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1001 Stories For The Road

Host Jon Hagadorn
1001 Stories For The Road
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  • THE COUNT OF MONTE CRISTO (CHAP 81) THE ROOM OF THE RETIRED BAKER
    CHAPTER 81   THE ROOM OF THE RETIRED BAKER  Andrea receives his monthly installment from his "father," via the Count, who is managing the income for him by drawing on Danglars' bank. Danglars is convinced that Andrea comes from not one but two rich families, maternal and paternal fortunes both, and so he is growing increasingly willing to marry Eugenie to Andrea. Although the Count appears to be in favor of this match for obscure reasons, he does not wish actually to broker it between Danglars and Andrea. This is another important yet nearly unnoticeable feature of the Count's behavior during his revenge plot. He does not wish to be the active agent who causes the marriage between Danglars's daughter and Andrea. It's not immediately clear why this is, but as we have seen in the Count's behavior toward Mercedes, it must have something to do with his desire to appear as merely an observer rather than an agent in the vengeance that falls upon the plotters.   Andrea gets word back home that Caderousse has refused his monthly "stipend" of 200 francs. Andrea goes to visit him in his little hut, where he is living as a "retired baker." There, Caderousse says that he has known Danglars and Fernand for many years, although Andrea cannot believe this is true. He says that he wishes to leave Paris, and to do this he needs a nest egg. He asks Andrea to draw a plan of the Count's house for him, which he does—it seems Caderousse is resolved to rob the Count while the Count is at Auteuil. Before Andrea leaves, Caderousse also asks that his monthly allowance be raised to 500 francs, and Andrea grudgingly agrees. Caderousse has turned from a passive participant in the villainy of others – as during the initial plot against Dantes – to an active plotter himself. He believes that the Count possesses enormous wealth, and he wants some of that wealth. He is willing to do anything he can to grab some of it, even if it means manipulating Andrea into being his accomplice. It seems that a life of crime suits Caderousse after all, and that in Paris he is willing to live out-and-out as a criminal.
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  • THE COUNT OF MONTE CRISTO (CHAPS 79-80)
    CHAP 79 THE LEMONADE still in a good mood, Maximilien walks to the Villefort home, where he is scheduled to meet with Valentine (who is now free of her engagement to Franz) and Noirtier. Valentine interprets for her grandfather and says that, either when she reaches the age of eighteen or if her father consents, she and Noirtier will move out of the house and Noirtier will serve as her protector. In these new lodgings, with Valentine's independent means from Noirtier and her maternal grandparents, she will receive Morrel as her official suitor, and if their relationship progresses, they can marry. Morrel is overwhelmed at this news and he thanks Noirtier deeply and profusely. Morrel believes he is one step closer to marrying Valentine. Morrel is frustrated that events do not move more quickly, but he is also motivated by conflicting desires. On the one hand, he loves and is devoted to Valentine because of her firmness of moral resolve; he does not want them to elope. On the other, he feels his love quite passionately, and worries that something might happen in the coming days that will make their marriage impossible – that other people might interfere with their happiness somehow.     Barrois, who is overheated from the summer's day, has a drink of the lemonade found in a jug in Noirtier's room. Suddenly, without warning, he falls over of a stroke, similar to that experienced by the Saint-Merans. The same doctor who warned Villefort of poisoning before happens to be in the house, tending to Edouard, and so he comes down to care for Barrois, but it is too late—he cannot be saved, and he dies of his seizure. The doctor confirms that the lemonade is poisoned by pouring it onto another chemical tincture, causing it to change color. At this incontrovertible proof, Villefort collapses into a chair, for there is "death in his house." This is an instance of vengeance that has been misplaced. The poisoner in the home, of course, did not intend to harm the servant Barrois, but instead to kill off Noirtier, who stands in the way of Valentine's marriage and her relationship to the other characters in the Villefort home. Although the reader might suspect that Mme de Villefort is the culprit, since she has much to gain from all these poisonings, Villefort himself remains baffled by the events in his home. CHAP 80  THE ACCUSATION' In this brief chapter, the doctor continues in his reasoning with Villefort, saying that it must be the case that someone in the house has poisoned the Saint-Merans and Barrois, trying, in the latter case, to poison and finally kill Noirtier. The doctor says that the only logical killer is