24. David Shire's Noir Film Music (1974-76), with John Leman Riley
The great film composer and songwriter David Shire turns 88 today. To celebrate, I am joined by film music historian John Leman Riley to look at some of Shire's classic 1970s Neo-Noir music scores, including:
THE TAKING OF PELHAM ONE TWO THREE (Sargent, 1974)
THE CONVERSATION (Coppola, 1974)
FAREWELL, MY LOVELY (Richards, 1975)
ALL THE PRESIDENT'S MEN (Pakula, 1976)
For more information about the life and work of David Shire, please visit his homepage at: http://davidshiremusic.com/
John Leman Riley’s career has embraced photography, librarianship, archiving, teaching and lecturing, academic writing and editing, as well as journalism, reviewing, exhibition catalogues, CD and DVD notes and the like. Often focusing on film and film music, classical music, and Eastern European culture, he has been published by Cambridge, Oxford and Edinburgh University Presses, Routledge, Greenwood, BFI, Rough Guides and others.
Highlights include Dmitri Shostakovich: a Life in Film (Tauris), Discover Film Music (Naxos) for which he curated two accompanying CDs of excerpts, Sound at the Film Society, (“The Sound of the Silents in Britain”, OUP), Keeping the Icons on the Wall: Shostakovich’s Cinema and Concert Music (“Dmitrij Šostakovič tra Musica, Letteratura e Cinema”, Leo S Olschki), Soviet Cinema: Between Art and Propaganda (Cité de la Musique, Paris, and Caja Madrid), Stalin (and Lenin) at the Movies (“Contemplating Shostakovich: Life Music and Film”, Ashgate), and Live Cinema: Silent Film, Orchestral Accompaniment and the Special Event (“Archival Film Festivals”, Edinburgh UP).
He regularly writes for and is Reviews Editor of the DSCH Journal (www.dschjournal.com) and was the English Language editor for Apparatus Journal (https://www.apparatusjournal.net/index.php/apparatus).
In From the Woods to the Cosmos, on the Severin BluRay release of Viy, he discusses Russian and Soviet horror and sci-fi cinema.
Commissioned by the South Bank Centre, he wrote, produced and directed Shostakovich: My Life in Film, telling the story of the composer’s film career with an orchestra playing the scores to film clips. Shostakovich was played by Simon Russell-Beale in London and, at the Komische Oper, Berlin, by Ulrich Matthes (Goebbels in Der Untergang).
He writes at https://johnlemanriley.substack.com/
Netherlands