “I can’t even utter the phrase ‘defund the police,’ ” Gladwell says, “without nearly blowing a gasket.”
Further reading:
“What We Get Wrong About Violent Crime,” by Malcolm Gladwell
“Daniel Ellsberg, Edward Snowden, and the Modern Whistle-Blower,” by Malcolm Gladwell
“Thresholds of Violence,” by Malcolm Gladwell

New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Join host David Remnick as he discusses the latest in politics, news, and current events in conversation with political leaders, newsmakers, innovators, New Yorker staff writers, authors, actors, and musicians.




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A woman who acts as a surrogate, carrying a child for someone else, is said to be going on a “journey.”
Kayla Elliott started her surrogacy journey at the age of twenty-six. She gave birth to a baby girl for a wealthy couple living in a mansion in L.A. County. The couple told her that they already had one child, who desperately wanted a sibling. But nothing about the situation was as it appeared.
Kayla soon learned that the couple already had twenty other children, most of them under the age of three, who had also been carried by surrogates. After one of the children was taken to an emergency room with head injuries, the police got involved, and then the F.B.I. As the scandal unfolded, the surrogates for the couple began to find one another.
Who was this mysterious couple, and why had they collected so many children?
“The Journey,” a five-part audio series, unravels what was going on inside the couple’s mansion and exposes a scheme that threatens the surrogacy industry.

New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Follow the show wherever you get your podcasts.



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John Wilson is a documentary filmmaker, a comedian, and a contemporary philosopher. On his hit HBO show, “How To with John Wilson,” he wandered around New York City filming everyday life, pontificating, and asking strangers questions ranging from the mundane to the esoteric. The New Yorker staff writer Andrew Marantz has written about Wilson, and recently met him at the independent movie theatre that he runs, Low Cinema, in Queens. They discuss Wilson’s newest film, “The History of Concrete,” which premières September 18th.
Further reading:
“How to Make a Movie House with John Wilson,” by Madeleine Wulfahrt
“John Wilson’s Sewage-Treatment-Plant Adventure,” by Andrew Marantz
“ ‘How To with John Wilson’ Offers a Martian’s-Eye View of Homo Sapiens’ Habits,” by Alexandra Schwartz

New episodes of The New Yorker Radio Hour drop every Tuesday and Friday. Follow the show wherever you get your podcasts.


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