Valentine—that she apparently did not wish to be married, and was disinherited for a time by Noirtier, and so must have been protecting whatever money would be coming her way from both parties. But while Villefort is momentarily swayed by this, he concludes that Valentine cannot be responsible for these murders, for she is too pure a spirit. The doctor leaves, saying he cannot work in that house anymore, as it is a house of death. A powerful instance of dramatic irony. While the reader may have guessed that Mme de Villefort is the culprit, the doctor seems to understand Valentine as the only logical answer. It is not clear why Valentine, who till this point has exhibited not a single negative emotion, could be a more plausible killer than Mme de Villefort, who seems devoted to her son's happiness above all else (including Valentine's wellbeing), but this is only to say that both the doctor and Villefort are blind to the events that are unfolding right in front of their eyes. Active Themes Justice, Revenge, and God's Will Theme Icon Love, Devotion, and Redemption Theme Icon Debt and Gratitude Theme Icon   The servants, too, begin to leave, and Villefort wonders what will become of the family. He notes that Valentine is desperately sad at what has taken place, thus confirming that she was not in fact responsible for the death. But at the very close of the chapter, Villefort sees a "thin smile" curl across his wife's lips, and he begins to wonder if it is perhaps Heloise who has been orchestrating the poisonings that are ruining his household and threatening its inhabitants.    
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    44:33
  • THE COUNT OF MONTE CRISTO (CHAP 78) PANNINA
    The chapter opens with Fernand de Morcerf meeting Danglars at the latter's home. Morcerf is there, finally, to confirm what the two men have discussed between themselves for eight years: that Albert is to marry Eugenie. But Morcerf is shocked to find out from Danglars that the banker is asking for a pause on the betrothal; it seems that Danglars wishes to marry Eugenie to another man. Morcerf is flabbergasted by Danglars' claim and wonders if it has something to do with his daughter (the narrator notes that Morcerf does not consider it might have something to do with him). Morcerf agrees to a deferral of the engagement until Danglars is allowed time to think matters through. Up until this point, Morcerf and Danglars have had an uneasy truce in Parisian society. It is hard to imagine that, many years ago, both these men were involved in a plot against Dantes, back when Danglars was just a ship's manager and Fernand a mere fisherman. Now, both men have their own reputations in Parisian society to protect. Like the Count, they have come very far from their humble origins—but both men realize that their individual reputations are at stake in a potential marriage between their kin, and Danglars wants to be sure he guarantees what he perceives to be a high position in society for his daughter.     In parallel, Albert finds the Count at a shooting range and asks him to be his second for a duel with Beauchamp, his former friend and a newspaper editor. The Count asks what is the matter, and Albert shows the Count a blind item from a recent edition saying that an officer named Fernand betrayed the Ali Pasha to the Turks, thus ensuring that the Greeks would lose decisively in their battle for independence. Albert declares that this item refers to his father, that it cannot be true, and that he therefore needs the Count to support him in dueling Beauchamp. The Count, however, advises caution, and says that Albert should first meet with Beauchamp and see if there is any truth to the accusation. Albert has uncovered a piece of important information regarding his father. Albert believes it is his duty, out of an abundance of devotion to his father, to fight a duel on Fernand's behalf. But the Count demonstrates a shade of complexity in his plot – for he realizes that he does not want Albert to fight a duel under false pretenses. In other words, the Count doesn't want Albert to die defending the honor of a man whom the Count really does want to suffer. This is a wrinkle in the revenge plot, which the Count may or may not have intuited from the beginning, but which he attempts now to influence.     At the newspaper office, Albert finds Beauchamp and aggressively asks that he retract the item, which Beauchamp himself didn't write. The journalist asks for three weeks to check the facts: if the item is correct, Beauchamp will stand by the story and duel with Albert; and if it is incorrect, he will apologize to Albert and issue a full retraction. Albert leaves impatiently, and spots Maximilien on the street, walking very happily along. Beauchamp is pulled in two directions, by divided loyalties. On the one hand, as a newspaper editor he believes he must be devoted to the truth at all costs, even if that truth puts a friend in a difficult position. On the other, Beauchamp is a good friend to Albert, and both men wish to preserve their social standing.  
