New Books in Critical Theory

• Carl Rhodes, "Stinking Rich: The Four Myths of the Good Billionaire" (Policy Press, 2025)

  Billionaires are an ultra-elite social class whose numbers are growing alongside their obscene wealth while others struggle, suffer or even die. They represent a scourge of economic inequality, but how do they get away with it? A set of dangerous and deceptive inter-connected myths portrays them as a ‘force for good’: -the ‘heroic billionaire’ asserts they are gallant protagonists of the American Dream gone global -the ‘generous billionaire’ pretends that their philanthropic efforts and personal good deeds should be lauded for generosity and benevolence -the ‘meritorious billionaire’ insists that extreme wealth is a worthy reward for individual hard work and talent -the ‘vigilante billionaire’ claims to be able to solve the world’s biggest problems where bureaucrats and politicians have failed. Each of these myths enables billionaire wealth and power to set us back to old-style feudalism and plutocracy. Offering a trenchant critique, Stinking Rich: The Four Myths of the Good Billionaire (Policy Press, 2025)testifies to the growing international political will to take concrete actions in supporting economic justice and democratic equality. Carl Rhodes is Professor of Organization Studies at the University of Technology Sydney. He researches the ethical and democratic dimensions of business and work. Carl regularly writes for the mainstream and independent press on issues related to ethics, politics and the economy. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube channel. Twitter. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

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• Robert G. Morrison, "Merchants of Knowledge: Intellectual Exchange in the Ottoman Empire and Renaissance Europe" (Stanford UP, 2025)

  Between 1450 and 1550, a remarkable century of intellectual exchange developed across the Eastern Mediterranean. As Renaissance Europe depended on knowledge from the Ottoman Empire, and the courts of Mehmed the Conqueror and Bayezid II greatly benefitted from knowledge coming out of Europe, merchants of knowledge—multilingual and transregional Jewish scholars—became an important bridge among the powers. With this book, Robert Morrison is the first to track the network of scholars who mediated exchanges in astronomy, astrology, Qabbalah, and philosophy. Their books, manuscripts, and acts of translation all held economic value, thus commercial and intellectual exchange commingled—knowledge became transactional as these merchants exchanged texts for more intellectual material and social capital. While parallels between medieval Islamic astronomy and the famous heliocentric arrangement posited by Copernicus are already known, Morrison reveals far deeper networks of intellectual exchange that extended well beyond theoretical astronomy and shows how religion, science, and philosophy, areas that will eventually develop into separate fields, were once interwoven. The Renaissance portrayed in Merchants of Knowledge: Intellectual Exchange in the Ottoman Empire and Renaissance Europe (Stanford UP, 2025) is not, from the perspective of the Ottoman Muslim contacts of the Jewish merchants of knowledge, hegemonic. It's a Renaissance permeated by diversity, the cultural and political implications of which the West is only now waking up to. Robert G. Morrison is a professor at Bowdoin College. He is the author of The Light of the World: Astronomy in al-Andalus (2016). Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: https://www.youtube.com/user/a48266/videos Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

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• Jyotsna G. Singh, "Shakespeare and Postcolonial Theory" (Bloomsbury, 2019)

  My guest today is Jyotsna Singh, Professor Emerita of English at Michigan State University. She has written numerous books including Colonial Narratives/Cultural Dialogues: “Discovery” of India in the Language of Colonialism (Routledge), and The Weyward Sisters: Shakespeare and Feminist Politics (Blackwell), which is co-authored with Dympna Callaghan and Lorraine Helms. She has also edited A Companion to the Global Renaissance: Literature and Culture in the Era of Expansion, 1500-1700 (Wiley-Blackwell), which has gone through two editions. She was among a handful of early scholars who illuminated Shakespeare’s works within non-western, non-canonical contexts. One such example is her early essay about Shakespeare in India, “Different Shakespeares,” originally published in Theatre Journal in 1989, and then expanded on and reprinted in Colonial Narratives/Cultural Dialogues. Shakespeare and Postcolonial Theory (Bloomsbury, 2019) tells the story of the academic study of the cultural legacy of European colonialism, showing how the literature of former colonial powers represented and often distorted colonial history and how, in turn, colonized peoples articulated and reclaimed their identity and history by interrogating European culture and history. Singh’s book shows how our reading of Shakespeare’s plays such as ‘The Tempest,’ ‘Hamlet,’ and ‘Othello’ has been forever changed by theater practitioners and scholars alike, while making a a persuasive case that postcoloniality continues to have a unique, still-unfolding relevance on how we read. In part, Singh’s book also memorializes the struggle of scholars for legitimacy within a sometimes-hostile field. Author of the article on The Tempest mentioned at around 35:40 is as follows: Leininger, Lorie Jerrell. "The Miranda trap: Sexism and racism in Shakespeare's The Tempest." The Tempest. Routledge, 2013. 223-230 (first published in 1980). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

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• Myles Lennon, "Subjects of the Sun: Solar Energy in the Shadows of Racial Capitalism" (Duke UP, 2025)

  In the face of accelerating climate change, anticapitalist environmental justice activists and elite tech corporations increasingly see eye to eye. Both envision solar-powered futures where renewable energy redresses gentrification, systemic racism, and underemployment. However, as Myles Lennon argues in Subjects of the Sun: Solar Energy in the Shadows of Racial Capitalism (Duke University Press, 2025), solar power is no less likely to exploit marginalized communities than dirtier forms of energy. Drawing from ethnographic research on clean energy corporations and community solar campaigns in New York City, Lennon argues that both groups overlook solar’s extractive underside because they primarily experience energy from the sun in the virtual world of the cloud. He shows how the material properties of solar technology—its shiny surfaces, decentralized spatiality, and modularity—work closely with images, digital platforms, and quantitative graphics to shape utopic visions in which renewable energy can eradicate the constitutive tensions of racial capitalism. As a corrective to this virtual world, Lennon calls for an equitable energy transition that centers the senses and sensibilities neglected by screenwork: one’s haptic care for their local environment; the full-bodied feel of infrastructural labor; and the sublime affect of the sun. Myles Lennon is Dean's Assistant Professor of Environment and Society and Anthropology at Brown University. Alec Fiorini is a PhD student at Queen Mary University London's Centre for Labour, Sustainability and Global Production (CLaSP). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

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• John Eldevik, "Reading Prester John: Cultural Fantasy and Its Manuscript Contexts" (Arc Humanities Press, 2024)

  Reading Prester John: Cultural Fantasy and its Manuscript Contexts by John Eldevik During the Middle Ages, many Europeans imagined that there existed a powerful and marvel-filled Christian realm beyond the lands of Islam ruled by a devout emperor they called “Priest John,” or “Prester John.” Spurred by a forged letter that mysteriously appeared around 1165 and quickly “went viral” in hundreds of manuscripts across Western Europe, the legend of Prester John and his exotic kingdom was not just a utopian fantasy, but a way to bring contemporary political and theological questions into sharper focus. In this new study, John Eldevik shows how the manuscripts that transmitted the story of Prester John reflect the ways contemporary audiences processed ideas about religious conflict and helped them imagine a new, global dimension of Christianity. It includes an appendix with a new translation of the B recension of The Letter of Prester John. John Eldevik is Professor of History at Hamilton College in Clinton (New York State), and has previously published on medieval social and religious history. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.   YouTube Channel: https://www.youtube.com/user/a48266/videos Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory

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