New Books in Critical Theory

This material and theoretical history of seriality shows it to be the
dominant form of culture since its inception within 19th-century print
culture, as both a media structure and a psychic one.

The serial
is everywhere. Commonly identified by the segmented release structure of
an ongoing narrative—from installments of Victorian novels to TV
episodes to comic books—seriality names the spread of installment-based
storytelling across a range of media. However, Ryan Engley argues that
seriality is not only a narrative structure but also a psychic
structure. Seriality—in its dependence on gaps, delay, and
constraint—names the fundamental trauma of contemporary life: that there
exists an intrinsic relation between self and other, a relation that is
often difficult to see and difficult to bear.

Through formal
readings of media texts alongside Freudian and Lacanian psychoanalysis,
the dialectical method of G.W.F. Hegel, and Jean-Paul Sartre's
existentialism, Seriality: Media and the Psychic Form of Everyday Life (Bloomsbury, 2026) shifts
the focus of seriality studies. In so doing, Engley presents a rebuttal
to the common refrain that our lives, like contemporary media, have
become endlessly fragmented. Rather, Engley finds, we have become
radically—serially—connected.

Ryan Engley
is Assistant Professor of Media Studies at Pomona College, USA, where
he teaches and researches the intersection of psychoanalytic theory and
media studies. Along with Todd McGowan, Engley co-hosts the podcast Why Theory, which brings Continental philosophy and psychoanalytic theory together to examine contemporary phenomena.

Helena Vissing,
PsyD, SEP, PMH-C is a Licensed Psychologist practicing in California
and Associate Professor at California Institute of Integral Studies. She
can be reached at contact@helenavissing.com. She is the author of Somatic Maternal Healing: Psychodynamic and Somatic Treatment of Trauma in the Perinatal Period (Routledge, 2023).
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Architecture and Choreography: Collaborations in Dance, Space and Time (Routledge, 2024) examines the field of archi-choreographic experiments: unique interdisciplinary encounters and performed events generated through collaborations between architects and choreographers. Forty case studies spanning four decades give evidence of the range of motivations for embarking on these creative endeavors and diverse conceptual underpinnings, generative methods, objects of inquiry, and outcomes. Architecture and Choreography builds histories and theories through which to examine these works, the contexts within, and processes through which the works emerged, and the critical questions they raise about ways to work together, sites and citations, ethics and equity, control and agency.

Three themes frame pairs of chapters. The first addresses disciplinarity through works that critically reflect upon their discipline’s tools, techniques, and conventions juxtaposed against projects that cite or use other art forms and cultural phenomena as source material. The second interrogates space and the role of spatial dispositifs, institutions, and sites, and their hidden and not-so-hidden conditions, as conceptual drivers and structures to subvert, trouble, unsettle, remember. The third asks who and what dances, finding a spectrum from mobilized architectural bodies to more than human cybarcorps. Modes of collaboration and the temporalities and life cycles of projects inform bookending chapters.

Architecture and Choreography offers vital lessons not only for architects and choreographers but also for students and practitioners across design and performance fields.
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Baudelaire's Objects (Bloomsbury,
2026) examines Baudelaire's multifaceted use of natural, domestic,
urban, and esthetic objects in his verse and prose poetry, as well as
the ways his poems reshape our understanding of objects and how those
objects destabilize, yet preserve, the subject-object relation. Charles
Baudelaire's representation of objects in the natural world establishes a
relation that is neither one of identity between human subject and
nature nor a relation of domination; he reveals both the natural world
and the human subject to be characterized by an irreducible doubleness
and nonidentity to itself. Likewise, everyday domestic objects in his
poems overflow their boundaries as simple metaphors; their often uncanny
aspect highlights their quasi-agency as they define and shape the
subject who interacts with them.

Baudelaire's poems-as-objects
also take on this kind of agency, acting upon readers in ways that both
require and surpass attempts to grasp the poems conceptually as art
objects for analysis. This reshaping of subjectivity and objectivity
acquires increased intensity in his urban poetry, where city objects are
at the intersection of the mythic, the historical, the esthetic, and
the commercial.