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    50:44
  • THE COUNT OF MONTE CRISTO (CHAP 77) HAITEE
    Analysis Albert de Morcerf returns to the house of the Count of Monte Cristo, where, after some discussion, he says that he wishes to speak with Haydee, whose guzla-playing he hears in the other room. The Count warns Albert not to mention that his father, Fernand, served with Haydee's father, the Ali Pasha, in the Greek wars against the Turks—the Count intimates that this might cause Haydee to become upset. The Count repeats what he has told other characters throughout the novel to this point—that Haydee is his slave, and that he bought her to save her from another master in Constantinople after her father and mother died. Of course, Count the knows full well that by introducing Haydee and Albert he is setting in motion another stage of his plot. Once Albert realizes what his father has allegedly done to Haydee's father, he will begin to be curious about his family's lineage. The Count depends upon Albert's, and other citizens', investigations into the crimes Fernand has committed as a way of outing him as a fraud among Parisian high society. Active Themes Justice, Revenge, and God's Will Theme Icon Love, Devotion, and Redemption Theme Icon Debt and Gratitude Theme Icon The Domestic and the Foreign Theme Icon   The Count and Albert find Haydee in her chambers, where she is smoking her pipe and drinking coffee. Albert asks her about her life in Paris, but the Count directs Albert to ask instead about her childhood in the East. Haydee tells a story about fleeing with her mother from operatives who were spying on her father. These men, working for the Turks, wound up stabbing the Ali Pasha dead in front of Haydee, and eventually Haydee's mother died of grief from the ill treatment her husband received. This is another embedded narrative in the text. Here Haydee is the storyteller, and once again she supplies details of her life with which the characters in the room, and the reader, are not yet acquainted. Like Dantes, Haydee has suffered a great deal at a young age, and although the Count never states this directly, their misfortunes in youth are another bond linking these two figures together.     Haydee says that she is eternally grateful to the Count for saving her from whatever ill fate awaited her at the hands of the Turks in Constantinople. Albert apologizes for prompting so sad a tale as this, but the Count replies that Haydee likes to speak of her past, and that Albert, perhaps, has learned something about the Count's relationship to her. They finish their coffee and Albert departs. Now the Count has made sure that Albert knows just what happened to Haydee's family. All that is missing is the key link between Fernand and Haydee – which, the Count believes, will be supplied in short enough order. The Count understands that his plot against the Morcerfs has come close to fruition.
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    56:47
  • THE COUNT OF MONTE CRISTO (CHAP 76) PROGRESS OF CAVALCANTI THE YOUNGER
    One episode this week - voice bad due to pre-back surgery meds. Will be 100% next week. Danglers entertains the Count and tries to push young Cavalcanti on his daughter Eugenie even though he proised her to the patient Morcerf.
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    25:59

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Hosted by Jon Hagadorn, 1001 Stories For The Road is bringing back adventure with stories like "Treasure Island", "The Secret Adversary" by Agatha Christie, "The Hound of the Baskervilles", "Tarzan of the Apes", "King Solomon's Mines", "The 39 Steps", "The Call of the Wild"- and many more. These stories are classic for a reason- they are great! And they are family friendly. We appreciate reviews-thank you!
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