New Books in Technology

Projecting Knowledge: The Optical Lantern and Science Communication, 1880s-1940s (Brepols, 2026) takes one of those fundamental questions - how does knowledge circulate? - and says, like others: we must look at the media technologies through which that knowledge not only circulates, but is transformed. This edited collection does that by looking at the history of the projection lantern across the late 19th and early 20th centuries.
The projection lantern, also known as the 'magic lantern', 'optical lantern', and 'sciopticon', amongst other names, is part of a long history of media technologies and techniques that have allowed users to project images onto surfaces for audiences to view. The optical lantern helped the projected image become a ubiquitous form of media, known by wide and diverse publics during a wave of 19th century media popularisation.
From the 1880s until well into the twentieth century, the optical lantern was an immensely important tool to disseminate knowledge both within and outside academia, particularly in Western Europe and the United States. This volume maps the lantern-illustrated lecture from various perspectives, with contributions on how to research historical audiences, on the spaces where projection was used, on the role of images as evidence, on the shifts in pedagogy that were supported by the projected image, and on the archives and sources that provide access to material that allows an understanding of the multiple ways in which the medium was used.
Projecting Knowledge was edited by Dulce da Rocha Gonçalves, Nico de Klerk, Frank Kessler, and Jamilla Notebaard. Dulce da Rocha Gonçalves is a historian interested in the cultural dimensions of media, science, and technology. She earned her PhD at Utrecht University within the research project Projecting Knowledge, producing the first large-scale survey of public lantern lectures in Dutch society from the late nineteenth century to the Second World War. She currently holds a postdoctoral position in the Technology, Innovation & Society group at Eindhoven University of Technology.

Nico de Klerk is an independent researcher and archivist in the field of film and media history. Between 2018 and 2023, he was a postdoctoral researcher in the project Projecting Knowledge at Utrecht University, which partly overlapped with his research for the project Educational Film Practices in Austria, 1918-1970, at the Ludwig Boltzmann Institut for Digital History, Vienna. His current research focuses on the film-illustrated lecture in the Netherlands between c. 1910 and 1940.
Frank Kessler is professor emeritus of Media History at Utrecht University. He is one of the founders of KINtop. Jahrbuch zur Erforschung des frühen Films and the KINtop – Studies in Early Cinema book series. His research interests focus on the emergence of cinema as a multi-facetted medium and a cultural form, as well as on nineteenth-century visual media. His most recent research is dedicated the optical lantern as a tool for knowledge communication.
Jamilla Notebaard is a historian whose doctoral research explored the use of the magic lantern in Dutch academic education at the end of the nineteenth century. Her work reflects a deep interest in the history of science, particularly in the epistemic role of images in shaping knowledge within scholarly communities and beyond. She investigates how visual representations function as carriers of meaning, influencing both collective understanding and individual perception.

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Increasingly, it seems like the corporate names that dominate headlines are much more diverse than they used to be. Samsung, TSMC, and SK Hynix. Alibaba and Tencent; BYD and DeepSeek. Sea and Grab.
For twenty-five years, it seems like every major technology was American . That assumption is now under strain as innovation spreads from one place to many.
Mehran Gul tries to map out this new network in his book The New Geography of Innovation: The Global Contest for Breakthrough Technologies (Simon and Schuster, 2026). From China's startlingly messy AI ecosystem to Singapore's government-led innovation, from South Korea's decades-old conglomerates still at the frontier to India's world-class talent that too often works abroad; from Europe's struggle to hold on to its best companies, to the deeper role of the state everywhere—including in Silicon Valley—and why the United States, far from declining, is extending its lead into a genuinely bipolar technological order.
Mehran is a winner of the Financial Times/McKinsey Bracken Bower Prize. He attended Yale where he was a Fulbright Scholar, Fox International Fellow, and Teaching Fellow. He has been a Lead for the Digital Transformation of Industries at the World Economic Forum and an expert on Higher Education, Entrepreneurship, and Industrial Policy at the United Nations Industrial Development Organization. Before Yale, he studied at the Lahore University of Management Sciences. He has been a visiting scholar at the Jawaharlal Nehru University in New Delhi and a Fellow with the Acumen Fund.
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of The New Geography of Innovation. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.

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We are in a state of crisis. Democracy is under threat, authoritarian politics are on the rise, and digital media—once heralded as emancipatory technologies—are increasingly implicated in democratic erosion. The Discursive-Digital Link offers a critical framework for understanding the entangled relationships between discourse, digital media, and the hidden dynamics behind antagonism and polarisation.
The Discursive-Digital Link: Antagonism and Polarisation in Digital Spaces (Routledge, 2025) presents a fluid social ontology that theorises how discourses and digital communication technologies are inseparably entangled, and how this entanglement contributes to the formation of complex hierarchical relations. Drawing on discourse theory and new materialist perspectives, Dehghan maps how the various components of the discursive-digital link—users, collectives, identities, the medium’s design, underlying neoliberal capitalist logics, and structural power dynamics—together shape antagonistic frontiers in digital spaces. Through detailed case studies across multiple digital media, Dehghan demonstrates how these entanglements manifest through different articulatory logics that could transform societies towards either agonistic progress or disastrous polarisation.
By revealing the logics of discursive-digital alliances and active passivity, Dehghan provides critical insights for academics, activists, and anyone seeking to foster progressive togetherness. The Discursive-Digital Link offers a powerful theoretical framework and methodology for analysing digitally mediated communication. It challenges monolithic understandings of polarisation, technological solutionism, and symptom-focused approaches, instead advocating for radical structural interventions across all entangled components of the discursive-digital link—a necessary shift in both academic research and progressive political strategy to address the democratic crises of our time.

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When I heard that Leo XIV’s first encyclical, “Magnifica Humanitas,” was about “Safeguarding the Human Person in the Time of Artificial Intelligence,” my first reaction was dread. Turns out I was wrong; always something new out of Chicago.....
This is an experiment (akin to Books in Dark Times and Recall This Story and Recall This B-Side and to JP's earlier Hannah Arendt articles) in soliloquy. You can consult footnotes and read a transcript by heading back to the article in its original form here.

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In this episode of International Horizons, host John Torpey sits with Pepper Culpepper, Blavatnik Professor of Government and Public Policy at the University of Oxford, to explore the core thesis of his recent book, Billionaire Backlash: The Age of Corporate Scandal and How It Could Save Democracy (co-authored with Taeku Lee).
Drawing historical parallels to the American Progressive Era and the trust-busting of the early 20th century, Culpepper explains how corporate missteps act as catalysts for public action. The discussion delves into the concept of "latent opinion"—the submerged, widespread unease regarding corporate power, tech monopolies, and unchecked wealth that may be missed by conventional polling endeavors — and how high-profile scandals mobilize this sentiment into concrete regulatory reform. From the fiasco of Cambridge Analytica and controversies over AI data centers to the rising political tension surrounding billionaires, this conversation offers a nuanced, "possibilist" framework for how public outrage can revitalize democratic institutions and establish essential guardrails for modern capitalism.

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