Who Arted: Weekly Art History for All Ages

American artist Thomas Hart Benton (1889-1975) was a leading figure of the Regionalist movement, known for his dynamic depictions of American life, labor, and landscapes. Born into a politically prominent Missouri family, Benton initially pursued art against his father's wishes, studying at the Corcoran Gallery of Art and later in Paris, where he engaged with avant-garde movements like Cubism and Synchromism. However, he eventually rejected European modernism, advocating for a distinctly American art form that captured the realities of the nation. His signature "muscular realism" is characterized by swirling forms and vibrant colors, often seen in his prolific murals in public buildings such as the Missouri State Capitol.

Benton's monumental mural cycle, ⁠America Today⁠, completed in 1931, stands as a prime example of American Regionalism. Executed in egg tempera on linen, these ten panels offer a panoramic view of American life during the Great Depression, featuring scenes of bustling cities, industrial activity, and rural labor. The mural, originally commissioned by The New School for Social Research, showcases figures like steelworkers, farmers, and jazz musicians, with Benton subtly including himself and his family within the work. America Today is a powerful visual narrative that celebrates the resilience of ordinary Americans and critiques the challenges of the era, solidifying Benton's legacy as a chronicler of American history and culture. The mural is now housed at the Metropolitan Museum of Art in New York City.

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Emily Kame Kngwarreye was born around 1910, a time when the Aboriginal people were not considered full citizens in their own country. Earth’s Creation is an absolutely massive painting about 9 feet tall and 20 feet wide. She painted it in 1994 when she was around 84 years old. Most biographies will say that she only painted for the last 8 years of her life, but really, she was only painting for Western audiences for that period. She spent her life learning, practicing, and creating in line with the Aboriginal customs.

Earth’s Creation is an absolutely massive piece she created in 1994. Kngwarreye was about 84 years old when she painted it. It shows an evolution in her style from the more earth toned traditional pieces she painted as she first began to work on canvas. In this piece we see rich blues, yellows, and greens referencing the lush “green times” that follow periods of heavy rain. She was moving beyond the clay and ochre pigments but still creating work deeply rooted in her connection to the land and nature. This painting is about 9 feet tall and 20 feet wide and when it went up for auction in 2007, it sold for an equally large price of just over $1 million. It set a record for the highest price of a work by an aboriginal artist and the highest price for an Australian female painter. A decade later it sold for over $2 million once again setting the record for the highest price by an Australian female painter.

This is an encore presentation. Every January/February, I release daily episodes to refresh everyone's memory on the 64 artists and artworks that will be included in my Arts Madness Tournament held in March. While most of these daily episodes will be reruns, I will continue publishing new episodes on Mondays. 

Check out my other podcasts  Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab

Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: [email protected]

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Wayne Thiebaud is known for his paintings of everyday objects. Born in 1920, Thiebaud's early experiences as a sign painter and an apprentice animator at Walt Disney Studios shaped his understanding of visual communication and iconic forms. Though often associated with the Pop Art movement of the 1960s, Thiebaud’s approach was distinct. While artists like ⁠Andy Warhol⁠ embraced mechanical reproduction, Thiebaud celebrated the painter's touch, using thick impasto, brilliant colors, and strong shadows to bring his subjects to life. His signature works feature commonplace items, particularly diner foods like pies, cakes, and gumballs, transforming them into objects of formal study and cultural nostalgia.

Thiebaud's career gained national recognition following his inclusion in the landmark 1962 exhibition, "New Painting of Common Objects," at the Pasadena Art Museum. A deep dive into one of his early masterpieces, Pie a la Mode (1961), reveals the key elements of his style: the luscious, tactile quality of the paint, the signature halos of color outlining the object, and the ability to find artistic complexity in the simple pleasures of American life. Beyond his famous still lifes, Thiebaud also applied his unique vision to compelling landscapes of San Francisco and detailed figure paintings, solidifying his legacy as one of America's most beloved painters and a dedicated long-time professor at the University of California, Davis.