Baudelaire's Objects shows
how paying attention to objects differently, as Baudelaire's poems impel
readers to do, is to reorient ourselves in the world by giving objects
their due, recognizing the mediating qualities both of objects and of
the language with which we represent or create them. We can thus
reinvent our understanding of the limits and potential of human
subjectivity as it is inextricably intertwined with the world around us.

Guest
Joseph Acquisto is Professor of French and Director of the School of
World Languages and Cultures at the University of Vermont. He writes on
nineteenth- and twentieth-century literature with a particular focus on
the intersections of literature with philosophy and music. In addition
to Baudelaire's Objects, Dr. Acquisto’s books include French Symbolist Poetry and the Idea of Music, The Fall Out of Redemption: Writing and Thinking Beyond Salvation in Baudelaire, Cioran, Fondane, Agamben, and Nancy, Poetry’s Knowing Ignorance, Living Well with Pessimism in Nineteenth-Century France, and Reading Baudelaire with Adorno: Dissonance, Subjectivity, Transcendence.

Host
Gina Stamm is Associate Professor of French at The University of
Alabama, with research concentrated on the environmental humanities and
speculative literatures of the 20th and 21st centuries, from Surrealism
to contemporary science fiction and feminist utopias, in Metropolitan
France and the francophone Caribbean, with a book manuscript under
review on posthumanist ecological engagement in the surrealist movement.
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Eric Hobsbawm (1917–2012) was one of the foremost European
intellectuals of the twentieth century. He published hundreds of
articles on modern history and culture, and his books became canonical
works and bestsellers on both sides of the Atlantic. His crystal-clear
writing, vast erudition, and ability to make his Marxist analysis
digestible to a wide audience brought him worldwide renown. Yet Hobsbawm
was no academic hermit. Through his globetrotting journalism, he was
embedded in an extraordinary web of politicians, activists, and fellow
intellectuals across Europe, South Asia, and the Americas, including
Manmohan Singh, Che Guevara, Luiz Inácio Lula da Silva, Fernand Braudel,
E. P. Thompson, Arno Mayer, and Salvador Allende.

In The Age of Hobsbawm: The Life of a Revolutionary Historian (Harvard University Press, 2026), Emile Chabal
traces the origins of Hobsbawm’s ideas and most famous writings by
exploring his scholarly foundations, delving deep into the archives to
uncover hidden links and unexpected conversations that shaped his
pathbreaking work. Going well beyond the Ages series of modern
history books for which Hobsbawm is best known, Chabal offers the first
substantial interpretation of Hobsbawm’s entire body of writing. Indeed,
The Age of Hobsbawm is also a trove of unique insights into
the generations of Marxist writers with whom Hobsbawm was in
conversation—authors whose work continues to shape political debates
globally.
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Ganja
is the popular name in Hindustani, Bengali, and other South Asian
languages for intoxicating substances produced from the plant species
Cannabis sativa L. Starting in the eighteenth century, British India's
colonial administrators sought ways to systematically tax and govern how
ganja circulated from the farms of peasant families in rural Bengal to pipes, plates, and cups elsewhere in the subcontinent.

Ganja Matters: Empire and the Pursuits of Cannabis in British India
(University of California Press, 2026) is an open-access book that
follows the perpetual incongruity between regulatory efforts to pursue
the plant through botanical observation, colonial reportage, and excise
statistics and the leisurely, devotional, and creative ganja pursuits
among people. Dr. Utathya Chattopadhyaya offers a social history of
ganja in a multispecies framework that reveals how the cannabis plant
co-constituted histories of empire, gender, subalternity, and labor
under British rule. Against the weight of the criminalization and
"drug-ness" of cannabis, Dr. Chattopadhyaya puts the multidirectional
and polysemic history of ganja as plant matter at the center of
analysis.

This interview was conducted by Dr. Miranda Melcher whose book
focuses on post-conflict military integration, understanding treaty
negotiation and implementation in civil war contexts, with qualitative
analysis of the Angolan and Mozambican civil wars. You can find
Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. 
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