Upaya Zen Center's Dharma Podcast

In this Wednesday Night Dharma Talk, delivered on the eve of the 15th anniversary of her twin sister Ellie’s passing, novice priest Jimon Lorene Flaming tenderly opens the bittersweet space of her sister’s life and death.

Jimon traces Ellie’s path — a woman who lived entirely on her own terms, spending her life in nature, deeply embodied, trusting the flow of life — and the shock of losing not just a sibling, but a twin. Alongside grief came something unexpected — awe, mystery, and the falling away of everything but the present moment: “This is so big that I must go toward it. I must fully meet it and not defend against it.”

Drawing on Maezumi Roshi’s Appreciate Your Life and Dogen’s teaching that “There is death in the midst of life, and there is life in the midst of death,” Jimon explores three threads: that unity is always abiding; how ideas and judgments create separation from reality; and intimacy as the heart of the teachings. Through the expression of her own intimacy with love and loss, Jimon invites us into the fragile, luminous ground where life is most fully met.

In this Wednesday Night Dharma Talk, Sensei Fushin takes us through the currents of the Buddha’s raft metaphor — where practice becomes binding together grass, twigs, and branches to cross from a shore that is dangerous and fearful to one that is safe. Drawing on Dogen’s Uji (Being-Time), Fushin challenges the notion of completion, suggesting there is actually no shore to rest on: “There’s no shore to reach, and there’s no clean sequence of this crossing and this river and this arrival.” Blending the relative and absolute, Fushin turns us away from the notion of a distant destination: “The raft and the shore aren’t two different places. They never were.”

Through stories of a dying chemistry professor’s unguarded joy, a crisis counselor named Janice whose presence asked nothing, a climbing partner’s quiet word at a frozen moment, and his grandmother’s overcooked roast served as pure love, Fushin traces how we become rafts for each other without knowing it. “Sometimes we build the raft, sometimes we’re carried by it, and sometimes we’re someone else’s raft without even knowing it.”

In the 1st part of this closing session of Planting Life, Alonso Mendez — archaeoastronomer, artist, and farmer — opens a window into the ancient Maya wisdom of corn and cosmos. Drawing on twenty years of research at Palenque and recent discoveries still unpublished, Alonso traces the deep roots of a civilization shaped by maize. Our teeth, he observes, are corn seeds — teeth surviving centuries in caves, mistaken by ancestors for ancestral bones, gave rise to the Maya understanding of corn as ancestor; in Spanish today, peeling back a corn’s husk is still called pelando la mazorca — we are smiling. Alonso brings to this work a lifetime of listening — to the land, to the sky, to the ancestors whose knowledge is still surfacing. Among his subtly provoking revelations: a farmer resting his planting stick at noon, watching its shadow disappear as the sun centered overhead, discovering the zenith passage — the beginning of astronomical science. And the 365-day solar calendar, Alonso reveals, encodes two gestational cycles: corn’s 105-day cycle from planting to harvest, and the human gestation of 260 days — “divinely linked together.”

Roshi Joan Halifax and Wendy Johnson then gather the community around what has been given and what is now owed — carrying these seeds of awakening, Roshi urges, not just back into our gardens but into a world that urgently needs demilitarizing, in both the global and the personal sense.

And in this, the 2nd part of this closing session of Planting Life, Roshi Joan Halifax and Wendy Johnson gather the community around what has been given and what is now owed — carrying these seeds of awakening, Roshi urges, not just back into our gardens but into a world that urgently needs demilitarizing, in both the global and the personal sense.

To access the resources page for this program, please sign up by clicking here.

In the 1st part of this closing session of Planting Life, Alonso Mendez — archaeoastronomer, artist, and farmer — opens a window into the ancient Maya wisdom of corn and cosmos. Drawing on twenty years of research at Palenque and recent discoveries still unpublished, Alonso traces the deep roots of a civilization shaped by maize. Our teeth, he observes, are corn seeds — teeth surviving centuries in caves, mistaken by ancestors for ancestral bones, gave rise to the Maya understanding of corn as ancestor; in Spanish today, peeling back a corn’s husk is still called pelando la mazorca — we are smiling. Alonso brings to this work a lifetime of listening — to the land, to the sky, to the ancestors whose knowledge is still surfacing. Among his subtly provoking revelations: a farmer resting his planting stick at noon, watching its shadow disappear as the sun centered overhead, discovering the zenith passage — the beginning of astronomical science. And the 365-day solar calendar, Alonso reveals, encodes two gestational cycles: corn’s 105-day cycle from planting to harvest, and the human gestation of 260 days — “divinely linked together.”

Roshi Joan Halifax and Wendy Johnson then gather the community around what has been given and what is now owed — carrying these seeds of awakening, Roshi urges, not just back into our gardens but into a world that urgently needs demilitarizing, in both the global and the personal sense.

To access the resources page for this program, please sign up by clicking here.

In this fifth session of Planting Life, Roshi Joan Halifax gathers the community around Wendell Berry’s poem “The Person Born to Farming” — reading it aloud, line by line, drawing participants into its imagery of soil as divine drug, of entering death yearly and coming back rejoicing. The poem becomes a lens for the day’s planting, and a doorway into the concept of sympoiesis — the understanding that nothing arises alone, that an oak tree doesn’t just come from an acorn, but from the sun, water, earth, mycelium, and air making something together. Roshi walks the community through a photographic history of Upaya’s canyon from 1920 to the present — bare bean fields, denuded slopes, and the slow return of ponderosas, pollinator meadows, and wildlife — living proof that staying the course transforms a place. For Roshi, rewilding the land and rewilding ourselves are the same practice: “We can not only rewild ourselves, but we rewild the places that we live in. It is the spirit of our practice to do exactly that.”

To access the resources page for this program, please sign up by clicking here.