Related episodes:

⁠Claes Oldenburg⁠

⁠Roy Lichtenstein

This is an encore presentation. Every January/February, I release daily episodes to refresh everyone's memory on the 64 artists and artworks that will be included in my Arts Madness Tournament held in March. While most of these daily episodes will be reruns, I will continue publishing new episodes on Mondays. 

Check out my other podcasts  Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab

Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: [email protected]
Learn more about your ad choices. Visit megaphone.fm/adchoices

The Ardabil Carpet, a masterpiece of 16th-century Persian weaving, represents a pinnacle of Safavid art. Though associated with Ardabil, scholars suggest it may have been woven in Kashan, a prominent center for carpet production during that era. Commissioned during the reign of Shah Tahmasp I (1501-1736 CE) for the Shrine of Shaykh Safi al-Din Ardabili, this monumental wool pile carpet on a silk foundation measures an impressive 34 feet 6 inches by 17 feet 5 inches and boasts over 25 million knots.

The carpet's intricate design features a central medallion surrounded by elaborate floral motifs, scrolling vines, and arabesques, reminiscent of a lush garden, a common theme in Islamic art. Notably, two asymmetrical mosque lamps hang from the central medallion, symbolizing divine knowledge and adding to the carpet's sacred context. Inscriptions include a couplet from the poet Hafiz, emphasizing devotion and humility, fitting for a piece created for a revered shrine. Dated 946 AH (1539-1540 CE), the Ardabil Carpet's precise dating is a rare and valuable historical marker. Its acquisition by the Victoria and Albert Museum in London in 1893 significantly elevated the recognition of Islamic art in Western collections, and its enduring influence continues to inspire textile art and design globally.

This is an encore presentation. Every January/February, I release daily episodes to refresh everyone's memory on the 64 artists and artworks that will be included in my Arts Madness Tournament held in March. While most of these daily episodes will be reruns, I will continue publishing new episodes on Mondays. 

Check out my other podcasts  Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab

Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: [email protected]
Learn more about your ad choices. Visit megaphone.fm/adchoices

Wifredo Lam was a visionary artist whose work seamlessly blended the diverse influences of his multicultural heritage with the avant-garde movements of the early 20th century. Born in 1902 in Sagua la Grande, Cuba, Lam was the son of a Chinese immigrant father and a mother of mixed African and Spanish descent. This rich cultural tapestry, combined with his early exposure to Santería through his grandmother, deeply informed his artistic vision. Lam’s journey took him from the traditional art academies of Havana and Madrid to the heart of the surrealist and cubist movements in Paris, where he formed a pivotal friendship with Pablo Picasso. His experiences during the Spanish Civil War and his return to Cuba in the 1940s further sharpened his focus, leading him to create works that challenged the status quo and celebrated the spiritual and cultural resilience of the Afro-Cuban people.

Lam’s most celebrated masterpiece, The Jungle (1943), serves as a powerful reclamation of Afro-Cuban identity. While the title suggests a literal wilderness, the painting depicts a dense thicket of sugarcane—a crop deeply tied to Cuba’s history of colonial exploitation and enslaved labor. Through a unique visual language that merges cubist fragmentation, surrealist dream-logic, and the geometric forms of West African masks, Lam populates this "jungle" with hybrid, spirit-like figures. This monumental work, now housed in the Museum of Modern Art (MoMA) in New York, stands as a testament to Lam's goal of creating a "hostile" art that would "disturb the dreams of the exploiters." By reappropriating the very African motifs that European modernists had previously "discovered," Lam established a new form of modernism—one that was globally relevant yet deeply rooted in the personal and political realities of the Caribbean.

Check out my other podcasts  Fun Facts Daily | Art Smart | Rainbow Puppy Science Lab

Who ARTed is an Airwave Media Podcast. If you are interested in advertising on this or any other Airwave Media show, email: [email protected]

Learn more about your ad choices. Visit megaphone.fm/adchoices