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Book making as an art form: exploring the boundaries

The Book Photographer
Book making as an art form: exploring the boundaries
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  • Book making as an art form: exploring the boundaries

    S2 Ep. 2 ArtEZ Press: Publishing Between Education and the World

    14-04-2026 | 29 Min.
    “The first moment you actually hold it in your hands… the smell of the printer ink comes out, and that’s a unique moment in the history of an object coming to life. When it’s first being opened, it reveals itself.”
    In this episode of Book Making as an Art Form, I speak with Minke Vos, publisher of ArtEZ Press at ArtEZ University of the Arts.
    For over 20 years, Minke has been working within the institute to develop publications where design and content strengthen one another. Alongside ArtEZ Press, she is also involved in APRIA, a platform for artistic research across text, sound, image, and experimental formats.
    In our conversation, Minke reflects on her long-standing role within the institution, the importance of sharing knowledge beyond its walls, and the unique position of publishing between education and the wider public. We also talk about the book as a sensory object, the value of slowness in the process, and how experimentation plays a role in shaping new forms of publishing.
    Together, we spoke about:
    Publishing as a bridge between education and the public
    Sharing knowledge from within the institute with the world
    The book as a sensory and performative object

    Tune in now to the conversation on publishing, research, and the life of a book.
    __________
    Produced and hosted by Justina Nekrašaitė | ⁠The Book Photographer⁠
    Audio productions: ⁠Drexhage Media ⁠| Jasper Drexhage
    Design: ⁠Thom Niessink⁠
    Recorded at Stedelijk Museum Library
    Communication & promotion: Chana Levy

    ❤️ Season 2 is supported by Pictoright, Het Cultuurfonds and many big-hearted individuals via Voordekunst.
    With particular appreciation to our principal supporters:
    Ruth Higgins, Luminosity Lab, Eleonoor Jap Sam / Jap Sam Books, Silvia Robertelli, Wilco Art Books Amersfoort, and Marc Gijzen.
  • Book making as an art form: exploring the boundaries

    S2 Ep. 1 Remco van Bladel: Books, Music, and the Systems That Shape Cultural Memory

    18-03-2026 | 29 Min.
    Welcome back to the podcast!

    In this episode, opening season 2 of Book Making as an Art Form, I speak with graphic designer and publisher Remco van Bladel about books, systems, and cultural memory.
    From growing up around a record shop and punk music, to co-founding Onomatopee and Archival Consciousness, Remco reflects on collaboration, the relationship between music and typography, and how publishing can become a tool for archiving knowledge.
    The conversation explores how books, archives, and digital systems shape the way culture is produced, organised, and remembered.

    Together, we spoke about:
    - Growing up around punk music, record sleeves, and drawing
    - Bookmaking as collaboration, just like playing in a band
    - Translating musical rhythm into typography and design systems
    - Building Archival Consciousness and new tools for cultural archives
    - Rethinking the book as both publication and archive

    Listen now to tune into the discussion about the significance of books outlasting people!

    __________
    Produced and hosted by Justina Nekrašaitė | ⁠The Book Photographer⁠
    Audio productions: ⁠Drexhage Media ⁠| Jasper Drexhage
    Design: ⁠Thom Niessink⁠
    Recorded at Stedelijk Museum Library
    Communication & promotion: Chana Levy

    ❤️ Season 2 is supported by Pictoright, Het Cultuurfonds and many big-hearted individuals via Voordekunst.
    With particular appreciation to our principal supporters:
    Ruth Higgins, Luminosity Lab, Eleonoor Jap Sam / Jap Sam Books, Silvia Robertelli, Wilco Art Books Amersfoort, and Marc Gijzen.
  • Book making as an art form: exploring the boundaries

    S1 Ep. 9 Tradition and sabotage: Michaël Snitker on rules, intuition, and book design

