New Books in Science, Technology, and Society

The 21st Century in 100 Games (Routledge India, 2024) is an interactive public history of the contemporary world. It creates a ludological retelling of the 21st century through 100 games that were announced, launched and played from the turn of the century.

Aditya Deshbandhu is a Lecturer of Communications, Digital Media Sociology at the University of Exeter, UK. A researcher of video game studies, new media, and the digital divide, he examines how people engage with digital artefacts and seeks to understand how these interactions shape everyday lives. As someone who actively examines digital acts of leisure, his
research in the last decade has examined social media and streaming
platforms alongside video games and digital cultures. He is also the
author of Gaming Culture(s) in India: Digital Play in Everyday Life and also serves as an editor for this book series.

Khadeeja Amenda is a PhD candidate in the Department of Communication and New Media at the National University of Singapore, Singapore.
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How the sound of the female playback voice impacts Bollywood's cultural, musical, and cinematic environment.

Drawing on sound studies and performance theory, scholar Shikha Jhingan explores the discursive nature of the female playback voice in Bombay film songs in The Female Playback in Bombay Cinema: Voice, Body, Technology (Wayne State UP, 2025). Mapping the production, circulation, and reception of the voices of singing stars—notably Lata Mangeshkar and Asha Bhosle—Jhingan situates the singing voice as a cinematic object with limitless possibilities of distribution and dispersal. She employs the perspectives of a diverse range of listeners across a vast media landscape to illustrate how the affective charge of the female playback voice, combined with developments in audio technology, has led to a gradual expansion of opportunities for women in film, popular music, and media and audio production. With nuanced exploration of the way the human voice becomes intertwined with devices such as the microphone, radio, cassettes, and digital technologies, Jhingan argues for the sonic excess of the female voice beyond the narrative and visual. The Female Playback in Bombay Cinema is an authoritative addition to the field of sound studies with implications for gender studies, performance studies, and cinema studies.
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We were joined by Professor Margaret O’Mara of the University of Washington, who had a front row seat to the Clinton campaign and went on to become an expert in the history of information technology and Silicon Valley.
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How queer men in Kazakhstan navigate dating apps in a context of stigma, surveillance, and limited legal protections. It shows how platforms like Grindr, Hornet, Tinder, and VKontakte function as spaces where trust, visibility, and safety must be continuously negotiated.

This episode explores how queer men in Kazakhstan navigate dating apps in contexts shaped by stigma, surveillance, and limited legal protections. Drawing on interviews and platform analysis in Shymkent and Almaty, the research challenges the idea of dating apps as neutral or purely liberating spaces, showing instead how they function as ‘ambivalent infrastructures’ where connection is always intertwined with risk. Rather than simple tools for meeting partners, apps like VKontakte, Grindr, Hornet, and Tinder are used as distinct social environments that require careful interpretation and strategy. Users constantly assess authenticity, safety, and potential harm, often moving across multiple platforms, starting with apps, then shifting to messaging services like WhatsApp or Telegram, and using calls and additional checks to verify identity before meeting offline. Set against Kazakhstan’s broader socio-political context, where queer visibility can lead to harassment, outing, or violence, the episode highlights how digital intimacy becomes a form of ongoing risk management. It ultimately reframes dating apps not as spaces of free connection, but as complex systems where trust, visibility, and safety must be continuously negotiated.

Yerkebulan Sairambay is a scholar at risk based at the Centre for Oriental studies in the University of Tartu (Estonia). His research interests involve, but are not limited to, the following areas of expertise: political participation, new media, civil society, climate change, clan politics, democratisation, queer studies, academic freedom, transitional justice, and nation- and state- building with a particular focus on the countries of post-communist Europe and former Soviet Union. He holds a PhD in Sociology from the University of Cambridge, and IMRCEES Erasmus Mundus Master’s Double Degrees in Russian, Central and East European studies (University of Glasgow) and political science (Corvinus University of Budapest).

The Nordic Asia Podcast is a collaboration sharing expertise on Asia across the Nordic region, brought to you by the Nordic Institute of Asian Studies (NIAS) based at the University of Copenhagen, along with our academic partners: the Centre for East Asian Studies at the University of Turku, and Asianettverket at the University of Oslo.
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Imperial Science, the Organic Movement and the Path to Shangri La, 1900-1969 (UCL Press, 2026) is a global history project that examines the diffusion of scientific
and environmental discourses from India to Britain and the US.

Ashok Malhotra examines how imperial agendas and colonial stereotyping shaped
dietary and agricultural research carried out in the 1920s in British
India, from soil protection initiatives to studies of diet and healthy
living. It also discusses how a selective interpretation of this
research, which focused on the supposed vigor of one community, the
Hunzas, influenced the organic and lifestyles movements that later
emerged in Britain and the US from the 1940s to the 1960s.

Ashok Malhotra is a senior lecturer in British imperial history at Queen's University Belfast.

Crawford Gribben is a professor of history at Queen’s University Belfast.
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