No Other Foundation

Recently I was re-reading a good but somewhat dated book about the episcopate, entitled The Apostolic Ministry, a collection of essays edited by Bishop Kenneth Kirk and published 1946. In one piece, written by Beatrice Hamilton Thompson on the “Post-Reformation Episcopate in England”, the author compared the state of the episcopate at the time Archbishop of Canterbury Matthew Parker (d. 1575) to that of the episcopate at the time of St. Cyprian of Carthage (d. 258).

Recently I have come across an anti-Orthodox polemic which rejects our veneration of icons on the grounds that venerating an image painted on a board of Christ, His Mother, or His saints is contrary to the practice of the apostles and of the earliest Church. The objection is stated with some sophistication, and is not the usual fundamentalist reference to the Mosaic Law’s proscription of carved statues used in worship (e.g. Exodus 20:4f). This more sophisticated objection acknowledges that there were indeed images of Christ, His Mother, and His saints used in the early Church such as can be found in the funerary art of the catacombs and on the walls of churches (such as that of Dura Europos). But, it points out, there is no evidence that these images functioned as anything more than mere decoration. That is, the people did not come up to the wall to kiss the wall art or venerate the images.

Recently a minor fracas in the narthex of our church was caused by (I kid you not) my long hair (see inset for a rear view of said hair). Since my hair steadfastly refuses to grow on the top of my head, you would think I could be cut a little slack for the bit that grows at the back, but apparently not.

Thousands of years ago when I was a teenager and a brand-new Christian, I happened to read an article by S.G.F. Brandon about Jesus being a Zealot, in which he questioned much if not most of the Gospel portrait of Jesus and suggested that the Gospels (particularly that of Mark) constituted a whitewash of Jesus, eliminating His Zealotry from the Gospel picture to make Him and His movement more acceptable in Roman eyes. It was, of course, a precis of his 1967 book Jesus and the Zealots which created something of an academic dust up in its day.