    29-12-2025 | 31 Min.
    In this last episode of Season 1 of Book Making as an Art Form: exploring the boundaries, I sit down with Michaël Snitker, Amsterdam-based graphic designer working across books, visual identities, and exhibitions for cultural institutions.
    Michaël’s practice blends clarity and complexity, modernist traditions and experimentation. Besides commissioned work, he initiates research projects and designs his own publications, often rooted in poetry and language.
    In our conversation, we explore:
    Growing up surrounded by art and poetry
    Fluxus as a lasting and intuitive influence
    Working across four pillars
    Trust, collaboration, and play as foundations of creative practice

    Inspired by the idea of tradition and sabotage, this episode reflects on bookmaking as a practice that balances rules with intuition, precision with imperfection, and legacy with experimentation.

    Produced by Justina Nekrašaitė | The Book Photographer
    Audio productions: Drexhage Media | Jasper Drexhage
    Design: Thom Niessink
    Recorded at Huis van het Boek

    Supported by Mondriaan Fund, L. van Heek Textiles, Luminosity Lab, Marc Gijzen, n.k.g. publications, Jeremy Jansen, Jesse Presse, Jap Sam Books, Michaël Snitker
  • Book making as an art form: exploring the boundaries

    S1 Ep. 8 The emotional life of a book with Luminosity Lab

    09-12-2025 | 24 Min.
    In this episode of Book making as an art form: exploring the boundaries, I sit down with Caleb Cain Marcus, creative director of Luminosity Lab, a Brooklyn-based design studio. He is known for making books that are not just objects but experiences.
    Shaped by a childhood in the mountains of Colorado and a background in poetry, photography, and printing, Caleb shares his reflections on:
    Looking and curiosity as a lifelong practice
    Moving from poetry and photography into book design
    Why does he produce his books in Europe
    Cultural support, budgets, and the ecosystems around bookmaking
    It’s a joyful conversation about attention, emotion, and the power of books.

    Produced by Justina Nekrašaitė | The Book Photographer
    Audio productions: Drexhage Media | Jasper Drexhage
    Design: Thom Niessink
    Recorded at Huis van het Boek

    Supported by Mondriaan Fund, L. van Heek Textiles, Luminosity Lab, Marc Gijzen, nkg publications, Jeremy Jansen, Jesse Presse, Eleonoor Jap Sam

    Croudfunding now: https://www.voordekunst.nl/projecten/20394-podcast-book-making-as-an-art-form
  • Book making as an art form: exploring the boundaries

    S1 Ep. 7 Publishing with care: Eleonoor Jap Sam on books as slow objects

    11-11-2025 | 24 Min.
    In this episode of Book Making as an Art Form: Exploring the Boundaries, I sit down with Eleonoor Jap Sam, founder of Jap Sam Books a publishing house where books are treated as slow, living objects.
    With over two decades of experience, Eleonoor shares her reflections on:
    • Curiosity as the heart of being
    • The invisible care behind every book
    • Sustainability, budgets, and creative freedom
    • Balancing leadership, motherhood, and legacy

    It's a gentle conversation about what it means to publish with care, stay generous in the process, and see each book as a carrier of knowledge, ideas, and inspiration.

    Produced by Justina Nekrašaitė | The Book Photographer
    Audio productions: Drexhage Media | Jasper Drexhage
    Design: Thom Niessink
    Recorded at Huis van het Boek

    Supported by Mondriaan Fund, L. van Heek Textiles, Luminosity Lab, Marc Gijzen, nkg publications, Jeremy Jansen, Jesse Presse, Eleonoor Jap Sam

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Over Book making as an art form: exploring the boundaries

Book making as an art form is for those who create, shape, and believe in books as a powerful medium. Recorded live with a public event, this podcast is a love letter to the world of art books - where creativity, craft, and dedication meet. Hosted by The Book Photographer and curator Justina Nekrašaitė, each episode celebrates the people who bring books to life with their hands, hearts, and ideas. Season 2 supported by Pictoright, Het Cultuurfonds, and many big-hearted individuals via Voordekunst. Season 1 supported by The Mondriaan Fonds.
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