Insight Myanmar

• On The Waterfront

  Episode #343: “I literally thought the world was crumbling!” Chloe, a young woman born and raised in Myanmar’s Inle Lake region, speaks viscerally about the country’s recent, devastating earthquake. The lake, known for its picturesque floating gardens and villages built on stilts, is one of Myanmar’s most iconic cultural landmarks. But the area is now in ruins. And while the structural damage was severe enough, the people were traumatized. With minimal outside relief, and an ineffective and corrupt government unwilling and unable to help, Chloe felt she had to do something. So she and some friends launched a grassroots fundraising campaign. They started by giving out small cash donations but quickly realized the biggest need was reliable shelter. In previous disasters, monasteries had served as temporary sanctuaries, but these now lay in ruins, too. Emergency shelters were quickly put up, but they are flimsy and sometimes shared by more than one family. So she and her friends pivoted to the goal of helping families rebuild their homes. Local initiatives like Chloe’s are driving the recovery, and in her view, it is this decentralized, community-led model that while necessary, is also inspiring. She talks about how a village will help one family with the biggest housing needs in rebuilding, then move onto the next, etc., until the whole village is taken care of. This kind of collective action has lifted spirits. Yet the material needs and psychological effects of the earthquake remain acute, and in spite of the Burmese people’s famous self-reliance, they were already exhausted after the COVID pandemic, years of political repression and civil strife, last year’s catastrophic floods. So Chloe ends with a call to action for the global community, urging listeners not only to donate but to amplify the voices of those on the ground. “The more people know what’s happening in Inle, the more likely it is that more support and assistance will come, I believe, from inside the country and beyond.”

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• An Irish Bhikkhu in Burma

  Episode #342: Dhammaloka, born Laurence Carroll in Dublin around 1856, was a unique figure in the history of Buddhism and anti-colonial resistance. Much of what we know today about Dhammaloka comes from Laurence Cox, Alicia Turner, and Brian Bocking in “The Irish Buddhist.” Carroll left Ireland as a teenager, becoming a sailor and tramp, living on the margins of society. These experiences shaped his adaptability and led to his connection with Buddhism when he arrived in Burma. Unlike other Europeans, Laurence was not part of the elite—he was a working-class man who resonated deeply with Buddhist principles. Rangoon’s diverse environment enabled Laurence to align with marginalized communities resisting colonial rule. Eventually, he ordained as a monk Tavoy Monastery in Rangoon under the name U Dhammaloka. The monastery was aligned with the Thudhamma sect, known for its strict adherence to the Vinaya and social engagement. This gave Dhammaloka an opportunity for both a spiritual rebirth from his alcohol addiction, as well as a connection to the emerging, pan-Asian Buddhist movement. His commitment to the monastic life became a powerful personal and political act. Dhammaloka’s activism brought him into direct conflict with British authorities. He was placed under surveillance, charged with sedition, and his trial in Rangoon showed his symbolic role in anti-colonial resistance. Despite attempts to suppress him, his legacy endured. Dhammaloka also fiercely opposed Western missionaries, viewing their work as part of colonial domination. He famously said, “The British came with the Bible, the Gatling gun, and the whiskey bottle,” highlighting colonialism's cultural and territorial aims. Carroll’s journey—from tramp to influential monk—reminds us of courage, solidarity, and the enduring desire for justice.

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  2:16:31
• The Unfriendly Skies

  Episode #341: As the military has suffered setbacks in the field, its use of indiscriminate aerial bombing has only increased, taking a deadly toll on civilians and leaving a legacy of trauma for survivors. In this episode, we take you inside a conversation with resistance artists and researchers who have been working with A New Burma, through their exhibitions in Thailand titled “When We See the Planes.” These events shed light on the tragic effects of air strikes – and people’s refusal to succumb to this campaign of terror. By using art, performance, sound, and storytelling, these exhibitions serve as a beacon to highlight violations of international law and establish a record for transitional justice, while remembering those who have lost their lives. The events showcase the works of about twenty artists, including frontline Myanmar photographers, put together with the help of Thai curators. “When we do this kind of work, we want to it to be empathy-driven,” says Hnin, the founder of A New Burma. “We want to talk about this topic, not to give knowledge, but to speak to your heart.”

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  1:49:16
• Lost In Translation

  Episode #340: Having taught at Payap University in Chiang Mai from 2016–2022, Tony Waters mentored doctoral students grappling with Myanmar’s long history of war, repression, and foreign interference. His students’ pride in their cultures, alongside their questioning of the country’s fragmentation, helped shape his own understanding of Myanmar’s deeper crises and multi-layered history.One dissertation, exploring Ne Win’s Burmanization policy, particularly influenced his thinking. It traced the policy’s roots to the CIA’s Cold War counterinsurgency training, and its evolution into the Tatmadaw’s brutal Four Cuts strategy. Waters further critiques how America’s anti-Communist strategies, enacted covertly by the CIA, indirectly empowered the expansion of the drug trade.Waters argues that Myanmar’s ethnic militias are not reflective of any cultural deficiencies, as some outsiders have implied, but rather rational responses to the absence of a stable, inclusive state. He is also sharply critical of the Western aid sector, particularly USAID, for prioritizing donor interests over local needs, and perpetuating cycles of ineffective development. Skeptical of post-coup “political dialogue” initiatives, Waters asserts that the military junta is structurally incapable of genuine negotiation.Ultimately, he frames Myanmar’s continued suffering as the product of Great Power rivalries, stating that as long as China and the U.S. treat the country as a Cold War playground, real change remains elusive. Waters concludes by stressing the nuance required to better understand and engage in Myanmar, “I'm not looking for good and evil, I'm [just] looking for the story and trying to understand the processes.”

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  1:35:46
• Whose Byline Is It Anyway?

  Episode #339: Aung, a full-time journalist and women’s rights activist, sheds light on the many hardships Myanmar’s journalists now face both operating from within and without the country following the 2021 coup and the all-important issue of gender equality in the field.Reflecting back on the transition period, Aung laments that despite the modest advancements made in women’s rights and gender equality, the military coup has undone these gains. Now, confronted with unprecedented challenges, she and her colleagues are tirelessly working through various organizations and initiatives to expose the pervasive gender discrimination and violence that persist in newsrooms.Their efforts also focus on creating networks that enable affected female journalists to connect, share experiences, and address these critical issues collectively. Pushing back against those voices that suggest these concerns should be addressed only after the junta is toppled, Aung insists this is partand parcel of the current revolution’s objectives. Her story gives an inside look at the obstacles and absurdities that Burmese female journalists are made to confront unduly.In closing, sheinsists that their fight for equality is not code for establishing a new matriarchy; instead, she imagines a world where men and women share the workspace evenly.“Personally,” she attests, “I do not want us exercising some form of dominance over our male colleagues. When we think about our organization’s structure, we think, ‘We will need to include their perspectives as well.”

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