New Books in Science, Technology, and Society

Between
the fifteenth and early seventeenth centuries, European painting
underwent a profound transformation as artists increasingly painted on
canvas instead of wood or walls. Nowhere was more important to this
shift than Venice, where painters experimented with canvas with
remarkable creativity and innovation. In Venetian Canvas and the Transformation of Painting (Princeton
University Press, 2026), Dr. Cleo Nisse investigates why Venetian
artists adopted canvas and how it revolutionized their art between 1400
and 1600. Intertwining approaches from art history and art
conservation, and
featuring stunning new photographs that show details as never before,
the book presents groundbreaking research based on close study of
Venetian artworks, archival sources, art-making treatises, and early
modern art criticism. It sheds new light on the materiality of early
modern canvas, its production and supply, and the influence of climate
on its use. The book offers fresh interpretations of iconic works and
important concepts such as pittura di macchia and non finito, and
demonstrates how canvas contributed to the radical new style of painters
such as Titian, Tintoretto, and Veronese. But above all else, it shows
how canvas changed the making and meaning of paintings. 

This interview was conducted by Dr. Miranda Melcher whose book
focuses on post-conflict military integration, understanding treaty
negotiation and implementation in civil war contexts, with qualitative
analysis of the Angolan and Mozambican civil wars. You can find
Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. 
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In Chilling Effects: Repression, Conformity, and Power in the Digital Age (Cambridge UP, 2025), Jonathon W. Penney explores the increasing weaponization of surveillance, censorship, and new technology to repress and control us. With corporations, governments, and extremist actors using big data, cyber-mobs, AI, and other threats to limit our rights and freedoms, concerns about chilling effects – or how these activities deter us from exercising our rights – have become urgent. Penney draws on law, privacy, and social science to present a new conformity theory that highlights the dangers of chilling effects and their potential to erode democracy and enable a more illiberal future. He critiques conventional theories and provides a framework for predicting, explaining, and evaluating chilling effects in a range of contexts. Urgent and timely, Chilling Effects sheds light on the repressive and conforming effects of technology, state, and corporate power, and offers a roadmap of how to respond to their weaponization today and in the future.

You can find more information about Jon at his website: https://jonpenney.com/

Jake Chanenson is a computer science Ph.D. student and law student at the University of Chicago. Broadly, Jake is interested in topics relating to HCI, privacy, and tech policy. Jake’s work has been published in top venues such as ACM’s CHI Conference on Human Factors in Computing Systems.
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Landscape architecture is at a crossroads. The ability to draw upon
interdisciplinary perspectives and generate insights from the combined
vantage points of design, environmental studies, and the social sciences
puts it in a prime position to address the most pressing issues of our
time, such as climate change and social inequality. Its current reliance
on digital and technological solutions, however, has increasingly
caused landscape architects to lose sight of the ways in which humans
actually use spaces. And while landscapes are designed all over the
world, the discipline remains inordinately centered on the Global North.
Dr. Gareth Doherty's Landscape Fieldwork: How Engaging the World Can Change Design (University of Virginia Press, 2025) alters
that long-standing paradigm through real-life examples that provide
tools for practitioners to engage more deeply with multidimensional,
diverse landscapes and the communities that create, live in, and use
them.
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In her recent publication, Hidden Heretics: Jewish Doubt in the Digital Age, scholar Ayala Fader tells the fascinating, often heart-wrenching stories of married ultra-Orthodox Jewish men and women in twenty-first-century New York who lead “double lives” in order to protect those they love. Drawing on five years of fieldwork with those living double lives and the rabbis, life coaches, and religious therapists who minister to, advise, and sometimes excommunicate them, Fader investigates religious doubt and social change in the digital age. In following those living double lives, who range from the religiously observant but open-minded on one end to atheists on the other, Fader delves into universal quandaries of faith and skepticism, the ways digital media can change us, and family frictions that arise when a person radically transforms who they are and what they believe.

Join YIVO for a discussion of this recent publication featuring Fader in conversation with Josh Lambert, professor and director of the Jewish Studies Program at Wellesley College.

Buy the book: here

This book talk originally took place on September 22, 2022.
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Félix Nadar took the first aerial photograph in 1858, so the story goes. The evidence, Emily Doucet notes, is mixed. In Inventing Nadar: A History of Photographic Firsts (Duke UP, 2026), Doucet analyzes the historical and material production of the nineteenth-century Parisian photographer’s famous and numerous photographic firsts. Focusing on these oft-labeled groundbreaking elements of his career, she deconstructs Nadar’s legacy as a prime protagonist in the history of photography by interrogating the media techniques used to construct his invention narratives. Doucet highlights this highly mediated process as one that canonized novel applications of photography as discrete techniques with single authors and inventors. Looking to this process of mediation through the institutions and individuals that shaped Nadar’s archives, Doucet unpacks assumptions of Nadar as a master of early photography and shows how the medium is enmeshed in larger histories of media, science, and technology. The result is both a new account of Nadar’s place in photographic history and a critical study of how stories of innovation take shape.
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